A woman is standing barefoot on a tile floor. In slow motion, the investigative camera circles around her. Her breasts are bared and liquid runs down her legs. Bit by bit, every part of her body is shown, except her face, which remains hidden behind her hair. The camera besets the woman, who remains silent.
This title is also available on Hester Scheurwater Videoworks: Volume 1.
Hester Scheurwater (born 1971, H.I. Ambacht, The Netherlands) studied monumental art at the Royal Academy of Fine Arts in The Hague, where she participated in workshops with Frans Zwartjes and Nan Hoover. She now teaches video art at the Academy.
Since 1996, Scheurwater has made video installations and experimental films that have been shown all over the world at festivals, museums, galleries and art spaces. In many of her short films and videos, Hester Scheurwater's camera explores the relationships between human beings, and between humans and space, relationships that rarely flourish. The modern individual appears isolated from reality, unable to connect with self or surroundings. In Scheurwater's universe there is very little room for human warmth; the only hope that remains is the camera itself, feverishly searching for compassion in the remnants of decay.
For a conversation we had with Hester Scheurwater visit VDB asks... Hester Scheurwater