Gravity Hill Newsreels: Occupy Wall Street, No. 8

Newsreel footage of Occupy Wall Street protest home base at Zuccotti Park / Libery Square on November 15 and 16, 2011. Newsreel captures police raid on the park and its aftermath.

Jem Cohen, Gravity Hill Newsreels: Occupy Wall Street, No. 9

Newsreel footage of Occupy Wall Street protest home base at Zuccotti Park / Libery Square on November 17, 2011.  Newsreel captures the park on the morning of Occupy Wall Street Day of Action, two days after police raid on the encampement.

Jem Cohen, Gravity Hill Newsreels: Occupy Wall Street, No. 1

Five short impressions of Occupy Wall Street, shot in New York during the Fall of 2011. 

Available for Exhibition, with Series Two.  Artist can consult on installation specifications.

Jem Cohen, Gravity Hill Newsreels: Occupy Wall Street, Series One

Five short impressions of Occupy Wall Street, shot in New York during the Fall of 2011. 


Great Man and Cinema

Kim Jong Il, the Stalinist David O. Selznick, runs the state film studio as a way of promoting his own and his father's cult of personality. The film's title, Great Man and Cinema, comes from a propaganda booklet filled with stories of how the Dear Leader has written, edited, produced and given acting advice in films for the last 40 years. This film succinctly synthesizes the Dear Leader's directing philosophy with his feelings toward the imperialist beast at his heels.


Nurit Sharett visited the city of Hebron over the course of a year, teaching video art to a group of young Palestinian women. Over time the artist established firm relationships with three of her students and their families. The video documents everyday life in that microcosm, dissimilar to any other city.

Lyn Blumenthal & Kate Horsfield, Hans Haacke: An Interview

Conceptual artist Hans Haacke’s two most notorious works took unsavory Manhattan real-estate dealing as their subject, which triggered the cancellation of his exhibition Real Time Social System at the Guggenheim Museum in 1971. With the conscientiousness of an investigative reporter, Haacke continues to scrutinize the rough edges between art and life.

Oded Hirsch, Habaita (Home)

A collection of unidentified individuals is stuck together on a boat. Are they going home? Where is their home and why are they so silent? This short work takes a look at a displaced and uprooted community.


Habit is an autobiographical documentary that follows the current history of the AIDS epidemic along dual trajectories: the efforts of South Africa’s leading AIDS activist group, the Treatment Action Campaign, struggling to gain access to AIDS drugs and the daily routine of the videomaker, a veteran AIDS activist in the U.S. who has been living with AIDS for more than ten years.

Haute Surveillance

This video develops from a real event that took place during a theater seminar in the masters degree program at the University of Antioquia in Medellín, Columbia.  The seminar occurred during one of the university's worst periods of violence.  Two students in charge of a presentation on the life and work of French author Jean Genet decided to play a hoax on their fellow students - a hoax that involved an armed kidnapping.  Their idea was to perform the ethos of Genet's work rather than to represent it in a conventional way.

Videofreex, Hells Angels with Sandy Alexander

In February 1970, the Freex visit the garage of the Hells Angels to informally discuss American politics and motorcycle maintenance. In this video, David Cort leads an extensive interview with the group’s president, Sandy Alexander.

Hobbit Love is the Greatest Love

A desktop video in five parts that modestly propose ways of existing with or against history, politics.

#1. My Calling Card Proposes an updated version of Adrian Piper's "My Calling (Card) #1 (for Dinners and Cocktail Parties)."

#2. The True Legend of Stereo Stereo is made for dogs and blind people.

#3. Trauma in Retrospect Superimposes history and biography.

#4. Thusly Spaken Teaching Nietzsche to schoolchildren.

#5 The Fallen Applaud friends, the comedy is over.

Brian Holmes: An Interview

In this interview, Brian Holmes, an influential art critic, activist and translator, discusses social forms of alienation, human ecologies of power, and the impact of technology on geopolitical social networks. Holmes reflects on his ongoing study of the ways in which the rhetoric of revolution has been institutionalized, as well as artists’ resistance to such cooption. For him, artists working in collectives have the potential to create a new artistic milieu that is not aligned with the dominant model of production. This argument is born out in his published collection of essays, Hieroglyphics of the Future (2003).

Basma Alsharif, Home Movies Gaza

Home Movies Gaza introduces us to the Gaza Strip as a mircrocosm for the failure of civilization. In an attempt to describe the everyday of a place that struggles for the most basic of human rights, this video claims a perspective from within the domestic spaces of a territory that is complicated, derelict, and altogether impossible to separate from its political identity.

"... Basma Alsharif’s Home Movies Gaza, a film that captures the impossibly politicized domestic sphere of the Gaza Strip, under the constant hum and buzz of overhead drones."

How I Spent My Summer Vacation

An eloquent personal narrative about the meaning of childhood and the use of children as political tools—specifically by “Right-to-Lifers” participating in the blockades of abortion clinics. Rather than merely constructing a video document of the daily drama surrounding the protests, Wrobel slows down the event and extracts the children's stories. She interlaces this with personal memories of her playful and carefree childhood, and exposes how she too was susceptible when young.