Early Video Art is a collection of titles that are central to an understanding of the historical development of video art. This collection includes, but is not limited to, many titles from the original Castelli-Sonnabend collection, the first and most prominent collection of video art assembled in the United States. All of the work in this collection was produced between 1968 and 1980. These works represent important examples of the first experiments in video art, and include conceptual and feminist performances recorded on video, experiments with the video signal, and "guerilla" documentaries representing a counter-cultural view of the historical events of the 1960s and 70s. Many of these tapes represent a desire for a radically redefined television experience that is centered on the innovative, the personal, the political and the non-commercial.
LISTING STYLE:

Lynda Benglis

Enclosure

1973 | 00:07:23

Benglis uses the video format as a metaphor for other types of limiting conditions or limited realities.

Two years after the riots and deaths at Attica, New York, a community day was organized at Greenhaven, a federal prison in Connecticut.

Hermine Freed

Two Faces

1972 | 00:06:24

In her oft-cited essay “Video: The Aesthetics of Narcissism,” Rosalind Krauss says, “self-encapsulation — taking the body or psyche as its own surround — is everywhere to be found in the corpus of…

Black and White Tapes derive from a series of performances Paul McCarthy undertook in his Los Angeles studio from 1970 to 1975.

In 1973, Dan Sandin designed and built a comprehensive video instrument for artists, the Image Processor (IP), a modular, patch programmable, analog computer optimized for the manipulation of gray…

Hermine Freed

360º

1972 | 00:06:20

The frame is filled with two concentric magnifying lenses, one larger than the other. Behind them is a mirror. The mirror turns and reflects the landscape around it.

Hermine Freed

Family Album

1973 | 00:09:45

Over a montage of family photographs, Freed’s narration questions the consistency of memory and self over time, with Freed displaying a quizzical and sometimes hostile relation to her past.

Hermine Freed

Water Glasses

1972 | 00:05:00

An experiment in "video cubism." Two rows of three cylindrical water glasses are lined up to fit the frame of the monitor.

Lawrence Weiner

Reading Lips

1997 | 00:11:49

There has to be a way to win is the refrain. Three women fold clothes, stroll and shop as they discuss jealousy, murder and dead bodies. An enquiry into the generosity of women.

There has to be a way to win is the refrain. Three women fold clothes, stroll and shop as they discuss jealousy, murder and dead bodies. An enquiry into the generosity of women.

Nancy Holt

Zeroing In

1973 | 00:31:15

Perceptual concerns predominate in my videoworks.

Bill Viola

Sweet Light

1977 | 00:09:07

Viola has referred to Sweet Light and other tapes from this period as “songs”—personal, lyrical statements.