Antimatter is committed to providing a public platform for underground productions of film and video that exist outside of the mainstream.  Antimatter also functions as a laboratory for audience development and education, exhibiting works in alternative venues, outside of the traditional black box of the cinema.

Archive of research materials pertaining to film preservation.

A company specializing in magnetic media restoration.

The Library of Congress is the nation's oldest federal cultural institution, the largest library in the world and is the research arm of Congress.

A history of video tape recorders before the introduction of the Betamax and VHS film formats.

ISEA is a nomadic symposium of professionals from the international art, science and technology communities who meet annually for exhibitions, workshops and academic conferences.

Distributor of secure storage devices for digital media.

A journal published by the Raindance corporation between 1970 and 1974 that analyzed various topics ranging from video art and its social applications, video activism, independent television and media theory.

ScreenSite is an online collection of links and articles devoted to the study of film, television and related media.

The Society of American Archivists is a professional organization of archivists that provides an assortment of educational resources to its members and the general public regarding best practices for the identification, preservation, and use of records of historical value.

SPECS BROS. is a magnetic tape decontamination and restoration facility that specializes in disaster recovery and the rejuvenation of archival tapes suffering from material breakdown.

A guide to the identification, care, and conservation of videotape formats.

TAPE aims to contribute to action plans for preservation of the audiovisual heritage by laying the groundwork for a program for awareness-raising and training of nonspecialists.

The UCLA Film & Television Archive is the second largest moving image archive in the United States after the Library of Congress, and the world’s largest university-based media archive. In addition to housing an enormous collection, they also offer numerous research and educational resources.

INCCA is a network of professionals connected to the conservation of contemporary art that allows its members to access each others unpublished information (artist interviews, condition reports, installation instructions, etc.) through the INCCA Database.

The International Association for Media and History is an organisation of filmmakers, broadcasters, archivists and scholars dedicated to historical inquiry into film, radio, television, and related media.

The Danish Video Art Data Bank promotes knowledge of Danish independent video art worldwide. 

Discusses topics concerning the preservation of media-based art.

The Digital Preservation Coalition promotes awareness of the importance of the long-term preservation of digital material and its attendant strategic, cultural and technological issues. 

A collection of articles and interviews pertaining to early video art.

The ERPANET project aims to establish an expandable and self-sustaining initiative which will serve as a knowledge-base for the preservation of cultural heritage and digital objects.

FIAT/IFTA seeks to promote the study of the development and use of audiovisual archives and to establish international standards on key issues regarding all aspects of audiovisual media archive management.

IMAP is an education and advocacy organization committed to the preservation of time-based media by offering accessible solutions for the documentation and management of media collections. 

The Institute of Museum and Library Services provides libraries and museums with solutions for cultural and civic engagement, while also providing resources for research and policy development.

The Pacific Film Archive at the University of California, Berkeley, which houses a collection of over 14,000 films and videos, is dedicated to the understanding, appreciation, and preservation of cinema through art and film exhibition programming and film research and education.