Wittnerchrome, Exacto Knife, 1.5mm Letter Punches, Hammer, Leather Puncher
This is a feminist critique of the Oedipal complex. The filmmaker recounts an abortion she had in 2009. The aborted child survives and becomes her lover. Her subject is filmed in a private act, complicating what could be an act of the solitary.
There are three endings to the film. First is a recount of the child's earliest sexual memory, similar to the filmmaker's. The text is hammered on the film with letter punches. Second is a letter written to the filmmaker from her subject, is read by the filmmaker, the image is punched out with a leather puncher and carefully replaced into blackness not to lose motion. A pop song from 2009 is used, the one the filmmaker heard while driving in the taxi from her abortion. The film concludes by a letter written to the subject by the filmmaker. In this third part the audio is broken apart and the letter is reversed, mimicking the reverse masturbation (the image).