Peer Bode
Working in film until the early 1970s, Peer Bode was first exposed to electronics by his father Harold Bode, a developer of the first modular audio synthesizer. He worked as program coordinator for the Experimental Television Center in Owego, New York, collaborating with resident artist/engineers in constructing prototype imaging tools, thus continuing his commitment to “tool expansion” and “personal studio making.” Recognizing the limits imposed by designers of industrial and consumer technology, Bode sought to externalize the “hidden coding and control structures” of the video signal. His videotapes investigate the semiotics and phenomenology of the medium, specifically through the synthesis of audio and video signals.
Available Titles by Peer Bode
Title | Year | Runtime | Collection |
---|---|---|---|
1-87 | 1976 | 00:04:35 | Early Video Art, Single Titles |
100 Sec. Lumination | 1976 | 00:01:51 | Early Video Art, Single Titles |
Animal Migrations (and why they don't get lost) | 1985 | 00:11:30 | Early Video Art, Single Titles |
Blue | 1976 | 00:05:07 | Early Video Art, Single Titles |
Camel with Window Memory | 1983 | 00:04:22 | Early Video Art, Single Titles |
Cup Mix (2 Channels) | 1977 | 00:10:58 | Early Video Art, Single Titles |
Flute With Shift | 1979 | 00:05:00 | Early Video Art, Single Titles |
Front Hand Back Hand | 1977 | 00:02:57 | Early Video Art, Single Titles |
Keying Distinctions | 1978 | 00:03:23 | Early Video Art, Single Titles |
Light Bulb with circular update (camera zoom + pan + variable clock) | 1981 | 00:03:56 | Early Video Art, Single Titles |
Music on Triggering Surfaces | 1978 | 00:03:06 | Early Video Art, Single Titles |
Rectangular Update | 1981 | 00:03:12 | Early Video Art, Single Titles |
Ring Modulation | 1978 | 00:08:14 | Early Video Art, Single Titles |
Vibratory Sweep | 1978 | 00:02:44 | Early Video Art, Single Titles |
Video Locomotion (man performing forward hand leap) | 1978 | 00:05:10 | Early Video Art, Single Titles |