Uh-Oh! is a love story that revolves around the classic text, The Story of O. Not an adaptation, but rather a critical analysis of masochism that investigates the relationship between love, risk-taking, spirituality, power, and sex.

Strangely Ordinary This Devotion is a visceral exploration of feral domesticity, queer desire, and fantasy in a world under the threat of climate change.

A two-headed calf died when one head atrophied. It became a trophy that the artist used as a source for this 16mm film transferred to video.

My Mother’s Place is an experimental documentary focusing on the artist’s mother, a third-generation Chinese-Trinidadian who at 80 still has vivid memories of a history lost or quickly disappearing.

Detour de Force presents the world of thoughtographer Ted Serios, a charismatic Chicago bell hop who, in the mid-1960’s produced hundreds of Polar

Scenes from an Endless War is an experimental documentary on militarism, globalization, and the "war against terrorism." Part meditation, part commentary, Scenes employs recontextualized commercial images, rewritten news crawls, and o

I Was There is a trilogy of experimental documentary films that explores the problem of radiation, our society's fading collective memory of the atomic bombing of Hiroshima and Nagasaki, and the unresolved debate between ethics and science.

A film about haircuts, clothes, and image/sound relationships.

IN TRANSIT was shot in HD video during travels between 2008 - 2010. It is both an observational documentary and an experimental work in form and intent with an overall lyrical quality.

This video was originally created to be used as a projection in a performance of Bodies on March 29, 2019.

This short animation explores various ways to narrate an incident that once took place in the mythical Hotel Carlton.

Most of the moving images produced for science, industry, commerce, and medicine are seen only by specialized audiences, and are then discarded soon after they are made. Rumour Of True Things is constructed entirely from such moving image ephem

A voyage into the labyrinthine memories of a Uitoto man, who worked for the drug Lords in the Colombian Amazon back in the 80s.

Affected and/or Effected begins with a close-up of a girl resting her head on her hand, reading.

This compilation features 11 of Jem Cohen's collaborations with musicians.

A Nazi battalion marches in red in front of the ominous floating hand from THE AX HAS FLOWERED.

Afraid to Look reflects on our conditioned responses to historical actions that create inhibiting filters limiting our ability to see more positive alternatives.

Spit Sandwich is a compilation of 19 comical and entertaining works from the master of deadpan. Experiments with the video signal combine with visual jokes and one-liners to hilarious effect. Includes: II got .

Performance engineers Survival Research Laboratories (SRL) construct machines that live in their own fictional world, acting out scenarios of perpetual torment, exasperated consumption, and tragic recognition.

Known as one of Italy's most important filmmakers, Pier Paolo Pasolini was first and foremost one of its poets.

In Final Exit, an aged one is confronted with his options in blunt terms. Does he want to drag out his existence, increasingly infirm and a burden to his caretakers, or go quietly before resentment overwhelms sentiment?

Shared Resources depicts the filmmaker’s family after their father was fired from his job as a debt collector and their parents declared bankruptcy, largely due to the filmmaker’s own debt.

Earthglow is a poem written for the character generator and switcher that conveys a writer's internal dialogue through both subtle and dramatic color changes and through movement, size, and placement of words. The ambient soundtrack evokes the confluence of past and present perceptions.

I sit at my computer cutting up real time footage of waterfalls, snow storms, boiling water. I combine these to make threads of moving images.

In Spank an eight-second film clip has been re-edited, frame by frame, into a 7 1/2-minute video, tranforming discreet gestures into suggestive, pulsating sequences.

Nobody counts the hours and nobody cares how the years are piling up. Souls begin and end. Then comes the night. A snow landscape of souls.

Gallup, New Mexico, in the American Southwest, has hosted the Inter-Tribal Indian Ceremonial annually since 1922.

This short piece introduces the visual artist German Bobe. A narrator explains Bobe’s background in various media, stressing that his work—the media he chooses and the themes he revisits—presents a synthesis of the concerns of his generation.

Jem Cohen assembles images that demonstrate the economization of public space; the stock exchange on a LED display board, the company logo on cars, the mobile phone as tool of e-commerce.

In collaboration with fellow camera operator Alan Gerberg, Freed visits George Segal at his North Brunswick, N.J studio in October 1972.

In the Post Pony Trilogy, Coonley serves as frustrated host to a series of flawed lessons on currency markets and current events. His heartbreak over a missing pony sidekick presents an obstacle to achieving his pedagogical goals.

If television is truly the opiate of the masses, then Teddy Dibble is a living room crack dealer. This newly compiled series of television art comedy includes: 

1. The Cough, 03:17

The later 1950s and early 1960s saw the development and proliferation of radically new forms of dance driven by a desire to understand the essentiality of movement divorced from traditional, balletic and modern syntaxes.

"How can the distinction between "man" and "machine" still be made given today's technology? In modern weapons technology the categories are on the move: intelligence is no longer limited to humans.

Bezuna explores the complexities of fleeing a war-zone through the analysis of peripheral details.

Quality Control consists of a series of single take shots of the fine folks of Alabama producing a superior product.

Fred Tomaselli’s mosaics and collages compose patterns and images that suggest ancient global influences.

Culture Capture: Crimes Against Reality extends NRO’s Culture Capture series towards examining desires for monumentality and its dissolution, pursuing fantasies of removal by morphing monuments into metastasizing flesh via ritualized photogramm

Dan Sandin designed the Image Processor that, partly because of his decision to give away the building plans, has effected an energetic and aesthetic investigation of the technological structures of electronic media.

A poetic meditation on distance, Come Closer is a short and peripatetic film, casting an affective web between the locations of Lisbon, San Francisco and Brazil.

Filled to capacity, each car of a 157 car train sounds a percussive note in this homage to John Coltrane. And not one coal train, but two.

Gregg Bordowitz is a writer, AIDS activist, and film and videomaker.

In Performer/Audience/Mirror, Graham uses video to document an investigation into perception and real time informational "feedback." The performance is doubly reflected back to the audience by the artist's lecturing, and the architectural devic

A bruise on her face. The woman has white makeup, bright red lips and dark-rimmed eyes, which are largely covered by her hair. Without uttering a word, she hits her face, head and upper body.

This title documents events at the opening of the 1970 exhibition Vision and Televison.

Painter Peter Saul’s iconoclastic paintings parody various aspects of contemporary American life, from politics to sex to violence.

This film uses historical movie materials ('Son of Tarzan' films from 1920 and 1950) together with materials from a vast number of sources to produce a densely lyrical, tersely compacted meditation on brutality, martyrdom, Colonialism, and loss.

Love Songs #1 is composed of three pieces that pose questions about urban culture, race, and politics. Found footage images are manipulated and juxtaposed with popular music; the effects are unsettling, ironic, and sometimes humorous.

These are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence.

Created at Eiko & Koma's home in the Catskills and set to Gamelan music, Grain was first presented during a month-long season in an East Village loft.