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Now promise now threat

Paul Chan

2005 00:33:00 United StatesEnglishColorStereo4:3Video

Description

“Now too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn’t count.”

--Toni Morrison, “Beloved”

Part documentary, part visual manifesto, Now promise now threat uses Omaha, Nebraska (population 390,000, literally located in the middle of the U.S.) as a site and subject to follow the often unexpected lines connecting people, religion and politics in “red state” America. An evangelical pastor opposes the mixing of church and state on religious grounds. An anti-abortion mother deplores the hypocrisy of the pro-life movement for being pro-war. A young man wants to die for his country so he can--at last--have a life worthy of living. Now promise now threat mixes interviews with locally produced footage and kidnapping videos from Iraq transformed into fields of undulating color to create a moving “apologia” for the united red states of America.

This title is also available on Tin Drum Trilogy.

 

About Paul Chan

Paul Chan lives and works in New York. His work has been exhibited widely in many international shows including: Making Worlds, 53rd Venice Biennale, 2009; Medium Religion, ZKM, Karlsruhe, 2008; Traces du sacrê, Centre Pompidou, Paris, 2008; 16th Biennale of Sydney, 2008; 10th International Istanbul Biennial, 2007; and Whitney Biennial, Whitney Museum of American Art, New York, 2006. Recent solo exhibitions include: My laws are my whores, Renaissance Society at the University of Chicago, 2009; Paul Chan: Three Easy Pieces, Carpenter Center for the Visual Arts, Harvard University, Cambridge, 2008; Paul Chan: The 7 Lights, Serpentine Gallery, London, and New Museum, New York, 2007–2008; Paul Chan—Lights and Drawings, Stedelijk Museum, Amsterdam. 

In 2002, Chan was a part of Voices in the Wilderness, an American aid group that broke U.S. sanctions and federal law by working in Baghdad before the U.S. invasion and occupation. In 2004 he garnered police attention for The People's Guide to the Republican National Convention, a free map distributed throughout New York to help protesters to get in or out of the way of the RNC. In 2007, Chan collaborated with the Classical Theatre of Harlem and Creative Time to produce a site-specific outdoor presentation of Samuel Beckett’s play Waiting for Godot in New Orleans. Chan’s essays and interviews have appeared in Artforum, Frieze, Flash Art, October, Tate etc, Parkett, Texte Zur Kunst, Bomb, and other magazines and journals. Chan's books are available at Badlands Unlimited.

Chan was awarded the Hugo Boss Prize in 2014.

Badlands Unlimited

Greene Naftali Gallery

National Philistine