Humor

1993
Andy's House of Gary

A young painter, and his somewhat slower roommate, talk of paranormal occurrences in a room of charcoal canvasses and ephemeral renderings. Eavesdrop on the improbable and the impossible (BUT TRUE!).

2000
Animal Attraction

Animal Attraction is a documentary about the relationship between people and animals that questions the way we project our hopes and desires onto our pets, and ascribe human qualities and attributes to their gestures. The video was inspired by the plight of the filmmaker who was frustrated by the obnoxious behavior of her cat, Ernie. As a last resort, she gave in to a friend's suggestion to contact an animal communicator. This is her journey with interspecies telepathic communicator, Dawn Hayman, from Spring Farm CARES, an animal sanctuary in upstate New York.

2000
Animal Charm Videoworks: Volume 1

This compilation is a fresh, witty, and compelling addition to video’s rich legacy of media deconstruction. Through appropriation and reassemblage, these intriguing works upset the hypnotic spectacle of TV viewing by displacing its logic and forcing viewers to make new connections among its codes and conventions. While this disruption is playful, it also reveals the tragic underbelly of corporate message-making—the way it appropriates and suppresses nature and "unpredictability," the way it preys on human vulnerability, and the way it shamelessly celebrates mediocrity and distraction.

2002
Animal Charm Videoworks: Volume 3, Computer Smarts

Furthering the Animal Charm mission to undermine normality and create new stories from old, the videotapes in this collection seek to reinterpret and/or disrupt the flow of found footage narrative.

2008
Animal-Cams

"I just can't resist trying to empathize with animals and plants.  I think that in the process of attempting to learn what it's like to be an animal or plant, I learn more about what it means to be human."
--Sam Easterson

1983
Ximena Cuevas, Antes de la Televisión (Before Television)

The vacuum cleaner becomes the device of the feminist 'liberation', or the monster that devours us. —Insite 2000 program, San Diego Museum of Art 

This title is also available on Ximena Cuevas: El Mundo del Silencio (The Silent World) and Half-Lies: The Videoworks of Ximena Cuevas.

2000
Aquatica

A reflection on the deep and the creatures that attempt to fathom its resources (such as baked salmon and rubbery crocodile meat). A visual journey into the far reaches of waterlogged consciousness, where the yearnings of the tummy meet the revulsion of the cranium—a cranium mostly made up of water in the first place, like a head of cabbage. Besides, the video is more of a head-trip to the nether reaches of Neptune's haunts where tourists glide through guts of glass to ooh and aah at the mysteries of the deep-end.

2001
Arizona Byways

A cactus-strewn desert becomes the backdrop for this series of filmic stopovers that focuses on the living quarters assigned the assignee of this adventurous arrangement. Great natural beauty clashes with manufactured outdoorsmanship, as a tired body and sluggish mind seek the oblivion of hotel hospitality in an arid region of artistic aspirations. The viewer is introduced to a world of prickly plants and satin-skinned succubi who prowl the alleys of western decay to staple their fig leaflets on the vertical shafts that poke unsheathed at the virgin skies of southern Arizona.

1992
Aroma of Enchantment

Aroma of Enchantment is a video essay investigating the fascination Japanese teenagers have for the America of the 1950s and '60s, sporting bobby socks and hair soaked with Brylcreem. Weaving together historical anecdotes about General Douglas MacArthur and his own feelings of alienation in the midst of Japanese culture, Lord focuses on stories told by collectors of American memorabilia in Japan and advocates of Americanization.

1974
Art Herstory

“In her brilliant video Art Herstory, [Freed] has restaged art history, putting herself in the model’s role in numerous paintings.... Time dissolves under her humorous assault—one moment in the painting, then out of the canvas and into that period, then back in the studio."

—Jonathan Price, “Video Art: a Medium Discovering Itself,” Art News 76 (January 1977) 

An excerpt of this title (14:49) is also included on Surveying the First Decade: Volume 1.

2009
Art Space

A brief trip to the Miami '09 art festival was the moving (or swimming) force to instigate this travelogue. There are some bathing sequences sprinkled about and lots of munching going on in this latest addition to my Christmas video series. There's even a Santa Claus figure trodding across sand instead of snow; but don't let that dismaying personage in shades of gray discolor an otherwise plentiful poo-poo platter of pulchritude.

1991
Artists in Residence

The artists of the future and the past converge and converse as the funding dries up and extrapolation envisions extinction.

1975
Associations

Images from magazines and color supplements accompany a spoken text taken from Herbert H. Clark’s “Word Associations and Linguistic Theory” (in New Horizons in Linguistics, ed. John Lyons,1970). By using the ambiguities inherent in the English language, Associations sets language against itself. Image and word work together and against each other to destroy and create meaning.

1998
Attack of the Giant Garuda

A video I made with students at the California College of Arts and Crafts. It brings to life the terror and romance of cryptozoology as the hero and heroine (both played by young women) go south to bumpkin land on a search for the notorious and monstorous MOTHMAN. A fun journey in video-making desperation (the whole thing had to be shot and edited in 5 days).

1992
Award

A behind-the-scenes look at the man behind the trophy and the poisons that taint an otherwise jubilant jamboree.

This title is also available on The World of George Kuchar.