Poetry

1998
Cecilia Dougherty, Leslie

In the early 1990s, I went to a reading by Leslie Scalapino at Intersection for the Arts in San Francisco. I could not understand the writing, which can seem difficult and unwieldy to a reader unaccustomed to language poetry, and understood less the more I tried. After a certain point in the reading I stopped trying to figure it out and I let the words seep in. My reward was an effortless understanding of how her poetry works.

2016
Lessons: XXXI-LX

Sections 31-60 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.

"Lessons are all about constraints; they are thirty seconds, must feature a black figure, and I have rules about where to make cuts, how to edit sound, etc."
— Martine Syms in conversation with Aram Moshayedi, Mousse Magazine

2002

Poet Leticia Plotkin's final poem, intended to praise the ancient deities who control one's fate, turns instead into a bitter damnation scribbled in venom.

2011
Litany of the Seven Kisses

OverRiped words from the lips of an OverExposed boy decorates this litany in pink with purple bruises.

-- Mike Kuchar

1996
Lost Book Found

The result of over five years of Super-8 and 16mm filming on New York City streets, Lost Book Found melds documentary and narrative into a complex meditation on city life. The piece revolves around a mysterious notebook filled with obsessive listings of places, objects, and incidents. These listings serve as the key to a hidden city: a city of unconsidered geographies and layered artifacts—the relics of low-level capitalism and the debris of countless forgotten narratives. The project stems from the filmmaker's first job in New York—working as a pushcart vendor on Canal Street.

2010
Medusa's Gaze

Ripe fruit in sweaty socks; soft eyes, stained and suffering in the origin of consciousness, and a soul needing refrigeration, for it has nearly gone bad!

 

 

2012
Meltdown

Waiting to die and waiting to live is the same thing to him that chants: "Let me not be mad... let me not be MAD... LET ME NOT BE MAD!"

-- Mike Kuchar

2011
Midnight Carnival

Revelers at a masquerade ball enter an UnderWorld of guilt, vice, pain, chaos and redemption.

-- Mike Kuchar

2011
Midnight Suite

Run, unholy woman; your passions deceive you!

-- Mike Kuchar

2007

In this interview, American writer, artist, performer Eileen Myles (b.1949) discusses the various philosophies that motivate her work, including the language of film, embodied performance, and the alienation evoked by bodily vulgarity. Myles links her wide range of artistic and literary practice with notions of abstraction, improvisation, and the mythology of gender, which she explores in relation to her own identity as a working, middle-class lesbian woman. She reflects on the significance of geographical locations, both New York City and San Diego, on her art, and shares how her past struggles with addiction have shaped her life and practice.

2014
Mike Kuchar, New Beginnings

He was born from the Maker's rib, - asked into existence...made Human for another step in the 'Dance.'

2015

"On a night alive with shadows, he can't walk around for fear of stepping on doubts, mistakes and sins."

—Mike Kuchar

2018
NightWars, Mike Kuchar

It is evening and Heaven sends forth an army of angels to fight moral wars. Good luck!

2016
Paweł Wojtasik, Nine Gates

Wojtasik's Nine Gates explores the possibility of transcendence through sexual passion: averting the gaze from the objectification of the other, the female body or the obscure enemy, to the vast and microscopic details of the body unknown to the viewer, becoming a meditation on love beyond definition.

1993
Nomads

“I fear nomads. I am afraid of them and afraid for them too.”

—Jane Bowles, “Camp Cataract” in My Sister’s Hand in Mine (New York: Ecco Press, 1978)