In this episode of The Brenda and Glennda Show, Brenda and Glennda comically debate changing the name of their show to Drag Queens for Jesus, in order to convert all the secular homosexuals to Christianity. They discuss topics like abortion and censorship from a drag queen perspective, exploring the hypocrisy and inherent bias of Christian ideals. Later, Brenda gets her nipple pierced in homage to Sandy Daley's Robert Having His Nipple Pierced (1971).

In Dry Blood (Sagre Seca), various historical moments of political activism in Mexico are superimposed and corroded on the emulsion of expired film. Footage from the International Women's Day in 2017 is coupled with the recording of a powerful speech about the gruesome aftermath of the 2006 civil unrest in San Salvador Atenco.

Cherokee-American artist Jimmie Durham has worked in performance since the mid-’60s. In the ‘70s, he immersed himself in activism, working for Native American rights as part of the American Indian Movement. In the ‘80s, his focus returned to producing art in multiple forms—performance, poetry, and mixed-media visual works—that consider Native American identity and critique American domestic colonialism. He has also published numerous critical essays.

The Earth Is Young takes as its starting point a series of interviews conducted with Young Earth Creationists, who find evidence of a six-day, six-thousand-year old creation in their reading of the fossil and geological record. The film frames these encounters with depictions of the slow and patient work of young paleontologists, and the strange, shimmering life in a drop of pond water, both of which point toward a world far older and more complex, if no less fantastic.

Ecstasy Unlimited is an engaging video essay on the social construction of sexuality. Kipnis attempts to historicize pleasure and politicize desire, to reveal within the current discourse on sex — and within an ensemble of current sexual practices — the production of forms of sexuality that work to guarantee social order, rather than subvert it. Through various narrative ploys and theoretical tactics, the tape attempts to recover traces of a "political unconscious" in contemporary social malaise.

Equal Rights for Unborn Drag Queens is a satirical short video in which Brenda and Glennda critique anti-abortion politics, homophobia, and religious fanaticism in the media. Interspersed between clips of right-wing news broadcasts is footage of Brenda having her nipple pierced, in an homage to Sandy Daley's Robert Having His Nipple Pierced (1971).

An episode of The Brenda and Glennda Show hosted by Brenda Sexual and Glennda Orgasm.

Irreverent yet poignant, The Eternal Frame is a re-enactment of the assassination of John F. Kennedy as seen in the famous Zapruder film. This home movie was immediately confiscated by the FBI, yet found its way into the visual subconscious of the nation. The Eternal Frame concentrates on this event as a crucial site of fascination and repression in the American mindset.

"The intent of this work was to examine and demystify the notion of the presidency, particularly Kennedy, as image archetype...."

— Doug Hall, 1984 

Irreverent yet poignant, The Eternal Frame is a re-enactment of the assassination of John F. Kennedy as seen in the famous Zapruder film. This home movie was immediately confiscated by the FBI, yet found its way into the visual subconscious of the nation. The Eternal Frame concentrates on this event as a crucial site of fascination and repression in the American mindset.

"The intent of this work was to examine and demystify the notion of the presidency, particularly Kennedy, as image archetype...."

— Doug Hall, 1984 

Event Fission is an outdoor performance on the Hudson River landfill, produced by Creative Time. Eiko & Koma danced with a huge white flag billowing on top of a sand dune as the audience watched from below. The white flag was used to symbolically attack the newly developed downtown buildings. On a lower level of the landfill, to which Eiko & Koma tumbled down, there were fires on four corners of the performing area. At the end of the performance of 50 minutes, Eiko & Koma were swallowed into a deep hole they had dug and hid, disappearing with a blast of sand.

In Fagtasia Solstice, Brenda and Glennda attend a Radical Faerie event in New York City to commemorate the Summer Solstice. Through interviews with Faeries and footage of their walk across the Brooklyn Bridge, the group proposes to reclaim the city as a safe space for queer people, and discuss reorienting queer consciousness toward spirituality.

An episode of The Brenda and Glennda Show, hosted by Brenda Sexual and Glennda Orgasm. Featuring the Radical Faeries. Thanks to Julie Clark and Dana Nasrallah.

A film for high school students and their teachers about the history of the Viet Nam War, composed of just photographs from that war, narration and, to help us through a damned disheartening story, lots of the Bach Suite for Solo Cello #1 in G.

To read the accompanying curriculum guide click here. 

For the Least is a short documentary about American Catholics who marched to Guantanomo to bring spiritual comfort to the prisoners and an end to the torture they endure. In December 2005, Catholic Workers--people of faith following the tradition of Dorothy Day--marched over 70 km in the hopes of entering the prison. Ultimately, although they could not actually visit the prisoners, they camped outside the Cuban military limit, fasting and praying for the detainees. The video is in the format of a letter written to the U.S.

Forest Law underlines the persistent fact that we are yet to learn to live otherwise in an age defined by the colossal consequences of a new socio-geological order we ourselves have created through irresponsible interactions with Earth’s systems.

Forest Mind is a video work that emerges from the artist’s longstanding interest in the human interaction with the natural world. In a series of recent art projects, she has shed light on the cosmology of Indigenous communities and their political struggle to keep their forests alive.

Planetary battle over the porous body of the earth. This is the battle of the Earth.

The Videofreex conducted this interview with Fred Hampton, the Deputy Chairman of the Illinois chapter of the Black Panther Party, in October 1969, just over a month before he was killed by the Chicago police.

Rare footage of a September 1970 rally honoring the late Fred Hampton, Deputy Chairman of the Illinois chapter of the Black Panther Party. One of the speakers leads the audience in a call and response.

In From Fagtasia to Frisco, Brenda and Glennda report from Fagtasia, an event honoring the Summer Solstice in New York organized by the Radical Faeries. Through interviews with Faeries and footage of their walk across the Brooklyn Bridge, the group proposes to reclaim the city as a safe space for queer people, and discuss reorienting queer consciousness toward spirituality.

Coco Fusco is a Cuban-American artist and author who investigates race, gender, politics, and identity through installations, performances, video work, and writing. In her second On Art and Artists interview, Fusco discusses her recent works with Romi Crawford — an art historian at the School of the Art Institute of Chicago — and describes how she has evolved as a storyteller over her career.

This two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

The two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

In Glennda and Bruce Do Times Square, Glennda is taken on a night tour of Times Square by author Bruce Benderson. They observe the dynamic between forms of culture that would typically be identified as “underclass” in “suburbanite” culture within the economic and spatial landscape of New York City. Glennda and Bruce visit the apartment of performer Consuela Cosmetic, who was prolific within New York’s ball scene. She maps out the ways in which she believes gender can be expressed, and discusses the implications of ‘passing’.

In this video, Glennda Orgasm and social critic Camille Paglia walk the streets of downtown Manhattan and discuss the status of mainstream feminism in the early 1990s. They visit the Stonewall Inn, Washington Square Park, and a gay bookstore, and confront a group of anti-pornography protesters. 

An episode of Glennda and Friends, hosted by Glennda Orgasm and Camille Paglia. Featuring The Centaurians, Brian Roach, and Rennard Snowden.

In this video, Glennda is joined by social critic and feminist scholar Camille Paglia in New York's fashion district. The pair visit designers studios to discuss their respective styles and creative processes. Additionally, Glennda and Camille explore fashion's relationship to gender and feminism, ultimately recreating an iconic scene from Breakfast at Tiffany's.

An episode of Glennda and Friends, hosted by Glennda Orgasm and Camille Paglia.

In this video, Glennda and sex activist Chris Teen attend the opening of Dress Codes at Boston's Institute of Contemporary Art. They interview museum staff, artists, and other attendees to explore how an exhibition centered upon gender nonconformity will be received by both queer communities and the general public. Glennda and Chris Teen discuss the importance of visibility for marginalized communities, and tap into gender discourses as they existed in the early 1990s.