BIT Plane

Bureau of Inverse Technology

1999 | 00:13:00 | United States | English | B&W | Mono |

Collection: Single Titles

Tags: Future, Politics, Surveillance

BIT Plane is a highly compact spy plane, wingspan 20 inches, radio-controlled, video-instrumented and deployed over areas of scenic interest. Due to its refined dimensions, BIT plane is able to enter territory inaccessible to other aircraft. Pioneering flight: in an aerial reconnaissance over the Silicon Valley, California 1997, BIT plane flew solo and undetected into the glittering heartland of the Information Age. Video generated in this exercise includes footage retrieved over no-camera zones Apple, Lockheed, Nasa Ames, Netscape, Xerox Parc, Interval Research, Atari, Hewlett Packard, Oracle, Yahoo, SGI, Sun Microsystems.

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Prizes + Awards

First Prize. 2001 ZKM Independent Media Art Award

Exhibitions + Festivals

Chicago Underground Film Festival, 2000

VideoEx (Zurich, Switzerland), 2001

WRO Videoart Biennale, 2001

Dallas Video Festival, 2001

Athens Int'l Film/Video Festival (OH), 2001

Images Festival of Independant Film and Video (Canada), 2003

Stream Single Title

Title Awards Image Major Exhibitions/Festivals Description
Sea in the Blood

Equal First Prize for Best Male Short, Inside Out, Toronto Lesbian and Gay Film Festival

Sea in the Blood

OutFest (LA, CA.), 2001

Rotterdam International Film Festival (The Netherlands), 2001

 

Athens Int'l Film/Video Festival (OH), 2001

 

 

Sea In The Blood is a personal documentary about living with illness, tracing the relationship of the artist to thalassemia in his sister Nan, and AIDS in his partner Tim. At the core of the piece are two trips. The first is in 1962, when Richard went from Trinidad to England with Nan to see a famous hematologist interested in her unusual case. The second is in 1977 when Richard and Tim made the counterculture pilgrimage from Europe to Asia. The relationship with Tim blossomed, but Nan died before their return. The narrative of love and loss is set against a background of colonialism in the Caribbean and the reverberations of migration and political change.

"Sea in the Blood was to be a meditation on race, sexuality and disease, but after working with the material for three years, it was the emotional story that came through. It's hard to work with such personal material, but in the end the work takes on a life of its own. 'Richard' is a character. Because of the subject matter — disease and death — I wanted to avoid sentimentality. I'd like the audience to think as well as feel."

— Richard Fung