In this video, the Videofreex host a party during which the main source of entertainment is a video-television feedback loop.

Blurred images, glowing like a foggy moon and reminiscent of early television broadcasts, are rhythmically set to a relentless, pulsing soundtrack.

The Prognosticator (Or, We Are All Pythagoreans Now) is Chapter 1 of Mysterium Cosmographicum.

It’s not the bats’ fault.

Holed up in Lockdown in London during the Covid pandemic, I made a bat-head mask, I made a skeleton.

In 1972 Eric Siegel, an early pioneer of video art, set out on an extreme adventure driving from Europe six thousand miles overland to India. He was one of the first people to use the revolutionary new technology from Sony Corporation, the Portapak.

This tape features Kathryn Windham, a noted children's author and librarian from Selma, Alabama, relating a ghost story about "The Jumbo Light" at the 1974 Jonesboro Storytelling Festival.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

...the Chinatown of the mind.

This film observes six art students working in their studios in parallel. It offers a rare glimpse into the inside of art school studios.

During 1998 and 1999, Pelon participated in various Internet newsgroups and lists where suicide is the main subject. Stories unfolded as the film was made; some reached the point of no return.

Using the first color video camera, the artist questions where the devil might be hiding, and then takes a nighttime swim.

Point of View: An Anthology of the Moving Image, produced by Bick Productions (Ilene Kurtz Kretzschmar and Caroline Bourgeois) and the New Museum of Contemporary Art, was conceived to make accessible the work of some of the most important artis

Among the Xavante of Mato Grosso, the Wai’a is an important stage in a male initiation ritual that happens once every 15 years. Wai’a: The Secret of Men documents the ceremonies that prepare young men for contact with supernatural forces.

Looking for "Mr. Right" in all the wrong places makes for a tragic comedy.

Nine micro-essays on animation and death--with many appearances including Goethe, Pink Floyd and Bambi--leads to a final encounter and introduction.

This video is the result of many hours of object manipulation for the camera. Sound itself is an object here and so is language, as sound effects trigger an off-screen narrative and letters rain down in a thunderstorm.

The Embassy deals with the codes of representation used by the former Portuguese colonial power over the West African country Guinea-Bissau, and with modes of memory production.

“The video is an extension of Derrick’s project for Headmaster No. 8. The issue is thematically structured around the Village People, and he was given a cop-themed assignment.

What Rules The Invisible is a short film that upends archival travelog footage shot in Hong Kong.

This is the burial hymn for thousands of souls in anthropocentric times. The ghosts of the American way of life. Part of the Hauntology series.

The Fancy is a speculative, experimental work that explores the life of Francesca Woodman (1958-1981), evoked by the published catalogues of and about her photographs.

A rumination on Time, with a capital "T". Time and its ravages, which really just means its progression, its nature. Set off by an "old" poem, a T.S. Eliot poem that's literally haunted me for 30? or 40? yrs

My TV Dictionary: The Drill is one of several video works Breder created by re-editing recorded footage from cable television movies.

This is the state of bodies, this is the intermittence of bodies, this is the fragile reminiscence of bodies. The flashing fragility of images. The intermittent projection of the nuclear catastrophe to come. This is something on the way.

Made in collaboration with Chip Lord and Jody Procter

The summer comes to an end as the viewer tours the loft and art, the lofty art of Mimi Gross, the swinging dummies of Doug Skinner, and the mysterious real estate of famed author, Whitley Streiber.

The cabin is on fire! Krystle can't stop crying, Alexis won't stop drinking, and the fabric of existence hangs in the balance, again and again and again. – MR

This collection of five shorts includes "These Are The Rules", a frightening incantation of "dos and don'ts" delivered by a red-faced fascist figure played by Hall.

VDB is proud to present Linda Montano's The Death Tapes. Originally trained as a sculptor, Linda Montano began using video in the 1970s.

A chronicle of rumination / reflections on photography, aging, the woods, and the homeland.

The Colors that Combine to Make White are Important explores the power structure within a failing Japanese glass factory.

The Love Tapes: World Trade Center is a collection of videos from Wendy Clarke's Love Tapes project. The project began in 1977 and is ongoing.

A collection of literary and visual art is exhibited in the home of a noted author who displays great hospitality to the horrors and kinks of artistic expression.

In this video, Brenda and Glennda attend the opening day of The New Festival (now known as NewFest), a queer film festival in New York City. They interview attendees and filmmakers at the festival to discuss the importance of queer film.

A Week in the Hole chronicles a factory employee’s adjusting to the materials, time, space and personnel during his first day of work.

A Creative Capital 2001 Grantee.

Cast: Maurice Printis.

Peggy And Fred In Hell is one of the strangest cinematic artifacts of the last 20 years, revealing the abuses of history and innocence in the face of catastrophe, as it chronicles two small children journeying through a post-apocalyptic landsca

A deft and cunning re-examination of John Boy’s near-death experience at the sawmill. A homespun midnight deconstruction of an entire era of television mannerisms.

A reflection on the phenomenon of the touring musician.

In Taiwan, Traditional Taiwanese Opera (gēzǎixì 歌仔戲) and Puppet Plays (bùdàixì 布袋戲) aren’t just performances for human audiences—they are also sacred rituals, that honor and ent

In this episode of The Glennda and Brenda Show, Glennda and Brenda take over a public bus to protest discrimination and violence against queer people who are "out and outrageous".

A woman recounts her story of the mass exodus of Palestinians from Jerusalem. Beginning with the arrival and ending with the departure, the tale moves backwards in time and through various landscapes.

"John Smith uses humour to repeatedly subvert and frustrate potentially threatening content in an economically constructed tale of the narrator’s descent into paranoia and, ultimately, oblivion, as he is pursued, haunted, and finally destroyed by a myst

Behind the yellow gates is a realm that sparkles like diamonds under a desert sun.

Inspired by the analogy between weaving (vertical warp threads traversed by horizontal weft threads) and the construction of the television image (vertical and horizontal scans of an electron gun), Stephen Beck built the Video Weaver in 1974, and produc

A myth illustrated on the stones of a waterfall, the reconstruction of a great communal hut, the attempt to recover objects kept for years in a museum in Manaus.

Marielle Nitoslawska’s Breaking the Frame is a feature–length profile of the radical New York artist Carolee Schneemann.

This is a journey to El Paso, Texas, where the Super-8 filmmaker Willie Varella and I have a dialogue amid domestic routines, motel accommodations, and emotional baggage, indicative of life on the road. 

A collection of five computer and feedback-generated animations.

Forever pulsing, a severed hand bobs along a shoreline in this meditation on the atrocities of the early 1990s Rwandan civil war. The all-caps title says it all, loudly and poetically.

Through the floating garden, into the mountain of signs and chants, arise the path of the winged stone. A stone that used to be a fossil.