The two Social Studies videos call into question fundamental assumptions about the cross-purposes of entertainment: to entertain, to present cultural values, to mediate public policies,…

Four short videos by artist Miranda July, covering the period 1996 to 2001.

"The videowork of Nelson Henricks, though quite varied in treatment and theme, has worked toward the articulation of a single concern: How can love fly through the air and be received by me?"

Three of these four works form a trilogy that explores one of the principle metaphors of video: the window. The window is used to examine notions of knowledge, voyeurism, surveillance and time. In…

O Night Without Objects, A Trilogy explores the relationship of conversion experiences - therapeutic, political and religious - to technology, fear and family.  The segments are…

Pixilated, an archaic word meaning enchanted, bewitched, magical, insane, and the stop frame animation of objects and people.

In addition to Furniture Poetry, Dr Jekyll and Mr Hyde…

Garrin advocates the use of video as an activist and community tool and a means for people to represent themselves. These three pieces examine the Tompkins Square riots, police harassment, and the…

Through the deployment of various structural strategies, the narrative logic of three problematic and influential films is transformed into a sensuous hallucinatory unveiling of repressed…

A compilation of five of Sadie Benning’s early works. In Jollies, Benning gives a chronology of her crushes and kisses, tracing the development of her nascent sexuality. Addressing the…

Volume 2 includes the pixelvision works made in 1992: A Place Called Lovely, It Wasn't Love, and Girlpower. A Place Called Lovely references the types of…

A collection of three remarkable works by Sadie Benning, produced between 1995 and 1998, including German Song, The Judy Spots, and Flat is Beautiful. Shot in black and white…