Traders Leaving the Exchange, A Guard and the Street V.1 is a 15-minute unstable remix of a video I shot in 2000, and edited in 2011, of the "members" door of the New York Stock Exchange as the traders were leaving at the end of their workday. A security guard is positioned in front of the "members" door. The shot is a close up of the door and the guard taken from across the street, busy with traffic and pedestrians.
Twenty Minutes is about the design and usage of the pulley from the era of Leonardo Da Vinci to the early 21st Century.
Cast: Clifton Bazemore, Derek Bazemore. Animation: Aaron Biscombe.
This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.
Two–Week Vacation depicts a segment of society whose preoccupation with work interrupts even their vacation.
Cast: Matilda Washington. Music: David Reid.
This title is only availalbe on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.
Three factories. Three radically different modes of production. One of the world's largest prosthetics factory, far removed in the mountains of Germany; a small haute-couture glove atelier in southern France, where each glove is made by hand; and a distressed jeans factory in central Turkey, where about 2000 pairs of jeans are produced daily, reveal paradigms of contemporary production, organization, and labor.
What do a luxury automobile, a cymbal, and a wall clock all have in common? What are the diverse attachments and experiences produced by those who make these things and those who consume them? What exchanges take place through the object itself—sensually, esthetically, abstractly? We often forget that most of the things we use are made by the labor of others, often in distant places, living dramatically different, diverse lives. What do these objects mean to them? How does their labor, their aspirations, their sense of alienation or satisfaction connect to ours?
"An eye-opening piece of guerilla counter-surveillance, Untitled documents Dinçel’s time working as a tech assistant at a film festival where they managed to record the headset chatter between themselves and the two male projectionists working the event. Over the course of 12 short minutes, we hear the men continually berate Dinçel, ignoring their specific knowledge of film and dismissing them when they correctly diagnose technical problems."
- Michael Sicinski (from Cleo a Journal of Film and Feminism)
A cross-generational binding of three filmmakers seeking alternative possibilities to the power structures they are inherently part of. Each woman extends her reach to a subject she is outside of. Vever grew out of the abandoned film projects of Maya Deren and Barbara Hammer. Shot at the furthest point of a motorcycle trip Hammer took to Guatemala in 1975, and laced through with Deren’s reflections of failure, encounter and initiation in 1950s Haiti.
A vever is a symbolic drawing used in Haitian Voodoo to invoke Loa, or god.
A Week in the Hole chronicles a factory employee’s adjusting to the materials, time, space and personnel during his first day of work.
A Creative Capital 2001 Grantee.
Cast: Maurice Printis.
This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.
Ten thousand women marched down New York's Fifth Avenue on August 26th, 1970, to mark the fiftieth anniversary of the passage of the 19th amendment, which granted women the right to vote. The march was part of a "Women's Strike for Equality" organized by veteran feminist leader Betty Friedan.
Workers Leaving the Factory — such was the title of the first cinema film ever shown in public. For 45 seconds, this still-existent sequence depicts workers at the photographic products factory in Lyon, owned by the brothers Louis and Auguste Lumière, hurrying, closely packed, out of the shadows of the factory gates and into the afternoon sun. Only here, in departing, are the workers visible as a social group. But where are they going? To a meeting? To the barricades? Or simply home?
115 years later, a(nother) remake of the Lumiere Brothers pseudo-actuality film La Sortie des usines Lumière. This time around our factory is a job site, a construction site peopled by thousands of Southeast Asian laborers, a neo-Fordist architectural production site that manufactures skyscrapers like so many cars.
Workers Leaving the Factory - Ten Days that Shook the World – downloaded, repeatedly recompressed and reversed V.1 is a 13-minute re-edit of the film Workers Leaving The Lumière’s Factory in Lyon.