Environment

2005
Fifeville

Fifeville is a film about a neighborhood in Charlottesville, Virginia. It focuses on the details, gestures, and material life of the citizens of Fifeville as they communicate their understandings of the neighborhood’s changing landscape. Although Fifeville is set in Charlottesville, it could be Any Black Community Experiencing Gentrification, USA, 21st Century.

Co-director: Corey D.B. Walker. Crew: bh103a.

2012
Ken Kobland, Film Work 1975-2011 Ken Kobland

Ken Kobland has been working in various aspects of film and video since 1971, creating productions in collaboration with performing artists such as Philip Glass, the Wooster Group, Elizabeth LeCompte, and Spalding Gray. His work explores a variety of themes and issues, often embracing a photographic aesthetic within the context of video. Beautifully edited, his work merges diaristic and documentary categories, presenting an art of video that approximates photo-journalism. 

This 7-DVD box set contains the following titles from the artist:

Disc 1

1971

This video captures the playfulness of the Videofreex as they frolic in the first snow of 1971. With joyful excitement, David, Bart, Chuck, Nancy and Skip pass the camera back and forth to explore the possibilities for video under the new weather condition offered by flurries. While Nancy tapes, David and Bart create fictional characters stranded after a plane crash. Annie, Francis and the resident dog, Mushroom, join the group for further snowy shenanigans. Later, Bart tries to interview the local snowplow driver for an episode of Lanesville TV, but without success.

2002
Forbidden Fruits

The foliage and sprouting of urban greenery becomes the subject of this celebration to all things pollinated. The video explores hidden gardens that lie sequestered amid an array of dwellings inhabited by the not so rich and famous. Felines creep amid the blossoms as human entities enrich the soil with their leaking desires.

2014
Forest Law

Forest Law underlines the persistent fact that we are yet to learn to live otherwise in an age defined by the colossal consequences of a new socio-geological order we ourselves have created through irresponsible interactions with Earth’s systems.

1970

A two-part study of the self-sustaining lifestyle of a communal farm in Vermont. 

1992
Free-for-all in Sararé

Over 6,000 gold prospectors invade the reserve of the Nambiquara of Sararé, and loggers raid the mahogany-rich forests, which are threatened by extinction. Pressure on the World Bank (with whom the government of Mato Grosso is negotiating a loan) could end prospecting, but the pillage of the forest continues.

In Portuguese with English subtitles.

Directed by Vincent Carelli, Maurizio Longobardi, and Virginia Valadão; edited by Tutu Nunes.

1994
Fresh Kill

Shu Lea Cheang's witty narrative Fresh Kill envisions a post-apocalyptic landscape strewn with electronic detritus and suffering the toxic repercussions of mass marketing in a high-tech commodity culture.

1985
Gargoyle V

A Yosemite gargoyle climbs two gothic arches.

This title is also available on Sympathetic Vibrations: The Videoworks of Paul Kos.

1973
Going Around in Circles

Going Around In Circles continues Holt's interest in perception and point of view. A board with five circular holes is placed in front of the camera. The holes are covered and uncovered to reveal five people enacting a set of activities that involves walking between five spots and turning in circles.

1978
Helen and Newton Harrison: An Interview

Among the leading pioneers of the eco-art movement, the collaborative team of Newton and Helen Mayer Harrison (often referred to simply as “the Harrisons”) have worked for almost forty years with biologists, ecologists, architects, urban planners and other artists to initiate collaborative dialogues to uncover ideas and solutions which support biodiversity and community development.

2003
Haysha Royko

Shot in Portland International Airport. Animation by Jalal Jemison.

"In Haysha Royko, three people sit nonchalantly in airport chairs, while their different-colored auras, or something much like auras, shape shift, overlap, and compete."

— Emily Hall, The Stranger, July 17th, 2003 

2014

Set in East Berlin in 1977, this short experimental documentary interviews the Dadaist artist Hannah Höch as she reflects upon her experiences living and working during in 1920s Berlin. Höch compares the sociopolitical landscape of Berlin in the 1970s to its romanticised past of the Wiemar Era, while questioning the usefulness of nostalgia as an emotive tool.

2013
Basma Alsharif, Home Movies Gaza

Home Movies Gaza introduces us to the Gaza Strip as a mircrocosm for the failure of civilization. In an attempt to describe the everyday of a place that struggles for the most basic of human rights, this video claims a perspective from within the domestic spaces of a territory that is complicated, derelict, and altogether impossible to separate from its political identity.

"... Basma Alsharif’s Home Movies Gaza, a film that captures the impossibly politicized domestic sphere of the Gaza Strip, under the constant hum and buzz of overhead drones."

2011
Hotspell

This final weather diary travels through some rough inner and outer domains.  Social interactions blend more smoothly than the clash of air masses which threaten to clobber a prairie town in a vortex of violence.

Flashbacks and flashpoints flare-up along with thunderheads that loom and boom with vibrations of doom, their every move charted with vivid vibrancy on videographic maps which detail developing devastation.

Desire and death are in the air along with some aromatic wisps of ethnic edibles, so be sure to sniff it all.