Culture Capture: Terminal Adddition

New Red Order, Bayley Sweitzer

2019 | 00:07:59 | United States | English | B&W and Color | Stereo | 16:9 | HD video

Collection: Single Titles

Tags: History, Indigenous, Post-colonialism

Half tongue-in-cheek absurdism and half deadly earnest, Culture Capture: Terminal Adddition continues New Red Order’s ongoing project of “culture capture,” recruiting viewers to participate in a program of practical strategies to counter the “salvage mindset,” which sets aside Indigenous culture and sovereignty by consigning it to the past.

These strategies include using new, accessible technologies, such as smartphone apps that produce 3D scans of objects, both of Indigenous material that museums and other institutions may hold and public monuments that celebrate and re-affirm the norms of European settler culture.

As the title of the work, Terminal Adddition highlights the difference between addition and removal. The concept of “removal” is central to current debates about whether to remove problematic historical monuments— for example, Confederate war monuments in the South. It was also in the name of the Indian Removal Act, signed into law by President Jackson, which resulted in the displacement and death of thousands of Native peoples in what we now call the “Trail of Tears.” Both present removal as a quick fix. With Terminal Adddition, the NRO recognizes that acts of removal inevitably contain contradictions, and proposes an additive approach instead.

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Premiere

Everson Museum of Art
Syracuse, NY

Exhibitions + Festivals

Projections, New York Film Festival (NYFF), Lincoln Center, New York, 2019 
Berwick Media Arts Festival, Berwick-Upon-Tweed, UK, 2019 
Camden International Film Festival, Camden, ME, 2019 
Mumok Museum, Vienna, Austria, 2019 
Wexner Center for the Arts, Columbus, Ohio, 2019 
The 67th Flaherty Film Seminar: Continents of Drifting Clouds, Colgate University, Hamilton, NY, 2022 
Thousand Suns Cinema, Media City Film Festival, Windsor, ON, CA, 2023
Hammer Museum, Los Angeles, 2023
Moving Images, Institutional Bodies, ICA London, UK, 2023
unsthal Charlottenborg, Copengahen, Denmark, 2024
Statues Never Always Die, Musée d'ethnographie de Genève (MEG), Geneva, Switzerland, 2024
Tained Objects, London Short Film Festival, London, UK, 2024