Listen To This is a fragment of collective memory that finds critical relevance in contemporary Queer discourse.  Tom Rubnitz weaves narration, image, and a form of temporality, dislocated from ‘real time’, into a video where artist and AIDS activist David Wojnarowicz’s loss and anger is palpable.

In this video, Glennda Orgasm and Chris Teen travel to Washington, DC to attend a feminist art exhibition titled Walk the Goddess Walk at the District of Columbia Arts Center. The pair talk to the owner of the gallery, artists included in the show, and attendees, including Francy Caprino, Teena Cromwell, Andrew Melon, Camille Paglia, and Joseph Virgilio.

An episode of Glennda and Friends, hosted by Glennda Orgasm and Chris Teen.

This video consists of raw footage from a Women’s Liberation Rally in New York City, shot on March 7th 1970, in celebration of International Women's Day. The first two thirds of the piece consist of footage of the crowd and speakers. Many issues are discussed including medical care, childcare, racial solidarity, Puerto Rican liberation, and imperialism. The final third of the tape includes interviews with male and female attendees of the rally.

In this video, Glennda and Judy LaBruce (Bruce LaBruce) visit the auction house Christie's East on New York's Upper East Side to view Judy Garland memorabilia that is being auctioned off. They attempt to rescue Garland's Oscar from those trying to profit from the auction.

An episode of Glennda and Friends, hosted by Glennda Orgasm and Judy LaBruce.

One of Zaatari’s earliest experiments in documentary video, All Is Well on the Border emerged from the filmmaker’s desire to understand Israel’s occupation of Southern Lebanon following the 1982 Lebanon War. The video presents a series of testimonies by Lebanese citizens who were detained during the occupation, each presenting an image of resistance that falls outside the dominant narrative of liberation and solidarity promoted by the Lebanese left.

An experimental documentary that asks “What is Hip Hop?” Media Assassin deals with popular magazine coverage of the black music scene and efforts to define the new musical forms emerging since the late 80s. The tape focuses on the story of Harry Allen, a former music journalist for The Village Voice, who handled public relations for the rap group, Public Enemy.

This is the common audiovisual system that interconnects the body of the workers and the industrial machinery of the actual system.

Notes for a DejaVu is a paramnesic experience of the images where Jonas Mekas still lives and we can hear him comment on the memory of an imaginary trip to Mexico. This film is shot with an expired 16mm celluloid during a popular protest. This is a movie that remembers. This is a political movie.

The first of the series includes:

What Does Away Mean? by Jem Cohen advertises the need to recycle through reconsideration of landfills and garbage disposal.

Pro-Choice is Pro-Life by Jane Pratt makes its point with the simple logic that every child should be cared for and wanted.

Historic Preservation by Jim McKay counsels for the preservation of historic buildings endangered by urban decay.

During my residency in New York I was designing a computer virus, which would contaminate computers through a screensaver that read “there is so much love in this world”. In the meanwhile, inspired by the illusionary democratic representation system in the United States and triggered by the indifference of the New York public to the presidential campaign, I went out to the streets to distribute fliers that carried this virus sentence. People of New York reacted in different ways to this action, which had similarities with many other hand-out actions common in big cities.

This two-part episode features Glenn Belverio and Duncan Elliott participating in an ACT UP demonstration at President George Bush’s summer house in Kennebunkport, Maine, interviewing activists and documenting this historic event. In addition to this, Brenda Sexual and Glennda Orgasm attend Wigstock, an annual outdoor drag festival in Manhattan's East Village. At the festival, they rally for National Healthcare and discuss other issues such as violence against LGBTQ+ people. 

An oblique, albeit powerful documentary that examines the current conditions, politics, and economics of South Lebanon. The tape focuses on the social, intellectual, and popular resistance to the Israeli occupation, as well as conceptions of "the land" and culture, and the imperiled identities of the Lebanese people. Simultaneously, the tape self-consciously engages in a critique of the documentary genre and its traditions.

Natural Life is a feature-length experimental documentary challenging inequities in the U.S. juvenile justice system by depicting, through documentation and reenactment, the stories of five individuals who were sentenced to Life Without Parole (Natural Life) for crimes they committed as youth.

The youthful status and/or lesser culpability of these youths, their backgrounds, and their potential for rehabilitation were not taken into account at any point in the charging and sentencing process. The five will never be evaluated for change, difference or growth. They will remain in prison till they die.

Coco Fusco is a Cuban-American artist and author who investigates race, gender, politics, and identity through installations, performances, video work, and writing. In her second On Art and Artists interview, Fusco discusses her recent works with Romi Crawford — an art historian at the School of the Art Institute of Chicago — and describes how she has evolved as a storyteller over her career.

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

An episode of The Brenda and Glennda Show, hosted by Brenda Sexual and Glennda Orgasm. Production Support Provided by Hallwalls Contemporary Art Center.

These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the streets. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction. A scanner darkly of the streets. Part of the Hauntology series.

Originally commissioned by the Harvard Art Museums in response to the life and work of David Wojnarowicz, Survivor’s Remorse looks at how both art and bodies are maintained and the socio-economic influences that create a chasm between the value of things and people. This work examines the resources dedicated to the maintenance and care of artworks versus (artists) lives, especially those marginalized by illness or identity.

A video essay set in the Mexican-U.S. border town of Ciudad Juarez, where U.S. multinational corporations assemble electronic and digital equipment just across from El Paso, Texas. This imaginative, experimental work investigates the growing feminization of the global economy and its impact on Mexican women living and working in the area.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the burning plain rising in the city. And, finally, the clamor of the people that shook Mexico after the night of September 26, 2014. The disappearance of 43 students from Ayotzinapa opened a breach in the Mexican political body.

Colectivo Los Ingrávidos (Tehuacán) is a Mexican film collective founded in 2012 to dismantle the commercial and corporate audiovisual grammar and its embedded ideology. The collective is inspired by the historical avant-gardes, and their commitment to using both form and content against alienating realities. Their methods combine digital and analog mediums, interventions on archival materials, mythology, agitprop, social protests, and documentary poetry.

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times — the period just after Chairman Bobby Seale was wrongfully imprisoned for inciting riots at the Democratic National Convention a year earlier. This particular video documents a discussion with Lucy Montgomery herself interviewed by David Cort, one of the Videofreex.

In this video, Glennda is joined by social critic and feminist scholar Camille Paglia in New York's fashion district. The pair visit designers studios to discuss their respective styles and creative processes. Additionally, Glennda and Camille explore fashion's relationship to gender and feminism, ultimately recreating an iconic scene from Breakfast at Tiffany's.

An episode of Glennda and Friends, hosted by Glennda Orgasm and Camille Paglia.

Ten thousand women marched down New York's Fifth Avenue on August 26th, 1970, to mark the fiftieth anniversary of the passage of the 19th amendment, which granted women the right to vote. The march was part of a "Women's Strike for Equality" organized by veteran feminist leader Betty Friedan.

D.A.R.E. (Drug Abuse Resistance Education) is a hyper-war waged on over 20 million children in the United States. Despite overwhelming evidence of its educational ineffectiveness, D.A.R.E. has gained a religious following among educators and parents, and is the only federally-funded drug education program. D.A.R.E.'s imagistic and psychological assault is based on the presence of uniformed gun-toting police officers in the classroom.

The Videofreex conducted this interview with Fred Hampton, the Deputy Chairman of the Illinois chapter of the Black Panther Party, in October 1969, just over a month before he was killed by the Chicago police.