Stop action animation, ink on glass.

In this video, Brenda Sexual, Glennda Orgasm, and friends act out a drag queen murder mystery that takes place on their talk show.

Now Let Us Praise American Leftists is an experimental video animation that seeks to eulogize and ridicule the American leftist movement of the past century.

Invoking a biblical story of life coming from dry bones, Condit constructs an experimental narrative about an older woman’s confrontation with her own mortality after the death of her mother.

An unorthodox essay film on the renowned but controversial painter, Philip Guston. Ballad interweaves Guston’s biography, influences, and philosophical approach to art with Cohen’s deeply personal engagement with the man and his work.

In 1992, Tran came across a New York Times article about a group of hysterically blind Cambodian women in Long Beach, California, known as the largest group of such people in the world.

In Excerpts from Behold Goliath, Tom Kalin presents four experimental short films inspired by American writer Alfred Chester (1928-71), who in 1964 published a collection of short stories of the same name.

In this silent video, still images of stores and residential buildings in New York City appear within a cutout template, based on the “giftbox heap” formed by the New Museum silhouette.

A teenage girl recounts the artist’s stories, ones which emphasize the complexities of youth, family, love, and friendship. The muddling of self with other complicates these stories further.

Video from the 2nd Interactive Electronic Visualization Event (IEVE), a collaboration event with SAIC's Video Department and the University of Illinois Circle Campus.

Witness is a perceptual meditation on police brutality—specifically a power dynamic that law enforcement has coined “suicide by cop.” Filmed in Iceland on 8mm film, the film hinges on archival audio—unfolding in real time—of

(In) Visible Women shows the heroic responses of three women with AIDS in the context of their respective communities. In the face of adversity, these women confront all aspects of the AIDS crisis in their lives.

The Videofreex tape a group of young people working on a farm run by Chris Locke and his wife in Shandaken, NY.  After learning how to take care of the chickens, they are taught how to kill and pluck one.  Later they sit down for a communal di

"The content of the rogue computer animation Boy/Analysis is perfectly illustrated by the integral title, namely, a drastic abbreviation of Melanie Klein's 1961 key study on child psychology.

Since the 1970s Mary Kelly (b.1941) has worked at the fore of feminist art and theory. She has continued to address issues and methods of activist politics, psychoanalysis, political science, literature, and the history of women and gender.

Domestic life in south London filtered through stories of weight (and waiting), local history, bad dreams and the ongoing colonisation of the moon.

Original music by Bruno De Angelis.

Originally filmed as an installation in Berlin, a digital reworking of documentation results in digital video artwork which uses image, narration, and raw sound for the sake of deconstructing and reconstructing.

Part of the paraconsistent sequence series.

The crossword puzzle addiction.

A response to the inability of his local General Motors dealer to fix Morton's 1974 Chevy van to his satisfaction, this tape blends experimental image-processing techniques with documentation of the faulty vehicle.

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

Against images of an inventor-chemist juggling brightly colored molecules, psychedelic arms passing out pesticides, and nightmarish landscapes that include trapped live subjects, Oursler presents Hopewell, Virginia—a turn-of-the-century boomtown gone bu

Students reclaim a popular gathering spot on the campus of the University of Virginia.

In this tape the Videofreex document an impromptu experimental art gathering in 1971, hosted by New York artist, Tosun Bayrak.

Cherokee-American artist Jimmie Durham has worked in performance since the mid-’60s. In the ‘70s, he immersed himself in activism, working for Native American rights as part of the American Indian Movement.

The first video work created collaboratively with DonChristian Jones as a part of Eiko's The Duet Project: Distance is Malleable. The video was projected as part of The Value of Sanctuary: Building a House Without Walls exhib

A queer rewriting of the events surrounding the 1968 National Democratic Convention in Chicago from the point of view of French writer Jean Genet. Along the way Genet will meet, amongst others, Allen Ginsberg, William S.

Reeves explores his personal journey to seek the center of existence through the teachings of Eastern religions. India is the source of images for his message about the eternal wheel of existence—life and its continuous process of change.

Part of the paraconsistent sequence series.

Filmed in the remains of Soweto's historic Sans Souci Cinema (1948-1998), YOLO is a makeshift structuralist mash-up created in collaboration with the Eat My Dust youth collective from the Kliptown district of Soweto, South Africa.

Partially Buried explores a web of genealogical traces. In this work the artist probes the notion of sites of memory as well as site-specific work by focusing on the location of Kent, Ohio.

A piece of movie film has survived the forthcoming Ice Age and is discovered by Venusian scientists--5000 years from now... This work is a correspondence of two information fragments of different origins and times that met by accident.

Mary Miss (b.1944) is an American environmental artist who works with concepts of illusion, distance, and perception. Her site-specific work frequently uses both ancient and modern architecture as references. Miss's 1977 installation Perimeters/Pavilions/Decoys at the Nassau County Museum of Art, served as one of Rosalind Krauss's inspirations when she defined postmodern sculpture in her article, "Sculpture in the Expanded Field." 

SPRING is a four minutes and fifty-six seconds experiment with psycho-optics and psychoacoustics to produce a field of moving images and sounds starring Ho Chi Minh, Occupy Wall Street actions and Crocus.

The sixth in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here–gay activist and self portrait artist Lyle Ashton Harris, Chicano photographer and tourist Robert Buitron, Cherokee writer, curator, and video

®™ark is an organization dedicated to bringing anti-corporate subversion and sabotage into the public marketplace.

Memo Mori is a journey through Hackney tracing loss and disappearance.

Sphinxes Without Secrets is an energetic and transgressive acount of outstanding female performance artists, and an invaluable document of feminist avant-garde work of the 70s and 80s.

The title gives a bitter meaning to the uneasy image of a woman who is brushing her hair over her face with fierce movements.

Following on from the 2006 Israeli aggression on Lebanon, the filmmaker tries to film the destruction of Beirut.

"Noted critic Judith Williamson ventures from her English home to a shopping mall in Southern California to proffer some opinions on the working of American culture under capitalism.

Our Non-Understanding of Everything is a series of videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression reflecting hierarchies, cognitive processes, and relationships to the natural env

Six powerful native women gather up to celebrate a new beginning and the end of the world as we know it.

This single channel tape was created from a 4-channel live mix of 4 VCRs, an A/V mixer, and a sampler.

These five short videos examine the relationship between the female body and the camera’s gaze.

Prime Time is a video collage of violent imagery appropriated from American commercial network television. The work features rapid-fire editing (i.e., for analog 3/4" video technology) often used by network pro

In the nest of the sun, Xolotl, Huitzilin and Xochitl meet to recover the dance of radiation, whose colorful heat stirs the new fire of their cosmic dance. Part of the Film Tonalli.

Museum collections of various kinds are the object of artist Dana Levy's ongoing, consistent study in the past decade.

White Balance (to think is to forget differences) is an effort to uncover the geographies of power, the frontiers of privilege.

Breder used Stavros Deligiorgis’s encyclopedic ability to make associations as an element in this video art and performances, providing a kind of intellectual running commentary in works such as Intertext (1976).