“Make Believe, It’s Just like the Truth Clings to It”: In Conversation with the Work of Cecilia Dougherty

Programmed by Amanda Mendelsohn | 1992 - 2001 | TRT 01:19:7

Video Details
Cecilia Dougherty | 1997 | 00:15:00 | United States | English | Color | Mono | 4:3

"The dream and the waking is a documentation of my commute between New York and Boston, which I make every week for my job. I wanted to document not only the fact of the commute--where I go and how I get there, what I am leaving behind and what I am going to--but also the stream of thought that runs through my mind on this commute. The trip was not something I would normally do unless I absolutely had to, and for almost a year it was the one part of my life that never changed. The space of the commute is like a non-space, like a recurring dream. It combines the public space of the road with a deeply solitary mental space. There is nothing in-between."

--Cecilia Dougherty

About this program:

The work of Cecilia Dougherty explores the nature of queer women's relationships to one another, society, and the everyday, as well as a feminist analysis of lesbian sexuality, psychologies, and intimacies inside a culture that is, at best, indifferent and at worst, hostile. She often uses methodologies borrowed from documentary and biography to map contemporary realities over pop-historical icons, creating art that deals with nostalgia, popular culture, and the state of society. Looking to Dougherty’s lasting legacy, we are pleased to present the VDB TV program “Make Believe, It’s Just like the Truth Clings to It”: In Conversation with the Work of Cecilia Dougherty programmed by Amanda Mendelsohn, Graduate Distribution Assistant at the Video Data Bank, and School of the Art Institute of Chicago M.A. candidate in Modern and Contemporary Art History. Exploring the earlier video works of Dougherty, this program deals with issues of identity, queerness, and experimentation. The four titles selected, The Drama of the Gifted Child, My Failure to Assimilate, The dream and the waking, and Gone, range from 1992 to 2001, illuminating a specific time period of Dougherty’s work chosen by the artist herself. Accompanied by an essay in part based on her interview with Dougherty, Amanda explores her relationship to Dougherty’s experimental practice and catalog, as well as how the pieces fit into the broader picture of analysis.


 To read Amanda Mendelsohn's essay click here.  VDBTVEssay_CeciliaDougherty