Body

2006
At the Heart of a Sparrow

An episodic adventure highlighting the riff between mind and body. Through a series of animated narratives, role reversals and associations, images are driven out and stacked one on top another. "A best friend is like a four leaf clover: hard to find and lucky to have. But I'm beginning to wonder if he knows something the rest of us don't."

2014
Video Data Bank, Ron Athey: An Interview

In this interview, extreme performance artist and 1990s culture warrior Ron Athey (b.1961) discusses the genesis of his provocative performance style and the memories and desires that continue to motivate his practice. Athey describes how his particular approach to performance developed dually from his religious upbringing and exposure to devotional theater, as well as from his later interest in the DIY grandiosity of the Los Angeles punk scene.

2006
Baby

A mother holds her child. Her face barely shows expression.

1974
Birthday Suit with scars and defects

On the occasion of her 27th birthday, the artist made this work which chronicles her passage through time. In the tape, she undresses, then reveals, touches, counts, dates and recounts the story of every scar on her body.

This title is only available on Radical Closure.

1992
Black Body

Black Body is a harsh and compelling meditation on the contradictory values assigned to black bodies in American culture: they exist as both desired and feared, abject and powerful. The “black body” is a body whose surface reflects projected fears and repressed desires; as such, it exists as a site of ideological struggle, a surface which is simultaneously eroticized and denegrated.

2013
Blood and Guts in Hollywood: Four Works by Laura Parnes

Video Data Bank is proud to present the wonderful work of artist Laura Parnes. This two-volume box set features four video works that highlight her interest in the deconstruction of narrative film conventions, including her reimagining of Kathy Acker's 1984 novel, Blood and Guts in High School.  Included in the set is a 44-page monograph containing an essay on the collection and interview with Parnes by writer and novelist Chris Kraus.

2009
The Body Parlor

In The Body Parlor, both man and sheep as combined sacrificial bodies become subjects of biological investigation. As symbols of ritual sacrifice, they are bodies that give of themselves. In discovering new forms of health-care (regenerative medicine) and tissue engineering (such as stem cell research), the body becomes sacrificial material for the greater purpose of a social good. The performers employ the material objects, either as products of or as extensions of the body as a way of exploring giving from one's self in sacrifice.

2005
Border Art Clásicos (1990-2005)

An Anthology of Collaborative Works by Guillermo Gómez-Peña

This "conceptual package" of collaborative videos and writings by leading theorists is a unique opportunity for students, artists and educators to explore the psyche, experimental aesthetics, activist ethos and spiritual cosmology of legendary rebel artist Guillermo Gómez-Peña.

With filmmakers:

Isaac Artenstein, Adriene Jenik, Patrick Litchy, Jethro Rothe-Kushel, Daniel Salazar, Henry Sayre & Sandy Brooke, Roberto Sifuentes, Liz Singer, Gustavo Vazquez

1988
Both

A beautifully ambiguous study of the nude in light and movement, this short silent film focuses on the dimly lit bodies of two women shot from Child’s distinctly non-male perspective.

1968
Bouncing in the Corner, No. 1

Nauman is seen standing and leaning back in a corner of his studio. Just as he bounces back to a standing position, his body falls again, momentarily collapsing, only to spring forward once more. This action places his body in an intermittent space, occupying a position halfway between standing and leaning, halfway between the wall and the room.

This title was in the original Castelli-Sonnabend video art collection.

1969
Bouncing in the Corner, No. 2

Repeating the same activity as featured in Bouncing in the Corner, No. 1—leaning back and bouncing forward from the corner—this time the camera is positioned just above Nauman’s head. This gives his body the sense of constantly rising and falling, his chin just crossing the bottom edge of the screen before sinking back.

This title was in the original Castelli-Sonnabend video art collection.

 

2000
Boy Toys

A naughty romp that is bare, brazen, and "black and blue" too, featuring a playpen of playthings that go on an erotic rampage."

2002
Brite Tip

"Brite Tip explores the indoctrination of children and police through an assortment of cross-fades, wipes, and other stock transitions. A highly danceable essay on breastfeeding."

—Gavin Smith

This title is also available on Animal Charm Videoworks: Volume 3, Computer Smarts.

2003
The Brown Sheep Project

In 2002, my troupe, La Pocha Nostra and I were invited to conduct a workshop at Columbia College in Chicago with 15 students and faculty from different departments. At the end of the two-week workshop, we created a large-scale performance-installation with the participants. Canadian video artist Liz Singer was invited to shoot the entire process, from the early workshop exercises, meant to connect students with their bodies and build a sense of community, up to opening night... In this documentary we reveal the working methods and radical pedagogy of La Pocha Nostra.

2008
CHANNELING: an invocation of spectral bodies and queer spirits

CHANNELING is an entryway into the spirit realm and the queer body politic: a program of experimental moving image work that calls up the ghosts of the past and the specters of the future. The intent of the program is to re-imagine film and video as occult technologies that allow us to connect with the bodies, experiences, and emotions that are often invisible--ghostly even--in everyday life.