Don’t You Like the Green of A? is based on the correspondences between letters and colors specific to Joan Mitchell’s synesthesia––a condition that Henricks happens to share with her.

Blending live action staged as if in a dollhouse with rarely seen archival footage from the National Archives, the fantastically true story of how America entered WWI is told.

Another in a series of sculptural films. Like it’s partner, 3 peonies, this is a short 16mm film made as a memorial for my grandmother who passed away in 2017.

Shot in Firminy-Vert, a Le Corbusier Unité, or housing project, in south-central France, this work traces the building’s history through an engagement with the lives of its residents and traces of its past.

A deceased hoarder, reconstituted through technology, recounts a difficult childhood as inhabitants of a virtual world struggle to reconcile materialistic tendencies. A scientist leads an effort to understand the passage of time, but the data is unreliable. The question remains, what happens to our things after we are gone?

Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS.

Striking images of human figures, landscape and architecture shape this video opera. Computer-animated sequences accompany brilliant studies of motion, where performers move through a landscape that remembers history.

A raunchy, explicit comic-opera ... (two years of looking out the window during a pandemic).

Raunchy /ˈrôn(t)SHē/

It is TIME at a street corner in London...

Etant Donné le Bleu (Given the Blue) is a visual narrative—images breaking in a parallel universe, the realm of science fiction and the fantastic.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, th

The Videofreex conduct first person interviews on the final day of the Woodstock festival, documenting detox efforts, clean-up logistics, and helicopter retreats. 

Part of paraconsistent sequence series and the hauntology series.

This compilation is produced with "myself" as the sole object, as well as the material of the performance (except two videos with Akiko iimura).  The videos are not just documents of the performances, but works of video-art made specifically for ut

Deathrow Notebooks is structured around an interview with Mumia Abu-Jamal, a political prisoner who is on death row in Pennsylvania.

Atomic Ed & the Black Hole tells the story of a scientist-turned-atomic junk collector known as Atomic Ed.

The Story of Milk and Honey is a short experimental video belonging to a larger project, which includes photographs, drawings and text, detailing an un-named individual’s failure to write a love story.

For their first collaboration, artist duo eteam and the Hong Kong Puppet and Shadow Arts Center have developed a powerful opera-play that combines ancient stories and analog story-telling technologies with the digital tools and scripts we have available

Shadows haunt a room, tables and rugs spin in the air, and paintings fly off the wall. A voice narrates the changes to a beat.

A Spy is a gender-bending and thought-provoking mixture of pure visual pleasure with disturbing undercurrents. As Reeve lip-syncs to a Doors song (“I am a spy in the house of love.

An epistolary, musical reimagining of Wuthering Heights by Branwell Brontë — the tubercular, alcoholic and opium-addicted brother of Emily Brontë.

In 2002, my troupe, La Pocha Nostra and I were invited to conduct a workshop at Columbia College in Chicago with 15 students and faculty from different departments.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

On a back-to-nature trip to Boulder, Colorado, George goes to the mountains, but goes on the rocks emotionally.

This title is also available on The World of George Kuchar.

This special box set, Jason Simon: Three Videos, includes a booklet with an in depth essay by media scholar Cynthia Chris.

Q: What was the Cubists’ greatest contribution to modernity? A: The invention of camouflage. The Art of Protective Coloration asks us to consider the less-than-innocent connections between the making of art and the making of war.

Wendy Clarke continues her ongoing project Love Tapes, in which speakers sit in front of a camera and talk for three minutes about their thoughts on love.

This installation is based on the re-enactment of Franz Kafka’s allegory "Before the Law", interpreted live over a telephone line by Katharine Gun.

Red Green Blue Gone with the Wind is a phosphorescent deconstruction of David O. Selznick's Technicolor classic Gone with the Wind (1939).

“Video is a fugitive medium,” said Getty Research Institute’s Glenn R. Phillips, and he should know.

Martha Rosler tackles mainstream media's representation of the case of surrogate mother Mary Beth Whitehead.

In 2006 I began to think again about the handwoven canvases based on the biblical Babel text that I created in the 1980s.

Uncomfortable journeys through the work and ideas of Christopher Cozier, a leading contemporary artist in the Caribbean.

Cuevas is obsessed with the micro movements of daily life, with the border between truth and fiction, with the "impossibility" of reality.

"i am very grateful that my 鬼鎮 (Ghosttown) series has shown internationally over the last couple years and is recognized by viewers, reviewers, critics, and curators as doing decolonizing work as a feminist project that queers and glitches

The Fool melds varied footage while a narrator describes a brief encounter with a former love interest. A performance of a gymnastics routine merges with iconic Baroque paintings; club scenes mix with a day at the beach.

Brave new shopping worlds are being created. What have mall owners, architects, surveillance technicians, and supermarket workers done to turn human subjects into pure streams of consumers, into the perfect inhabitants of shopping mall paradise?

An early example of video erotica from the Videofreex. A group of naked people lounge around smoking and listening to music. A male and female couple is making love on the floor in a room full of monitors.

My teaching assistant during the spring semester (Marc Rokoff) at the San Francisco Art Institute began shooting a documentary of me and the students making our sci-fi drama, The Planet of the Vamps.

A hallucinatory portrait of a man traveling from Finland to Greece in search of the utopian summit described in René Daumal's Mount Analogue (1952) - a fictional mountain floating in the sea.

A video I made with students at the California College of Arts and Crafts.

First Ramon, and then Rufina moved to San Diego County in 1980, unable to raise their family as landless sharecroppers in Mexico.

“In The Girl Chewing Gum a commanding voiceover appears to direct the action in a busy London street.

In the late 1960s Kim Jong Il guaranteed his succession as the Dear Leader of North Korea by adapting his father's Juche (pronounced choo-CHAY) philosophy to propaganda, film and art.

“The Riot Tapes is a video biography of Segalove’s political involvement in college, of her boyfriend (who became anorexic while dieting to evade the draft), and of her discovery that art could give her a voice and a forum for her political vie

The tension arising between the demands of AIDS activism and Bordowitz's increasing desire to explore aspects of his own life outside the framework of AIDS resulted in the appropriation of a work from the Soviet avant-garde: Nikolai Erdman's play Th

A meditation on the milieu of elevated threat addressing national identity, gun culture, wilderness, consumption, patriotism and the possibility of personal transcendence.

In this wistful tape, Segalove looks at how her childhood vision of the future holds up (or doesn't) in adulthood. Commissioned by the Los Angeles County Museum of Art.

An experimental documentary comprised of regional vignettes about faith, force, technology and exodus.

The threat of disaster heightens the shallow into prominence, making their eventual fall all the more poignant as we see through their protective garments to view an eager beaver on the prowl.