A fantasia that makes twisted use of elements from the Elektra myth and vampire stories. Imagine a woman listening to Richard Strauss's Elektra while watching Carl Dryer's Vampyr and the dream she might then have that night.

Drawing from Flaubert's The Temptation of Saint Anthony, his letters, travel journals, and biography, this video layers fantasy, sexual obsession, morbidity, Romanticism, and boredom alongside the ghostliness of empty hotel rooms, aural atmosph

Produced by Tom Rubnitz in collaboration with Tom Koken and Barbara Lipp, The Mother Show is a tribute to mothers everywhere, starring Frieda, the “living” doll.

This is the final part of a trilogy about the tribulations of Sherri Frankenstein (at least I think it's the last of these atrocities).

George visits underground filmmaker Robert Nelson in Milwaukee, and they brave the cold on Lake Michigan.

A re-working of Humphrey Jenning's 1943 seminal docu-drama The Silent Village wherein coal miners from the Welsh village of Cwmgiedd re-enact the Nazi invasion and annihilation of the resisting Czech villagers of Lidice.

A structure of Lawrence Weiner.

Graphics and Computer Editing: K. Hassett; The Song: “Wind and the Willows” Music: Ned Sublette, ASCAP; Lyrics: Lawrence Weiner BMI; Cover Photo: Alice Weiner

Functioning as both a fake documentary and a fake advertisement, Meet the People deals with issues of desire, complicity, and identity in the age of mass media, as 14 “characters” talk about their lives, desires, and dreams.

Adapted from psychologist A.R.

Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country.

The two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

A deceased hoarder, reconstituted through technology, recounts a difficult childhood as inhabitants of a virtual world struggle to reconcile materialistic tendencies. A scientist leads an effort to understand the passage of time, but the data is unreliable. The question remains, what happens to our things after we are gone?

Joe Gibbons plays Dr. Joe Baldwin, the self-styled child education expert. He prepares Zoe, from birth, for acceptance into a coveted “gifted-only” kindergarten program.

Two strippers decide a walk in the park might lift their spirits, which do get a big boost when they contemplate a park monument dedicated to sailors in this audacious, "beefy" romp.

For their first collaboration, artist duo eteam and the Hong Kong Puppet and Shadow Arts Center have developed a powerful opera-play that combines ancient stories and analog story-telling technologies with the digital tools and scripts we have available

Songs of Praise for the Heart Beyond Cure is a fourteen-minute experimental video that unfolds through a series of short episodes. "To describe Cooper Battersby and Emily Vey Duke's new video as ironic doesn't do it justice.

The Turkish national anthem, regularly sung in schools on Mondays and Fridays, is recorded with Super-8 and video to capture the fragile links that tie young citizens to nationhood.

Forever pulsing, a severed hand bobs along a shoreline in this meditation on the atrocities of the early 1990s Rwandan civil war. The all-caps title says it all, loudly and poetically.

In this classic example of the Kuchar style, George travels to the Bronx to visit his mother and to see old classmates from art school. “We see what they have become or are becoming or already became.”

Yvonne Rainer combines a dance performance she choreographed for Mikhail Barryshnikov’s White Oak Dance Project in 2000 with texts by Oscar Kokoschka, Adolf Loos, Arnold Schoenberg, and Ludwig Wittgenstein—four of the most radical innovators in

A bloated rendering of fear and loathing in the Bible Belt—a belt unable to circumscribe the girth of garbage that threatens to tear asunder the very fabric of Southern society.

The Story of Milk and Honey is a short experimental video belonging to a larger project, which includes photographs, drawings and text, detailing an un-named individual’s failure to write a love story.

A young man recovering from emotional wounds, defiantly re-enters the outside world that welcomes his return with all its abundant miracles.

In this video, the Videofreex host a party during which the main source of entertainment is a video-television feedback loop.

Moving towards an unknown destination, a group of anonymous passengers float through an unidentified landscape. Built from Cohen’s archive documenting his travels, the film can be seen as a curious parable.

A personal interpretation of the poetry and letters of T.S. Eliot that explores the ambiguities of language and space in a scenario built around an anagram.

The Writers Series consists of a number of video portraits of writers whose work I love.

— Cecilia Dougherty

"Living on the slopes of the volcano Vesuvius is a strange contradiction: always in stress and yet also sleepy, waiting for what might happen.

This tape features Kathryn Windham, a noted children's author and librarian from Selma, Alabama, relating a ghost story about "The Jumbo Light" at the 1974 Jonesboro Storytelling Festival.

An episodic adventure highlighting the riff between mind and body. Through a series of animated narratives, role reversals and associations, images are driven out and stacked one on top another.

The personal odyssey recorded in The Laughing Alligator combines methods of anthropological research with diaristic essay, mixing objective and subjective vision.

The performance artist Stephen Varble spent the last five years of his life working on an epic, unfinished performance-turned-video titled Journey to the Sun (1978-1983).

Part of paraconsistent sequence series and the hauntology series.

A prop-filled encounter with a young fantasy filmmaker eventually becomes muffled by an earwax problem I develop; but not before the viewer is dragged through Studio 8 where my class and I are concocting a sordid, high school melodrama. 

The videos in this program invite the viewer to reconsider assumptions about regional and personal identity by offering a wide sampling of portraits: a group portrait, a street portrait, a family portrait, a self-portrait, a portrait of portraiture, and

Scenes from the Micro-War explains, "The worst of times—riots, famine, war—could be just around the next corner and, in the battle to survive, this family is going to be battle-ready from here on in." This fractured narrative follows the misadv

In 2002, my troupe, La Pocha Nostra and I were invited to conduct a workshop at Columbia College in Chicago with 15 students and faculty from different departments.

A tour of literary scraps that litter the highway of lost souls in search of publications to be publicized. The crush of printed pulp as it smears its way through the various media that feed off its symbols and excesses.

Using the first color video camera, the artist questions where the devil might be hiding, and then takes a nighttime swim.

Award winning documentary filmmaker and cultural critic Joan Braderman takes a look at the National Enquirer and demolishes the newspaper's ideology and content.

This science fiction adventure centers on the interaction between a crew of Earthmen and their seduction by the love-hungry Amazons of the red planet, Mars.

Separation of the (Earth by Fire) is a multi-disciplinary project that includes print collages, audio, and video.

A pile-up of events pertaining to cinematic expositions begins its whirlwind of activity in the south and then moves west with the sun to the “golden state” for all that glitters on a silver screen.

This portrait is not simply an account of Simone Weil’s life, but rather the skein of her ideas. The “unoccupied zone” is therefore only marginally meant to refer to the southern part of France under Vichy.

First Ramon, and then Rufina moved to San Diego County in 1980, unable to raise their family as landless sharecroppers in Mexico.

This film is a reflection on descendants and ancestors, guided by a 50 year old audio recording of my grandmother learning the Pechanga language from her mother.   After being given this tape by my mother, I interviewed her and asked abou

This title is only available on Kip Fulbeck Selected Videos: Volume One.

An urgent reflection on indigenous sovereignty, the undead violence of museum archives, and postmortem justice through the case of the "Kennewick Man," a prehistoric Paleo-American man whose remains were found in Kennewick, Washington, in 1996.

A sweeping saga of an evil matriarch and her march to infamy as she invades the hearts and souls of those organs and entities that reside in the male physique.

This documentary charts a trip around Baja California to the Tropic of Cancer line on the summer solstice.