The filmmaker and his friend, both Lebanese, meet two Israelis their own age in Paris, and spend some playful time with them. While they play a game, they refer constantly and humorously to the war and to the frozen status quo between the two countries.
This title is only available on Radical Closure.
On a back-to-nature trip to Boulder, Colorado, George goes to the mountains, but goes on the rocks emotionally.
This title is also available on The World of George Kuchar.
“The tape ultimately addresses all the big questions — death, origin and family, religion — as well as the small discomforts of the body, only to reverse their order of importance.”
— Margaret Morse, Framework (Los Angeles Contemporary Exhibitions)
George goes to Oklahoma, but there's a lull in storm activity. It's spring, and though there's romance in the air, the lightning just doesn’t strike; so George makes his own rain—of sorts. Despite the drought, the videos must go on.
This title is also available on The World of George Kuchar.
Attempting to apologize for the lack of good weather in Weather Diary 3, George arrives in Milwaukee only to find the drought back in full swing. Since there’s not enough good weather, the tape becomes a social diary against the backdrop of the Motivation Of The Carcasoids project.
Scenes from a vacation. Music comes on loud and clear and washes over a series of visual impressions of the land and the sky and the faulty plumbing that submerges porcelain bottoms in a sea of unmentionable froth.
This title is also available on The World of George Kuchar.
Once again a seaside serenade of sloshing oils and simmering scallops fills the crannies of Cape Cod with dingle-berries of dubious delight! Join a crew of crustacean craving civilians as they shuck their shells of inhibitions to become the truly truculent trespassers of a salty sanctuary. Visit the chefs of chivalry as they skewer the squeamish with talons of titillating tidbits, each one a calorie crunching course in obese obtrusiveness and opulent oddness. Come one, come all, and sample a smorgasbord of simple pleasures in this vacation video of vicarious vacillations.
Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity. Four teenagers are invited to discover a new world and participate in Indian daily life in two different communities. They show their emotions, curiosity and fears, and are surprised by their new friends. Part Two of the series, When God Visits the Village, sees the teenagers invited to visit the Kaiowá people in South Mato Grosso. Expecting something similar to the Krahô village they had earlier visited, they are at first shocked.
Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity. Four teenagers are invited to discover a new world and participate in Indian daily life in two different communities. They show their emotions, curiosity and fears, and are surprised by their new friends. Part Two of the series, When God Visits the Village, sees the teenagers invited to visit the Kaiowá people in South Mato Grosso. Expecting something similar to the Krahô village they had earlier visited, they are at first shocked.
The secret history of hobo and railworker graffiti. Shot on freight trips across the western US over a period of 16 years, Who is Bozo Texino? chronicles the search for the source of a ubiquitous rail graffiti--a simple sketch of a character with an infinity-shaped hat and the scrawled moniker, "Bozo Texino"--a drawing seen on railcars for over 80 years.
Storms batter California as 1995 ushers in a world of computerized characters and unplugged souls in search of electrified juice. The images of a naked past haunt the denizens of today as a wet tomorrow threatens to sweep them into oblivion on a tide of technology. Already water-bogged and bloated, the occupants seek the sun and the worshippers who strip in defiance of Divine dehydration.
In Barbier’s meditative journey through India, she deconstructs the myth of the objective documentary by using textual commentary and off-camera remarks to address the problematic relationship of observer to observed. Framing the images through the artist’s subjective and distinctly female point of view, she explores images of women working, sweeping, cooking, and tending children in direct juxtaposition to men who sit, relax, and observe the spectacle.
The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to our human condition.
Based on the filmmaker's autobiography, You Are Here examines the search for home within our era of transnational displacement. As the son of Italian immigrants, the filmmaker examines notions of home and belonging within the context of his ethnic origins, but also extends this in relation to his identity as a gay man. The film chronicles his trajectory from his familial home in Italy, to his native Canada and beyond, and weaves a compelling portrait shaped by memory and the realities of the present.
This East Coast travelogue documents my journey from New York City to Boston as several screenings plunge me into a maelstrom of social excess and tummy filling delights. You too can digest this banquet of artists, poets and movie-makers as this foray into fleeting fame runs its course on a highway of film oriented locales. See the Harvard Film Archive in all its spaciousness and visit the citadel of cinema, Anthology Film Archives, before winding up in a Greenwich Village bar full of verbal beauty. A trip for young and old who like to sit in one spot and watch someone els