An Anthology of Collaborative Works by Guillermo Gómez-Peña

A collection of the early video works by Chip Lord dealing with the deconstruction of television and the construction of identity.

The Tiny Ventriloquist is an omnibus video subtitled Final Thoughts, Series Two. It traces the movement of a voice from being rooted in a particular body (the artist's) to its dispersal through a variety of dummies.

Work, film, work, film, work – day to day – week to week. This is a home movie domestic comedy experimental film drama. Autobiography too. It’s also part four of an ever-growing trilogy.

Joe Gibbons plays Dr. Joe Baldwin, the self-styled child education expert. He prepares Zoe, from birth, for acceptance into a coveted “gifted-only” kindergarten program.

The Gift of Gab presents the sobering tale of life and death, love and loss, all told through a series of simple everyday exchanges.

After the ominous attack that the paramilitary and police corporations carried out on September 26, 2014, in Iguala, Guerrero, the student Aldo Gutiérrez Solano remains in a coma until today.

Computer graphics by Dan Sandin and colleagues.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the bur

Part 3 profiles three California women artists: sculptor and lint and installation artist Slater Baron, mixed media installation artist Beverly Nadius, and book artist Sue Ann Robinson.

“Similar in structure to The Speech, this tape suggests the gesture and language of the television proselytizer as opposed to the politician.”

— Doug Hall

Through the floating garden, into the mountain of signs and chants, arise the path of the winged stone. A stone that used to be a fossil.

"In the guise of chronicling the final moments of three polar explorers marooned on an ice floe a century ago, Baron's film investigates the limitations of images and other forms of record as a means of knowing the past and the paradoxical interplay of

Eiko & Koma created Dancing in Water: the Making of River as the first video work for the Retrospective Project.

Playing with cliched feminine personae, Eleanor Antin in The Adventures of a Nurse manipulates cut-out paper dolls to tell the story of innocent Nurse Eleanor who meets one gorgeous, intriguing, and available man after another.

The expansive cycles of time vs. the ever smaller circles of life under lockdown.

At the Lesbian Museum, Brenda and Glennda interview artists at the opening of Christine Martin’s controversial exhibition The Lesbian Museum: 10,000 Years of Penis Envy at Franklin Furnace.

Songs of Praise for the Heart Beyond Cure is a fourteen-minute experimental video that unfolds through a series of short episodes. "To describe Cooper Battersby and Emily Vey Duke's new video as ironic doesn't do it justice.

Video Data Bank is proud to present the poetic work of West Coast conceptual artist Paul Kos. This two-disc box set features 25 video works that reveal how Kos mines humble materials for their physical properties and metaphorical possibilities.

This tape was shot in August 1972 by the same crew that had convened for pioneer video collective TVTV’s (Top Value Television) project Four More Years.

Taped during the summer months in New York City and Provincetown, Massachusetts. This vacation video explores the restrictions imposed by dietary fears and the need to appease fresh and rotten appetites.

The Observers portrays one of the world's last staffed weather observatories in two different seasons.

Increasingly invasive questions are asked of a series of lesbians, both couples and a single lesbian, to complete the Longform Lesbian Census.

Moving towards an unknown destination, a group of anonymous passengers float through an unidentified landscape. Built from Cohen’s archive documenting his travels, the film can be seen as a curious parable.

Hostage: The Bachar Tapes (English Version) is an experimental documentary about "The Western Hostage Crisis." The crisis refers to the abduction and detention of Westerners like Terry Anderson, and Terry Waite in Lebanon in the 80s and early 90s by "Islamic militants." This episode directly and indirectly consumed Lebanese, U.S., French, and British political and public life, and precipitated a number of high-profile political scandals like the Iran-Contra affair in the U.S.

A collection of early conceptually oriented videos which were produced in Tokyo in the early 1970s using words along with images, except for the first two flicker-effect pieces: A Chair (1970) and Blinking (1970). 

A suspended portrait of Rose (1932-2014) amidst a discursive plane.

"The Flag is the second part of a video series about the state-controlled national day ceremonies of the Turkish Republic.

Return to the House of Pain documents my walking through the turf and sludge of the Big Apple and many worm holes... I chomp my way back west and gnaw on all that sinks stomachward and beyond in vertiginous aching.

A real-time video-meets-digital animation trilogy of shorts featuring the highly excited (and mildly delusional) Joe Gibbons. Brilliant computer animation by collaborator Emily Breer provides an additional layer of biting commentary.

What Rules The Invisible is a short film that upends archival travelog footage shot in Hong Kong.

One's 'softest parts' are 'scooped out and eaten alive'.

The “a-ha experience” is the moment when a child first recognizes its own image in a mirror; it is critical to the development of intelligence and identity. It is also the moment when the “self” is surrendered to the control of an external influence.

Notorious art and architecture group Ant Farm's unique vision arrives on DVD in this release showcasing some of the group's most popular works.

Alienation in academia beneath the chandeliered opulence of a political correctional facility that caters to clashing cultures with chicken fajitas and carefully worded alphabet soup.

Composed in 22 movements that introduce a series of silent, haunting, other-worldly landscapes, Pictures of the Lost hovers between figuration and abstraction, and reveals Buckner's sustained interest in spirituality.

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival. 

Rubnitz’s tape celebrates and documents an early installment of the “storywig-in,” shot nearly a decade before the feature-length documentary.

Formed in 1969 at the legendary Woodstock Music Festival by David Cort and Parry Teasdale, who met while taping the events with the newly available Portapak video equipment, the Videofreex (also known as "the Freex") were one of the very first video col

In The Body Parlor, both man and sheep as combined sacrificial bodies become subjects of biological investigation. As symbols of ritual sacrifice, they are bodies that give of themselves.

David Cort of the Videofreex travels to Jerusalem. This tape contains raw footage of him as he is taken on a tour through a poor neighborhood by a group of young men. There is talk of the Israeli Black Panther Party, and of drug dealers and poverty.

A chronicle of rumination / reflections on photography, aging, the woods, and the homeland.

For over two years we made it our business to document abandoned working gloves on the streets of NYC.

Sort of a portrait of the videomaker Anne McQuire, who surfaces midway from this waterlogged landscape of El Nino disasters to dispense charm and chocolate within the confines of her concrete office.

In this video, MICA-TV interprets the dark spaces of architect Peter Eisenman’s Wexner Center for the Visual Arts at Ohio State University through a fractured narrative of psychological perspectives.

The Turkish national anthem, regularly sung in schools on Mondays and Fridays, is recorded with Super-8 and video to capture the fragile links that tie young citizens to nationhood.

Produced in former Yugoslavia (Bosnia-Herzegovina, Croatia, Macedonia, Serbia & Montenegro, Slovenia), Austria, USA, Canada, 1999-2003.

A sweeping saga of an evil matriarch and her march to infamy as she invades the hearts and souls of those organs and entities that reside in the male physique.

Commissioned by the Oakland Museum, this video provides an artist’s interpretation of the museum’s displays and collections.