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Cacheu

Filipa César

2012 00:10:08 Germany, Guinea, Guinea-BissauEnglishColorStereo16:916mm film

Description

Cacheu is a 10-minute shot of a lecture, performed by Joana Barrios, revolving around four colonial statues, which are stored today at the Fortress of Cacheu, one of the first bastions constructed by the Portuguese in 1588 in order to facilitate slave trade in the West African country of Guinea Bissau. Barrios evokes symbolic conflicts by tracing back different contexts in which the statues make an appearance: on a pedestal during Portuguese colonialism, dethroned and broken in pieces after Independence in the film Sans Soleil by Chris Marker, as background ghosts in Mortu Nega by Flora Gomes, and finally displayed at the Cacheu fort. The montage is a process that takes place before shooting, so that the image production is a result of a performative assemblage between text, acting, projected image and the framing of the camera by the director of photography, Matthias Biber.

Written, directed and produced by Filipa César, performed by Joana Barrios, photography by Matthias Biber, sound by Nuno da Luz, production assistance by Diana Artus, Jorge Biague, Joaquim Gomes and Rita Pestana.

Shot as a live performance in the context of the What Happened 2081? conference, curated by Georg Diez and Christopher Roth at the Kunst-Werke Institute for Contemporary Art, Berlin.

About Filipa César

Filipa César is an artist and filmmaker interested in the fictional aspects of the documentary, the porous borders between cinema and its reception, and the politics and poetics inherent to the moving image and imaging technologies. Since 2011, she has been researching the origins of the cinema of the African Liberation Movement in Guinea Bissau as a laboratory of resistance to ruling epistemologies. The resulting body of work comprises 16mm films, digital archives, videos, seminars, screenings, publications, ongoing collaborations with artists, theorists, and activists, and is the basis for her Phd thesis at FCSH-New University of Lisbon. César’s genre-bending film and video work bridges contemporary and historical discourses, also apparent in her writings, such as her essay Meteorizations, published in the Third Text special issue: The Wretched Earth: Botanical Conflicts and Artistic Interventions, edited by Shela Sheik and Ros Gray.

César premiered her first feature-length essay film Spell Reel at the Forum section of the 67th Berlinale, 2017. Selected exhibitions and screenings have taken place at the 29th São Paulo Biennial (2010); Manifesta 8, Cartagena (2010); Haus der Kulturen der Welt, Berlin (2011-15); Jeu de Paume, Paris (2012); Khiasma, Paris (2011-2015); Kunstwerke, Berlin (2013); SAAVY Contemporary, Berlin (2014-15); Tensta Konsthall, Spånga (2015); Mumok, Vienna (2016); Contour 8 Biennial, Mechelen, Gasworks, London, MoMA, New York (2017); The Harvard Art Museums, Boston (2018); HKW, Berlin (2019).

See also: Filipa César: An Interview