“When I moved to Hudson Valley, NY state in 1984 after being tied to Tehching Hsieh in his ART/Life: One Year Performance, I began meeting remarkable elders over 80, and sometimes 90, years old. They became my mentors, guides, friends, helpers and spiritual directors. I took hours and hours of my footage to video artist Tobe Carey and he and I collaged it together collaboratively to make this document of these helpers along the way.”
--Linda Montano
Originally trained as a sculptor, Linda Montano began using video in the 1970s. Attempting to obliterate the distinction between art and life, Montano's artwork is starkly autobiographical and often concerned with personal and spiritual discipline. She spent two years in a convent and studied Yoga and Zen. In 1983, Montano and artist Tehching Hsieh were literally tied together for one year in a living performance. Her avowed interest lies in "learning how to live better through life-like artworks," with personal growth evolving out of shared experience, role adoption, and ritual. Exploring a wide range of subjects, from personal transformation and altered consciousness (Primal Scenes, 1980) to hypnosis and eating disorders (Anorexia Nervosa, 1980), Montano's work from the '70s and early '80s was critical in the development of video by, for, and about women. Her early work includes Mitchell's Death (1978), Handcuff with Tom Marioni (1975), and Characters Learning to Talk (1976-78).
Also see:
Linda M. Montano 1984: An Interview
Linda M. Montano 2016: An Interview