The videopoem Reversed Mirror is a single-channel piece that presents a constant flow and transformation of images which oscillate and create ephemeral words, dissolving and emerging as new words.

A piece of movie film has survived the forthcoming Ice Age and is discovered by Venusian scientists--5000 years from now... This work is a correspondence of two information fragments of different origins and times that met by accident.

SPRING is a four minutes and fifty-six seconds experiment with psycho-optics and psychoacoustics to produce a field of moving images and sounds starring Ho Chi Minh, Occupy Wall Street actions and Crocus.

"This video in two parts is a newcomer's portrait of Montréal, and focuses on two of my architectural obsessions: the Hydro Québec building and the Métro. I spent my first winter in Montréal in a cold, dark, first-floor apartment.

Filmed by Jingqiu Guan on November 7, 2022 at Royce Hall Rehearsal Room during the creative residency sponsored by UCLA Center for the Art of Performance (CAP). This video was used for the performance on November 20, 2022 at UCLA.

®™ark is an organization dedicated to bringing anti-corporate subversion and sabotage into the public marketplace.

A Second Quarter is decidedly European; the “place” (Berlin) is the catalyst for the “action” (the work). The works recited in the film are concerned with barriers and borders, physical and geophysical phenomena.

Memo Mori is a journey through Hackney tracing loss and disappearance.

In conversation with David Getsy — an art historian focusing on queer and transgender methodologies in sculpture theory and performance history — Cassils discusses their monumental performance artworks and inspirations.

Breder regarded Eclipse I as one of his most successful intermedia performance works for the complexity of the experience.

Following on from the 2006 Israeli aggression on Lebanon, the filmmaker tries to film the destruction of Beirut.

This is a re-destroyed film that I was unable to finish in 2013. Filmed both in ruins: at the Sutro Baths in San Francisco and in final domestic spaces occupied with a former partner. Film was destroyed in ocean water.

Shot in black and white, this rough-and-ready trilogy is about twin sisters who "act out" and act up in their own best interests.

These five short videos examine the relationship between the female body and the camera’s gaze.

Impetigo is the story of passion and possession in a steamy nocturnal landscape. The title is a reference to the poem A Man All Grown Up is Supposed To, by Terry Stokes.

In this 2014 interview, South African artist Kendell Geers (b. 1968) discusses the function of magic, myth, and memory in his work. Beginning at childhood, Geers charts the path he has taken in his understanding of his own biography as a site of resistance. This interest in the use of personal biography culminated in 1993 with his decision to change his date of birth to May 1968 as a way to reference both the May 1968 student protests, and the fact that 1993 was the first year that South Africa had participated in the Venice Biennale since 1968.

Male escorts and crytozoologists battle behemoths and bulemics in this student-teacher collaboration about undying evil and those that escape it via the LOVE CANAL.

White Balance (to think is to forget differences) is an effort to uncover the geographies of power, the frontiers of privilege.

Ron Gorchov (b. 1930) is an American artist who has been working with curved surface paintings and shaped canvases since 1967.

Primavera is a frenetic experimental animation that documents the pandemic and the Black Lives Matter protests as they intersect in springtime Brooklyn.

In this elegant demonstration, Sandin explains the mistake of using common language concepts and spatial relations to describe what actually can happen on the video screen.

Undefeated is about mobility and immobility, or just trying to stay warm. Featuring DeCarrio Couley shadowboxing to the rhythm of a hand–cranked Bolex.

Cast: DeCarrio Couley, James Everson.

The looped work Culture Capture 001 takes place within the American Museum of Natural History.

“Ah! It is so easy to convert others. It is so difficult to convert oneself.”

—Oscar Wilde, “The Critic as Artist” in The Complete Works of Oscar Wilde (New York: Harper Collins, 1989)

Joan Fontcuberta was born in Barcelona in 1955. His work has been widely exhibited internationally. Fontcuberta uses photography as a conceptual medium, often testing the limits of the image’s credibility.

Inspired by a riff on a popular joke “Everybody wanna be a black woman but nobody wanna be a black woman,” Notes On Gesture is a video comparing authentic and dramatic gestures.

Flat is Beautiful is an experimental live-action cartoon using masks, animation, subtitles, drawings, and dramatic scenes to investigate the psychic life of an androgynous eleven-year-old girl.

Kentridge's hauntingly beautiful series of animated black and white drawings brings viewers into the artist's unconscious.

This video presents a history of alternative spaces in New York City during the late 1960s and early 1970s, focusing on two galleries that no longer exist.

A visualization of phrases used by Prime Minister David Cameron during his Oxfordshire speech addressing the events of August 2011.

This video was made as the end-credit sequence for a film version of Ron Vawter's performance piece, Roy Cohen/Jack Smith, by Jill Godmilow. Ron was an extraordinary actor and extraordinary man.

"We buried ten Cadillacs in a row alongside Interstate 40 (the old Route 66), just west of Amarillo, Texas; each car represented a model change in the evolution of the tail fin.

From the outskirts of Santa Fe, New Mexico, to the innards of a castle of contraptions, this video explores the creative bric-a-brac of several entities who pioneered a wired frontier filled with fire wires and fire water.  Join them as they schmoo

A search for a non-existent image, a desire to create an image where there is none,“ leads to Rea Tajiri’s composition on recorded history and non-recorded memory.

The language and imagery related to celebrity perfumes (both descriptive and visual) are a starting point to think about consumer desires and the corruptness of branding. Give us your songs, your smells and we will give you everything.

Audio-visual recordings of zoo-animals are woven into a fine web of actions and reactions, that finally spiral into a collective animalistic concert.

A great example of early 1970s counter-cultural activity and the influence of Buckminster Fuller. The video, shot in Woodstock, NY in November 1971, includes footage of a communal meal being eaten in the woods, and of children playing in the mud.

In this interview, American writer, artist, performer Eileen Myles (b.1949) discusses the various philosophies that motivate her work, including the language of film, embodied performance, and the alienation evoked by bodily vulgarity. Myles links her wide range of artistic and literary practice with notions of abstraction, improvisation, and the mythology of gender, which she explores in relation to her own identity as a working, middle-class lesbian woman. She reflects on the significance of geographical locations, both New York City and San Diego, on her art, and shares how her past struggles with addiction have shaped her life and practice.

A fragmented, experimental biography of the 19th-century poet and writer Isabelle Eberhardt, whose brief, unusual life ended abruptly in a flash flood in the desert.

"The title (Black Sun) is as evocative of solar eclipse as it is of the 'dark spleen' which doctors, all through Antiquity, used to attribute to melancholic and suicidal drives, especially as they affected artists.

Christmas Eve. A man alone finds someone he can talk to.

Footage from a performance produced at Forum en Scene in Middleburg, Holland of the players continually enacting the same tasks. Nothing To Lose opens with a young, androgynous sailor standing between two buildings, while the song Nothing To Lo

A meditation on the nature of “Nature” and the uncertainty of “Cause and Effect.”

"The gerbil has long been associated with New World capitalism because of its incessant energy. The Golden Age of Hollywood takes on the history and evolution of this delightful household pet."

— International Film Festival Rotterdam (2003)

Using highly-manipulated and over-processed images, Latham investigates the process of video as inherently fragmented. Weaving together various people’s impressions of the artist and her work, the work demonstrates important parallels between video, storytelling, and the formation of identity — all processes of active fabrication that blend “lies” and truth in the construction of a certain reality, history, or past. Labeling an image of herself talking as “her most recent explanation,” Latham addresses “the construction of her video personality” as an identity outside of herself.

IN TRANSIT was shot in HD video during travels between 2008 - 2010. It is both an observational documentary and an experimental work in form and intent with an overall lyrical quality.

Drills is a film about the choreography of preparing for the future.

Part of the paraconsistent sequence series.

Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts itself subtly on the populace through “entertainments,” for the benefit of those in power—the cor

Untitled for Technically Sweet was originally inspired by the Antonioni script of the same title for an exhibition curated by Yvette Brackman and Maria Finn and shown at Participant Inc.