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Living Art/Dying Art

Linda Mary Montano

2014 00:42:44 United StatesEnglishColorStereo16:9Video
Tags:
Aging , Death and Dying , Performance

Description

In the late 1990’s I presented a slide lecture on how my art references impermanence and dying. In 2014, video artist and editor Tobe Carey scanned the slides from the lecture and we collaged together the spoken narrative, images both of my own work and also of death rituals from many different cultures, creating an Endgame-like collage. There are images from my study in Benares at the Burning Ghats, images from my film Mitchell’s Death, and descriptions of ways that my work and death seem to be close cousins. In this multi-faceted video: I feel, I mourn, I heal, I say goodbye, I teach, as I prepare for my final retirement, death.

— Linda Montano

(Image Credit: Gisela Gamper)

About Linda Montano

Originally trained as a sculptor, Linda Montano began using video in the 1970s. Attempting to obliterate the distinction between art and life, Montano's artwork is starkly autobiographical and often concerned with personal and spiritual discipline. She spent two years in a convent and studied Yoga and Zen. In 1983, Montano and artist Tehching Hsieh were literally tied together for one year in a living performance. Her avowed interest lies in "learning how to live better through life-like artworks," with personal growth evolving out of shared experience, role adoption, and ritual. Exploring a wide range of subjects, from personal transformation and altered consciousness (Primal Scenes, 1980) to hypnosis and eating disorders (Anorexia Nervosa, 1980), Montano's work from the '70s and early '80s was critical in the development of video by, for, and about women. Her early work includes Mitchell's Death (1978), Handcuff with Tom Marioni (1975), and Characters Learning to Talk (1976-78).

Also see:
Linda M. Montano 1984: An Interview

Linda M. Montano 2016: An Interview

Linda M. Montano's Seven Years of Living Art

Linda M Montano: 14 Years of Living Art