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Oued Nefifik: A Foreign Movie

Liza Béar

1982 00:27:13 Morocco, United StatesEnglishColorMono4:3Video

Description

Oued Nefifik: A Foreign Movie is an experimental narrative that incorporates an actual political situation. The film was shot in the immediate aftermath of violent repression following food riots in Casablanca, June 1981. It characterizes the experience of a political event for people outside of it. The point of view is that of an absurd and sympathetic character based on Jacques Tati’s Mr Hulot, who is distanced from the post-colonial milieu in which he finds himself. (He doesn’t speak the language, he doesn’t speak their language).

"This very brief film, an ensemble of partially-apprehended tragedy, Pinteresque banality, and witty observation, has more truth and intelligence in it than any number of salon weepies by Costa-Gravas and Wajda. It is visually playful, complex, inventive, and utterly unpretentious: a film to see for pleasure, for its droll and mindful sense of life."

–-Mavis Jenkins (a.k.a. Gary Indiana), Wedge Magazine, Spring 1985

About Liza Béar

During t​he ​late​ 1970s Liza Béar created an intriguing body of work that focuse​d​ on communications issues — specifically the use of media and the disempowered role of the public in communications policy. Central to Béar's ​early ​work ​was​ a desire to tie the means of production (technology) to the reasons for production (​economic advantage, national ideology, etc.). While Béar's concerns ​have diversified, her approach is always personal and experimental — collapsing the norms of narrative and documentary, subjective authorship and objective document.