Body

2001
I Wanted You

I Wanted You shows a woman who is crawling over the floor. She is wearing only tights and a pair of red shoes with high heels. Her hair-covered face makes her an anonymous victim of the camera, which is making converging circles around her body.

This title is also available on Hester Scheurwater Videoworks: Volume 1.

1989
Identity Crisis, Mindy Faber

With wit and humor, seven-year-old Kendra portrays ten female stereotypes, including an ingratiating Southern belle, a motorcycle-riding tough chick, and a simpering housewife. Under the rubric of playing dress-up, the video illustrates the pervasive, prescribed personalities available to women, and the early age at which girls recognize these choices. But, as outtakes reveal, spirited Kendra’s is infinitely more complex than the cardboard cut-outs she depicts.

2010
Idolatry

Why is the world still so beautiful when beauty’s self is fled; like the stone boy, mute, motionless and dead in marble loveliness.

Ike
2008
Ike

Ike is about a person showing their special gift–if pushed. The truth, fiction and lore of a brick thrower with deadly accurate aim.

Cast: Deondre “Champ” Jones, Derron Everson, Anthony Jerrell Jones.

This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.

 

1983
An Image

"Four days spent in a studio working on a centerfold photo for Playboy magazine provided the subject matter for my film. The magazine itself deals with culture, cars, a certain lifestyle. Maybe all those trappings are only there to cover up the naked woman. Maybe it's like with a paper-doll. The naked woman in the middle is a sun around which a system revolves: of culture, of business, of living!

1997
Miller & Shellabarger,

Miller & Shellabarger, their breath made visible by the cold of a refrigerated room, exchange breath with each other.

This title is only available as an excerpt on Suitable Video, Volume 1.

2008
In the Sun Room

"A chamber drama set in the confines of an apartment’s sun room, this video further explores visual themes and obsessions found in my earlier works and adds in a few new ones for good measure. Earlier motifs seen here are lightbulbs in pendulum movement, tabletop antics with simple household objects, Christo-like fleshy textures, sketchbook pages torn from their binders, book pages, bookshelves, and flowers. I play a vaguely Walter Mitty-ish figure, who imagines himself as a conductor, as Orpheus, and as conflicted characters in a Greta Garbo movie.

2001
Intensive Care

The violent surgical act of a boy’s circumcision is contradicted by the peacefulness of his facial expression. Proud to join the world of men, the boy is trying his best to be brave. Yet can the passage to adulthood be that simple?

This title is only available on Radical Closure.

2006
It Hurts

The repeatedly distorted, primate behaviour of an (ani)female carrying her baby, reflecting the pain and suffering provoked by the mother/child relationship.

2004
Kings of the Sky

An experimental documentary about resistance, balance and fame. Kings of the Sky follows tightrope artist Adil Hoxur as he and his troupe tour China’s Taklamakan desert amongst the Uyghurs, a Turkic Muslim people seeking religious and political autonomy.

2001
Barbara Aronofsky Latham, Barbara Latham Videoworks: Volume 1

The five videos featured here investigate video as a tool for storytelling and the construction of alternate identities. Ultimately Latham concludes that video is an unsatisfactory and cumbersome tool useful only for the creation of dislocated narratives.

2014

Sections 1-30 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.

"Lessons are all about constraints; they are thirty seconds, must feature a black figure, and I have rules about where to make cuts, how to edit sound, etc."
— Martine Syms in conversation with Aram Moshayedi, Mousse Magazine

2016
Lessons: XXXI-LX

Sections 31-60 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.

"Lessons are all about constraints; they are thirty seconds, must feature a black figure, and I have rules about where to make cuts, how to edit sound, etc."
— Martine Syms in conversation with Aram Moshayedi, Mousse Magazine

1988
Let's Play Prisoners

A haunting look at the hidden issues of erotic power relationships between women, told through the reconstructed story of two girlhood friends. In Zando’s tape, the origins of desire and domination are traced to the early stages of the childhood relation between mother and daughter, as revealed in the often fearful and cruel framework of childhood play. In the paradigm of need and dependency versus power and control, the submissive impulse is linked to the transcendent yearning to reunite with the pre-natal mother.

1999

Letter to a missing woman, based partly on memories of someone who has been a political fugitive since 1983, combines documentary "evidence" and fiction in an imaginative reconstruction of public documents and private history. This is a quiet, obsessive piece addressing the human costs and repercussions of re-inventing oneself – one’s body, memories, and future – as a living piece of propaganda. The writer/narrator of this "crazy letter" is an unreliable one, a composite of half-truths, paranoid digressions, and feelings of loss.