Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Doldrums: On the Uncanny Domestic
Programmed by Elise Schierbeek | 1981 - 2014 | TRT 01:10:00
Video Details
Cam Archer | 2011 | 00:32:00 | United States | English | Color | Stereo | 4:3 | Hi8 video
About this program:
Video Data Bank is pleased to present the VDB TV program Doldrums: On the Uncanny Domestic, programmed by Elise Schierbeek, VDB's Digital Collection and Media Manger. As spring awakens, the program takes us to blue skies, sunny subdivisions, and back indoors to feel something beneath it all.
Taking a cue from the evocative title of Stephanie Barber’s The Hunch that Caused the Winning Streak and Fought the Doldrums Mightily, this 70-minute program drifts through six works that rest on a sense of dread and eeriness within the home and suburban domesticity. Through varying modes, each work deals with a rupture of "the doldrums." Often, this takes the form of revealed contradictions – a haunting within the comfortable, an instability within the ordered. Works by Stephanie Barber, Cam Archer, Bob Snyder, Frédéric Moffet, Cecilia Condit, and Michael Robinson are included.
Elise has also written an accompanying essay that explores the relationship of the program to the concept of the uncanny and its psychoanalytical origins in ideas of home and video. The essay is available to read here.
Featured Titles
The interior was delusional like any visual psyche. The couches and plants, rugs and paintings were all in cahoots and up in arms over the cahootery. The explorers were under-qualified and cowardly.
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
This tape deviates from the more purely formal investigations of Snyder’s earlier work; it has no soundtrack and uses camera images exclusively. Employing Quantel digital effects and editing procedures, a novelty in video post-production at the time, Snyder manipulates images of tract houses shot in a small Indiana town. Cubist re-constructions of the monotonous facades fracture spatial planes into intricate geometric arrangements, with frames enclosing frames, spiralling like Chinese boxes.
A son discreetly records fleeting moments in his parents’ suburban home. An intimate portrait of a stable life lived according to the rules of society.
Invoking Eve’s temptation and fall from grace with recurring images of the garden, the serpent, and the apple, Condit provides a look at the trouble beneath the surface in a modern-day suburban paradise. As a housewife struggling to come to terms with the conflicting demands placed on her as a wife, mother, career-woman, and daughter, Anne finds she is divided against herself; her identity is a territory occupied by everyone’s needs but her own.
A family embraces the heart of evil in this Poltergeist re-make/drag show, circa 1992.
