In this silent video, still images of stores and residential buildings in New York City appear within a cutout template, based on the “giftbox heap” formed by the New Museum silhouette.

Fifeville is a film about a neighborhood in Charlottesville, Virginia. It focuses on the details, gestures, and material life of the citizens of Fifeville as they communicate their understandings of the neighborhood’s changing landscape.

Transit journeys through the East End of London, quietly observing the shifting architectural and social landscape.

Millie Wilson is an installation artist whose work proposes a relationship between modernist art practices and modernity’s production of deviance, particularly regarding lesbian stereotypes.

“The tape ultimately addresses all the big questions — death, origin and family, religion — as well as the small discomforts of the body, only to reverse their order of importance.”

Swamp Swamp and Wurmburth are each comprised of a series of tightly cropped shots of small, hand-made table-top sculptures or "sets".  Paint and many other materials that behave like paint (i.e.

An electronic disturbance created during a live audio meltdown by Animal Charm as part of their Hot Mirror Mix in the fall of 1998.

Arguably, the most successful of the four “Gerald Ford’s America” shows was “Chic To Sheik,” a TVTV tour of the private culture of the official Washington.

At this time even the flowery wars are ready to begin and the flowery atavism begins to flash. The flowers, the skulls, the moon and the sun are ready for the sacrificial trance. Part of Tonalli.

The rocks are red, the mood is blue, the sky is big, and the scars on the earth run deep as a man and woman shop incessantly for nature's bounty and the trinkets of a vanishing culture. 

Freed documents artist James Rosenquist at home in an East Hampton, N.Y studio in March 1972. Rosenquist and his collaborators work on a project entitled 47 Dirty Band Aids with blaring music dominating the environment while they paint.

In conversation with curator and educator Mary Jane Jacob, visual artist Ann Hamilton (b.

As a video journal shot by George Kuchar’s students in his Underground Drama class at the San Francisco Art Institute, George Kuchar Goes to Work offers a unique glimpse into the frenzied chaos that was his directing method.

Breder painted the words of Donald Kuspit’s poem in white on scraps of paper and then floated them down Old Man’s Creek, the site of many legendary Intermedia performances near Iowa City.

In this agit-pop double feature, Cokes celebrates civil disobedience and deconstructs race relations. Cokes inter-cuts political slogans and social facts with an array of footage and juxtaposes the images with pop, rock, and rap soundtracks.

“I could do wonders if I didn't have a body. But the body grabs me, it slows me, it enslaves me.”

-- Ponce de Léon

Stardust is the second part of the trilogy where Nicolas Provost investigates the boundaries of fiction and reality by filming everyday life with a hidden high resolution camera and turning the cinematic images into a fiction film by using cine

Jeremy Blake (1971-2007) used digital media to create works that function on a flexible spectrum between being more painting-like or more film-like.

The "exquisite corpse" named in the title of this piece refers to a favorite game of the Surrealists, played by passing a folded sheet of paper among a group; each person draws one section of a body on the folded segment without looking at the other sid

A video poem about the nature of social relations and mass media, Half Lies exposes the seemingly innocuous ways we distort truth.

This sensualist's dream follows Louise Brooks look-alike Rodney O'Neal Austin on his search for the Beloved.

The Spender House in Essex was designed in 1968 by Richard and Su Rogers (Team 4) for photographer and artist Humphrey Spender. The film is a biographical portrait of both architecture and inhabitant.

Following the premise that water will always find its level, the term Communicating Vessels describes the way liquid moves between conjoined containers: gravity and pressure conspire to keep the surfaces aligned, pulling the shared liquid back and forth

Linda Montano is interviewed by Janet Dees, Curator at the Mary and Leigh Block Museum, Northwestern University.

In this tape, the Videofreex record their visit with Dr. Eugene Schoenfeld, then recognized widely for his popular medical advice column, Dear Dr. Hip Pocrates, which doled out information about sex and drugs.

Easy Living ingeniously depicts leisure life in suburban America with a cast of little plastic dolls and miniature model cars—the toys that shape American children's ideas about success and adult life—focusing on a typical day in the life of an

A wide screen portrait of people, pets and places, this Frisco based video immerses the viewer in a placid flow of images that hint of darker depths here and there.

Palestine, April 15th-16th 2007

The tapes in Facing the Self: Program 2 are organized around the appearance of the female form, particularly the face.

Production Notes allows us to eavesdrop on the business decisions behind the creation of our daily diet of television commercials.

In astronomical terminology ‘redshift’ is a term used in calculating the age of stars by measuring their distance from the Earth.

A fast-talking and fabulous teen recounts his experiences as an out and loud Toronto queer.

Looking like a 1970’s version of “Rosie the Riveter”, Mogul takes on the persona of an artist who makes a living posting billboards on the Sunset Strip in Hollywood.

Part of the paraconsistent sequence series.

Taking its title from the four consonants of the ancient Hebrew name for God, Tetragramaton contemplates the relationship between man, technology, and ecological systems.

The compilation What Was Always Yours And Never Lost, provides an essential introduction to recent works of video art and experimental documentary by indigenous film and video makers from throughout North America.

At one point in END-LESSsestina, several men linking arms are made to walk, blindfolded, into a pool of water. We see thrashing and an expanse of blue, and finally, a lone tennis ball bobbing largely in the frame.

White Sands is an experiential film installation on the visible and invisible manifestations of the nuclear industry on the land, air, water and people of New Mexico.

The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his y

Award-winning videomaker Kip Fulbeck brings his blistering pace, comedic skill, and critical eye to bear on the Hapa and Asian American male experience—parodying the relationships between sex, love, and martial arts movies.

Performance engineers Survival Research Laboratories (SRL) construct machines that live in their own fictional world, acting out scenarios of perpetual torment, exasperated consumption, and tragic recognition.

This tape deviates from the more purely formal investigations of Snyder’s earlier work; it has no soundtrack and uses camera images exclusively.

Shot in the style of a silent film from the 1920s, Frida & Anita is a political fantasy, intersecting the lives of two queer radicals — Frida Kahlo and Anita Berber — who happen to meet one fateful Berlin night in 1924 at the infamous La Ga

A close-range look at pigs living on a farm in Las Vegas, Nevada. The pigs, individually and as a group, become a metaphor for humanity as they go from leisurely wallowing in the mud to the wildness of a feeding frenzy.

In the spell of one of the most exquisite pop songs I know, with the most rudimentary of animation skills, I sought to produce a smooth and rapid transition from innocuous kindergarten silliness to faux-Lynchian horror.

In Bataille, fragments from the Akira Kurosawa’s film Rashomon are subject to a mirror effect. A scene in which two samurai fight each other becomes a cosmic field of monsters where horror and pain evoke beauty and joy.

...a meditation on a familiar New York city space in which memories, fantasies and the maniacal intertwine.

The Waiãpi videomaker Kasiripinã decides to show white people the documentation he did on his people in Amapo. He presents and comments on three celebrations that represent episodes of the myth-cycle of the creation of the universe.

Eyal Weizman is a British-Israeli architect and academic. He’s the founder of Forensic Architecture, which uses architectural research to investigate violations of human rights around the world.

A dissemination of suspended bodies in the liminal space.