Video Data Bank is proud to represent the extensive video catalogs of renowned moving image makers George and Mike Kuchar.
LISTING STYLE:

In this series I composed a series of portraits on my audio/video digital mixer, ranging from impressions of places and people to renditions of feelings their work inspired, and domestic-type gossip from the kitchen and bedroom.

A month-long video workshop at the University of Wisconsin in Milwaukee results in a loud and action-packed drama. Layers of subplots revolve around the central theme of the violent and emotional body climax in redemption.

George Kuchar

Snap 'n Snatch

1990 | 00:05:33

A sort-of music video that focuses on and under young women and men engaged in focusing video and movie cameras on other young men and women.

George Kuchar

Indigo Blues

1992 | 00:32:45

A volcano self-destructs ages ago, leaving in its wake a great emptiness which is filled with all that is cold and blue.

The San Francisco Art Institute's 100th anniversary is absorbed into this portrait of alumni in the heat of creation and pasta softening.

A chaotic assortment of artists tumbles forth in the first half of this video diary, and the pieces of flotsam and jetsam coalesce into the junk statuary of Jerry Barrish, sculptor.

George visits underground filmmaker Robert Nelson in Milwaukee, and they brave the cold on Lake Michigan.

We are what we eat, and we talk about what we are; so, naturally, we get hungry all the time. Join my friends as we not only hear, but see what they are and taste the essence of each one without the fear of emotional attachment.

A high-pitched melodrama featuring the noise saturated spiritual journey of a vegetarian youth embroiled in big city shenanigans and occult extravaganzas.

A non-stop, psychedelic action serial depicting the gnawing bitterness of a UFO debunker as he sinks in a sea of new age imagery and nubile neophytes.

Snow falls gently in the background as kielbasa is cut and Walter Kapsuta mans the accordian in this Christmas special. Also on board is filmmaker Sharon Greytak, as she and I discuss matters of the flesh and joints.

In this classic example of the Kuchar style, George travels to the Bronx to visit his mother and to see old classmates from art school. “We see what they have become or are becoming or already became.”