Millie Wilson is an installation artist whose work proposes a relationship between modernist art practices and modernity’s production of deviance, particularly regarding lesbian stereotypes. She uses humor, parody, and beauty as disruptive strategies to insist on a dyke presence in postmodern revisionism. Wilson has exhibited her work internationally and is on faculty at CalArts. Interview by Robert Blanchon.
A historical interview originally recorded in 1998.
Made for Madrid Pride 2017, Wonders Wander is a location based mobi-web-serial with four fictional episodes set in Madrid.
Ming Wong creates videos that explore performance and issues of race and gender. Born in Singapore of Chinese heritage, and now based in Berlin, his work examines cross-cultural experiences by appropriating scenes of iconic world cinema. Wong casts himself anachronistically as the star, critically exposing the otherness of the relationship of media and world history.
A young man recovering from emotional wounds, defiantly re-enters the outside world that welcomes his return with all its abundant miracles.
A teenage lesbian's attempts to form friendships with older lesbians leads her on a disturbing ride through the ageist terrain of the dyke community.
Set in a post-industrial ‘Neverland’ of worn down row houses, looming factories, and desolate seashores, a rabble of deprived gender and age ambiguous youths explore their own vulnerabilities and put pressure on what it means to grow up. Misadventures that include impromptu races, nighttime spooning, cheating at card games, attempts at hypnotism, pocket knife haircuts, and sexual fantasies all function as means for the characters to attempt knowing one another.
Year of the Spawn is an archival collage inspired by the synonymous song by the “gay church folk” band The Hidden Cameras. Wolf interpreted the song as an anthem for doomed youth. Having recently finished the historical film Teenage, Wolf collected over 100 hours of archival footage, featuring early 20th Century adolescents. Much of these historical newsreels feature bizarre and mysterious outtakes. These forgotten scraps became the fabric for this foreboding and melancholic music film.
In the dark night of a prairie city, a vampire considers her future with a fetching mortal. But requiring blood for sustenance brings a host of problems to the relationship.
Based on the filmmaker's autobiography, You Are Here examines the search for home within our era of transnational displacement. As the son of Italian immigrants, the filmmaker examines notions of home and belonging within the context of his ethnic origins, but also extends this in relation to his identity as a gay man. The film chronicles his trajectory from his familial home in Italy, to his native Canada and beyond, and weaves a compelling portrait shaped by memory and the realities of the present.
You will never be a woman. You must live the rest of your days entirely as a man and you will only grow more masculine with every passing year. There is no way out.
You will never be a woman. You must live the rest of your days entirely as a man and you will only grow more masculine with every passing year. There is no way out.
You will never be a woman. You must live the rest of your days entirely as a man and you will only grow more masculine with every passing year. There is no way out.