Possibly In Michigan is an operatic fairytale about cannibalism in Middle America. A masked man stalks a woman through a shopping mall and follows her home. In the end, their roles are…

Zachte Berm (from Weiner’s film Plowman’s Lunch) sits with her back to the camera in front of a large mirror—her face, covered with shaving cream, is seen in its reflection.

In this angry answer to the expectations advertising culture places on women and their bodies, Tanaka deftly edits commercial images and sound-bite slogans to underscore the message such images…

Adopting the movements of various animals, Forti begins the performance by walking hypnotically in circles.

The Red Tapes is a three-part epic that features the diary musings of a committed outsider: revolutionary, prisoner, artist.

Characteristic of much of Gillette's work—which treats video as a field of light, movement and reflection—Muse extends beyond optical sensation to engage the viewer in metaphysical…

Taking its title from the four consonants of the ancient Hebrew name for God, Tetragramaton contemplates the relationship between man, technology, and ecological systems.

Footage from a performance produced at Forum en Scene in Middleburg, Holland of the players continually enacting the same tasks. Nothing To Lose opens with a young, androgynous sailor…

"There are three scenes in this work, all reflecting a changing sense of time. Each has a voiceover soundtrack with a similar structure, but with different information.

“In her brilliant video Art Herstory, [Freed] has restaged art history, putting herself in the model’s role in numerous paintings....

A Second Quarter is decidedly European; the “place” (Berlin) is the catalyst for the “action” (the work).

Irreverent yet poignant, The Eternal Frame is a re-enactment of the assassination of John F. Kennedy as seen in the famous Zapruder film.