A call for a political transformation, a life that emerges from the earth's own interior.

Altamira is the paleolithic and post-human experience of the bloom of cinema. The cinema in a cave, the lightning of his presence, the fire of his birth. The paleolithic and post-human intermittence of the life of cinema. The sacred and contingent permanence of cinema. Part of the Hyperkinetic and Hauntology series.

The magic life of the objects reanimate the ancestrality of the aesthetic of dream.

Part of paraconsistent sequence series.

Part of paraconsistent sequence series.

The Erosions series develops the concepts of oxidation, wear and entropy from an audiovisual and cinematographic perspective. This is Barranca (Canyon).

This is the flowers under attack. An entire ecosystem under attack. This is the omen of the bugambilia. This is the pulsation of the nervous trance of petals in the anthropocentric times. Part of the Hauntology series.

An attempt to explore the metamorphic drama of expanding entomological entities. Sparkles of the screen-membrane in erosion.

This is the path from the snake’s perspective.

This is the nest image, the camouflage image, the vortex image, the haunt image, the net image, the drill image, the wire image, the cocoon image, the haunted image, the interconnected image, the pandemic image. The haunted space of the image.

This are the scattered fragments, the scattered mineral fragments in its oceanic evolution, an intermittent becoming of geological massiveness. The mineral geology under the spell of an scattered dance. This is the mobilized fossil. Part of the Scattered Geology Audiovisual series.

Part of paraconsistent sequence series.

This is a fragment of the sacred lizard in desecrated times, an intermittent tour of the flashing body of the Cipactli lizard. Part of the Cipactli series.

Part of paraconsistent sequence series.

This is the clinamen of our times, sparkling bodies into the spiral vortex as well as its chaotic spatial present. Part of the Scattered Geology Audiovisual series.

Part of paraconsistent sequence series.

This is the arche-fossil and the presence of the decay-image rate of his radioactive nucleus as an omen of interesting times. Part of the Scattered Geology Audiovisual series.

Pitayas are the sacred Mesoamerican fruits that grow on Mexican nopales, an ancient plant. This is the colorful body, the vibrant blood and the radiant skin of the open life.

This is the hauntological image of the sacred Mesoamerican snake. The contemporary flickering of his shamanic presence. Part of the Hauntology series.

This is the ritual consecration to the moon, on whose eroded surface the colorful blood of the fruits is poured, which is also our pulsating blood disseminated in the celestial body of the moon. Sparkling bleeding body that crosses the dark space of our present times. Part of the Lunar Films series.

A dissemination of suspended bodies in the liminal space.

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

This is the second part of the hyperkinetic still life. This triptych is part of the Hyperkinetic and Hauntology film series.

This is the third part of the hyperkinetic still life. This triptych is part of the Hyperkinetic and Hauntology film series.