This project started with an email from a stranger in 2017. The sender was the widower of the late artist Tania and he invited the filmmaker to look at her “archive.” Tania was born to Jewish parents in Poland in 1920. The family moved to Paris in the 1930s, but during the WWII they fed to Montreal, then emigrated to New York. Tania eventually became an artist. While facing many hurdles as a female artist in the 1960s and 70s, Tania vigorously created a wide range of artworks, not only paintings and three-dimensional pieces, but also public art projects.
City
In a city post-apocalypse, young men communicate only through smart devices. They make home out of urban debris. They can’t speak to each other, but are still able to dream.
This first "Frieda" collaboration between performance artists Barbara Lipp and Tom Koden and video artist Tom Rubnitz chronicles Frieda's rise from assembly-line worker in a box factory to singing superstar. Featuring rock-bottom production values and a sound track which includes the Brady Bunch kids' tune "Gonna Find a Rainbow".
Offering was co-commissioned by Dancing in the Streets (New York), the Walker Art Center (Minneapolis, where the proscenium version premiered January 9, 2003) and the University of Arizona (Tucson).
Offering is a ritual of regeneration after loss. People everywhere have lost ideals and landscapes that were dear to them. Offering was originally developed as a mobile outdoor work. This transportable dance or living site "installation" can be brought into communities to serve a communal need for a ritual of mourning.
Shot in Naples, Vienna, and New York, Some Chance Operations explores the notion of an archival form, in this instance film, as an unstable memory receptacle that can vanish. History and how it is made is meditated upon as one of many chance operations. The filmmaker Elvira Notari, who had a film production company in Naples from 1906 to 1930, plays a significant role as an impetus for Some Chance Operations. Despite the fact that she was a prolific filmmaker, producing over sixty feature films, only three remain intact.
The Nothing That Is stems from the environment of our streets, both the “virtual” and “other reality” which inhabits them.