The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process. The video camera flits across the boroughs of NYC in a splash-dash sojourn of sumptuous banquets and bohemian bombast, while the down-to-earth wisdom of the seeing impaired helps to guide the protagonist into detours of wisdom befitting his putrid project.
A chance to view the upper Bronx as a mantle of whiteness cloaks its natural splendor like icing on a cake and things all blubbery bob to the surface for air and a sniff of the "good life."
Mike Builds a Shelter is a performance comedy with apocalyptic overtones, a narrative extension of Smith's installation Government Approved Home Fallout Shelter/Snack Bar. In this darkly humorous morality play, Smith contrasts Mike's rural adventures in a pastoral landscape with his home fallout shelter. Throughout, the dual narratives are intercut with episodes of Mike's Show on cable, in which Mike's banal domestic activities are eagerly if passively received by living-room TV viewers.
A thirty-three minute video odyssey documenting one woman's search for the miracle of the Virgin Mary. A must-see for recovering Catholics and their families and friends worldwide. From Italy to Portugal, from France to Georgia, from Iowa City to Peru, Miracle recovers a newly-minted set of the Seven Deadly Sins on the way to immortalizing the latest modern religious trend: "Spiritual Tourism." Rated S for satirical.
A young man of the "Modern Age" ponders sits alone to ponder "prehistoric life" and discovers that he has fine-tuned those primitive instincts in the Times he now lives. This is "food for thought", heated, stirred and serve
Psychologically disturbed Professor Herville (Joe Gibbons) analyzes the literary classic Moby Dick. He gives a tour of the Herman Melville Museum and makes much ado about the book’s Oedipial themes. Breer mixes in footage of the Hollywood adaptation starring Gregory Peck and her own irrepressible animation.
This title is also available on Emily Breer: Classics Exposed.
Looking like a 1970’s version of “Rosie the Riveter”, Mogul takes on the persona of an artist who makes a living posting billboards on the Sunset Strip in Hollywood. As Mogul recounts her climb up the billboard “ladder”, she realizes that the only way to truly make a “name” for herself is to create her own billboard. And so she does.
A month-long video workshop at the University of Wisconsin in Milwaukee results in a loud and action-packed drama. Layers of subplots revolve around the central theme of the violent and emotional body climax in redemption.
George is invited to the AFI Video Festival to see the screening of his tape, Video Album 5: The Thursday People, but detours into a melodrama about the fear of internal spaces in buildings.
Shot in Pixelvision, Joe Gibbon's Multiple Barbie features the artist as a smooth-talking psychoanlayst imploring the silent doll to explore her multiple personalities in order to purge their power from her psyche.
From the fall colors of the Bronx, we travel up the Hudson River to Bard College and chew the fat with some notable faculty in the film department, who live in the shadow of the Catskill Moutains. Then it's down to Sarasota, Florida where we go to prowl the manicured jungles and opulent estates on Tampa Bay. All of the above is punctuated by a symphonic squad of melodic mannequins and cranked-up antiques that spew forth jingles that jangle in jubilation at the bounty deposited in their slots.
Made in Germany, October 14th, 2004
While the Iraq war continues, a day's sightseeing and the features of a German hotel provoke a stream of thoughts about events large and small.
Museum Piece is the second episode in the Hotel Diaries series, a collection of video recordings made in the world's hotel rooms, which relate personal experiences and reflections to contemporary conflicts in the Middle East.
Three insightful and funny vignettes highlighting Segalove's father's quirky traits, habits, and interests.
In this short but provocative tape, recorded August 4th, 1971, Carol Vontobel “interviews” Nancy Cain who is speaking about her “coke addiction problem” under the pseudonym Nancy X. Nancy’s addiction, the viewer soon learns, is not to cocaine but coca-cola. As such, the segment unfolds as a spoof, both playfully calling attention to the proliferation of depictions of, and conversations about, the pervasive use of drugs in the U.S. in the early 1970s.
There is no future in reproduction. I have no concern with any species extending itself through time. You think you have given birth to a baby, when really you have given birth to a bus driver, or tax collector. Instead I'm interested in the placenta, the real mother of us all, forgotten discarded. The softest machine, all lipids and blood, that blooms and rots like any vegetal/floral martyr. That umbilical cord did not connect you to your mother. It connected you to that most partial of objects — the placenta — part you, part mom, all martyr and garbage.
Two gardens of plenty sprout with the seeds of bitter fruit made sweeter by the touch of summer, which rushes in with the scent of floral flatulence. Made heady by the gorgeous gas, the subjects of this video open both heart and mouth to nature's bounty which is served in microwaveable platters of convenient disposability to protect the environment from caustic suds. A touch of poison does escape the purity of these proceedings, but the general mood is one of gregarious grimness amid the plentitudes of paradise."
In New Report, Wynne Greenwood and K8 Hardy are reporters at WKRH - the feminist news station that is "pregnant with information." As Henry Irigaray (Hardy) and Henry Stein-Acker-Hill (Greenwood), these two lesbian feminist artists stage reports on and with their friends, their social herstories, their nerves, and their bodies. It is urgently broadcast live to the newsroom and out to their studio audience.
In New Report, Wynne Greenwood and K8 Hardy are reporters at WKRH - the feminist news station that is "pregnant with information." As Henry Irigaray (Hardy) and Henry Stein-Acker-Hill (Greenwood), these two lesbian feminist artists stage reports on and with their friends, their social herstories, their nerves, and their bodies. It is urgently broadcast live to the newsroom and out to their studio audience.
The second installment of the collaborative project New Report, an ongoing series of performances and videos, Artist Unknown features K8 Hardy (founder of the queer feminist art collective LTTR) and Wynne Greenwood (of Tracy and the Plastics) playing Henry Irigaray and Henry Stein-Acker-Hill, and anchor and roving correspondent for WKRH, a feminist TV news station whose tagline is "pregnant with information." Based on documentation of a live, digital communication in real time between Greenwood at Foxy Production Gallery and Hardy on the street in New York.
The second installment of the collaborative project New Report, an ongoing series of performances and videos, Artist Unknown features K8 Hardy (founder of the queer feminist art collective LTTR) and Wynne Greenwood (of Tracy and the Plastics) playing Henry Irigaray and Henry Stein-Acker-Hill, and anchor and roving correspondent for WKRH, a feminist TV news station whose tagline is "pregnant with information." Based on documentation of a live, digital communication in real time between Greenwood at Foxy Production Gallery and Hardy on the street in New York.
This episode includes: two more adverts, considerations of the future, a multiple projection spectacular in miniature, a riverine jaunt, much fog, and an ending x 2.
This is the fourth and final episode in The Variations cycle.
A black cat and a polka-dotted string puppet frolic amid the painted backdrops of a happy universe, while outside, in the real world, the reality washes away amid the onslaught of H2O and granulated granite. A merging of the plastic and the profane.
Now Let Us Praise American Leftists is an experimental video animation that seeks to eulogize and ridicule the American leftist movement of the past century. Foregrounding the exclusionary nature of American leftist politics, and its persistent refusal to allow more diversity in terms of race, ethnicity, and sexual orientation to enter into the larger political daialogue, the video presents representations of American leftists as they are: men with mustaches.
A trip to Winnipeg introduces the viewer to moments of Canadian cuisine and to the easily digestible tidbits that make up the WNDX Film/Video Festival. Come join the movie buffs as they beef up on eye candy and tummy truffles, all the while indulging in a masticating miasma of minutia that's easy to swallow. Wash it all down with some river views and Mr. Coffee secretions and you'll get a taste of the treats that await all who head north to appease the more southerly rumblings of the human anatomy.
Kuchar makes it to the Isis Oasis resort just in time to catch the marriage vows of his friends Rebecca and Steve. Transposing the myth of Isis in their union, Kuchar tries to make sense of this recreated paradise, this gathering of God’s creatures, and the fates of Rebecca von Hettman and Charlie Sheen—in this humid, steamy, stained story of the transmigration of souls.