Magic

2009
Acid Redux

George Kuchar’s Acid Redux is a raucous journey into the murky domains of mysticism and liminality. Featuring zombie seductresses, erotic interspecies adventures and an animatronic chimpanzee, Acid Redux creates a strange and uncanny world where the familiar falls apart. Meaning and identity become increasingly unstable as the boundaries are blurred between genders, species and even life and dead itself.

— Kyle Riley

2015
Age of Anxiety

"...Roy has set in and spread across the fabric of their lives."

— Mike Kuchar

2015

"No man can stay in bed forever...He must rise up; up the steep steps of perfection."

—Mike Kuchar

2015

"...will somebody lend him their sins, because his old worn out ones have become tiresome."

—Mike Kuchar

2014

A kiss can be devine or demonic.

A kiss can change your life...alter it.

-Mike Kuchar

2012
Michael Robinson, Circle in the Sand

In a broken near future, a band of listless vagabonds ambles across a war-torn coastal territory, supervised and sorted by a group of idle soldiers. Rummaging, stuttering, and smashing through the leftovers of Western culture, these ragged souls conjure an unstable magic, fueled by their own apathy and the poisonous histories imbedded in their unearthed junk. Suspicion, boredom, garbage, and glamour conspire in the languid pageantry of ruin. Feel the breeze in your hair, and the world crumbling through your fingers.

2011
Evil Eyes, The

An homage to the death of the soap opera, The Evil Eyes is a 1960's era story of a grandmother faced with her mortality, a mother in mid-life crisis, and a son realizing his sexuality - a dysfunctional family whose unspoken angst manifests in the latest episode of their beloved supernatural soap opera, Before Dawn.

2014
Kendell Geers: An Interview

In this 2014 interview, South African artist Kendell Geers (b. 1968) discusses the function of magic, myth, and memory in his work. Beginning at childhood, Geers charts the path he has taken in his understanding of his own biography as a site of resistance. This interest in the use of personal biography culminated in 1993 with his decision to change his date of birth to May 1968 as a way to reference both the May 1968 student protests, and the fact that 1993 was the first year that South Africa had participated in the Venice Biennale since 1968.

2015
Ben Russell, Greetings to the Ancestors

Set between Swaziland and South Africa, in a region still struggling with the divisions produced by an apartheid government, Greetings to the Ancestors documents the dream lives of the territory’s inhabitants as the borders of consciousness dissolve and expand. Equal parts documentary, ethnography and dream cinema, herein is a world whose borders are constantly dematerializing.

2014
New Beginnings

He was born from the Maker's rib, - asked into existence...made Human for another step in the 'Dance.'

2009
Obsessive

A boy endures sleepless nights of desire and obsession in this haunting visualization of erotic possession.

2007
Ephraim Asili "Points on a Space Age"

“A documentary about the Arkestra, but it's one whose presentation reflects the multilevel approach Sun Ra had to music and life in general. Jump cuts and split screens dot the visual stream with home movie footage from the Arkestra in Egypt during the '70s to the Arkestra of today led by Marshall Allen. Director Ephraim Asili wisely divides the 40 minutes into distinct chapters, illustrating each with band interviews, live footage, visuals of planets and NASA launches, and his voice quoting writings from Ra.

2005
The Prayers of Cupie LaRue

A girl with two male companions in a room is a space where the mind's eye wanders!

2015
Cecelia Condit, Pulling Up Roots

Pulling Up Roots is the emotional journey of a woman who is navigating the tenuous strain between the past and the future.

Filmed in an abandoned housing project in Western Ireland, she uproots exotic plants and flowers, as one might collect stories and memories one can’t understand. Condit’s operatic songs and childlike rhymes give a sense of naiveté and strength that comes from her solitude. From a playful skip around the yard, to a moment where profound sadness gives way to unexpected laughter, she explores an entire lifetime of emotions in mere minutes.

 

2011
Ben Russell, River Rites

“Animists are people who recognise that the world is full of persons, some of whom are human, and that life is always lived in relationship with others.”

-- Graham Harvey, Animism

Trance dance and water implosion, a kino-line drawn between secular freak-outs and religious phenomena. Filmed in a single take at a sacred site on the Upper Suriname River, the minor secrets of a Saramaccan animist's everyday are revealed as time itself is undone. Rites are the new Trypps -- embodiment is our eternal everything.