At the Lesbian Museum, Brenda and Glennda interview artists at the opening of Christine Martin’s controversial exhibition The Lesbian Museum: 10,000 Years of Penis Envy at Franklin Furnace.

The Colors that Combine to Make White are Important explores the power structure within a failing Japanese glass factory.

This tape was shot in August 1972 by the same crew that had convened for pioneer video collective TVTV’s (Top Value Television) project Four More Years.

A collection of literary and visual art is exhibited in the home of a noted author who displays great hospitality to the horrors and kinks of artistic expression.

What Rules The Invisible is a short film that upends archival travelog footage shot in Hong Kong.

A Week in the Hole chronicles a factory employee’s adjusting to the materials, time, space and personnel during his first day of work.

A Creative Capital 2001 Grantee.

Cast: Maurice Printis.

A four-part series that revisits the life and and times of four families last seen as "undocumented" immigrants in the 1986

Each film in this series is a condensed experience of a feature film, a single 360-degree time lapsed shot in an empty cinema where the sound becomes a cacophony of past projections and the aural experience is closer to that of the projectionist t

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the bur

The voice of Mr. V. Vale resonates over the hundreds of books and record albums that line the walls of his apartment in the North Beach section of San Francisco—an apartment that he shares with his body- and soul-mate, Ms. Marian Wallace.

Something primitive projects into the present to upset the lives of a group of people delving into past-life regression techniques.

This video proposes an ironic metaphor to grasp the follies of U.S. government action and inaction in Central America. The process of learning U.S. policy is similar to the process of a young child acquiring the principles of language.

In the summer of 1996 we filmed application training courses in which one learns how to apply for a job.

This video is part of the 5 Video Hits series.

This piece still seems relevant to me somehow, perhaps because its main characters remain titans in the entertainment industry. But what of Janet Jackson, off-screen then and now?

Film festivals are in progress as this video takes the viewer from the autumn rich colors of a Washington State movie event to the Virginia countryside of flaming, October foliage.

The daughter of a famous detective infiltrates a vice ring of white slavery, only to become ensnared in a sordid world of Burlesque houses and subterranean urges best left buried under law-enforcement paperwork.

A structure of Lawrence Weiner.

Graphics and Computer Editing: K. Hassett; The Song: “Wind and the Willows” Music: Ned Sublette, ASCAP; Lyrics: Lawrence Weiner BMI; Cover Photo: Alice Weiner

Snapshots of individuals from all parts of Asia and the Pacific Islands form a stream of images that blankly proves the fallacy of the title phrase.

Another dream film. Eschewing the hyperkineticism so beloved of Super 8 makers, I locked off my camera and wrote a slow narrative, combining live action and animation.

Year of the Spawn is an archival collage inspired by the synonymous song by the “gay church folk” band The Hidden Cameras. Wolf interpreted the song as an anthem for doomed youth.

Ouroboros: Music of the Spheres is Chapter 3 of Mysterium Cosmographicum.

Contains excerpts from: Women's Liberation March NYC, Gay Pride March NYC, Young Lords Occupy Manhattan Church, Native American Action at Plymouth Rock

115 years later, a(nother) remake of the Lumiere Brothers pseudo-actuality film La Sortie des usines Lumière.

A lonely girl is approached by a shy boy on a moonlight balcony. Their longing is hampered by the mysteries of love. The Divers is a neo-romantic audiovisual painting.

The police phoned. They left a message on the machine. They said he was dead. The video unwinds through stories of sex for rent, unclaimed bodies, cigarette burns, and other monuments of life’s long run from wall to wall.

A trip to Winnipeg introduces the viewer to moments of Canadian cuisine and to the easily digestible tidbits that make up the WNDX Film/Video Festival.

Whether they inhabit the desert or are lost in it, three men are clearly confronted to the ruins of modern times. They are explorers or players or performers of times past.

The Picnic is a film made with found footage about a couple enjoying a beautiful day, food, sex, a blanket, long walks and a firearm.

Parry Teasdale, David Cort and Chuck Kennedy visit The Kitchen in New York looking for Shirley Clarke, and bump into Steina and Woody Vasulka who are overseeing a show in progress.  A few doors down they find Shirley in her studio, dressed in white and full of energy. 

Through a concurrently indulgent and skeptical experience of the beautiful, the video draws an uneasy balance between the romantic and the horrid.

sometimes, among the rubble of the endless forgetting and re-membering of our personal and collective histories, an artifact emerges. a clue, a document. hard evidence.

In this video, MICA-TV interprets the dark spaces of architect Peter Eisenman’s Wexner Center for the Visual Arts at Ohio State University through a fractured narrative of psychological perspectives.

The Turkish national anthem, regularly sung in schools on Mondays and Fridays, is recorded with Super-8 and video to capture the fragile links that tie young citizens to nationhood.

...my Americana, 2023

A world with no escape... from the surveying cameras, an eye, a presence, always there to control our minds and movements. Looking even for the most secure little movements of life. 

Commissioned by the Oakland Museum, this video provides an artist’s interpretation of the museum’s displays and collections.

A personal interpretation of the poetry and letters of T.S. Eliot that explores the ambiguities of language and space in a scenario built around an anagram.

The Ruling Classroom documents a social studies experiment played out by seventh graders in Mill Valley, California.

In 2012, eteam visits Mars and Moon Townships in Pennsylvania.

From an inverted position, high above the floor, the camera records Nauman’s trek back and forth and across the studio; his stamping creates a generative rhythm reminiscent of native drum beats or primitive dance rituals.

This is the final part of a trilogy about the tribulations of Sherri Frankenstein (at least I think it's the last of these atrocities).

The Surface Tension Trilogy is comprised of three experimental videos tracking the rise and fall of the Weimar Era in Berlin through the perspectives of Frida Kahlo & Anita Berber, Hannah Hoch, and Leni Riefenstahl & Eva Braun, each of

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

Part of paraconsistent sequence series.

How useful is personal testimony to History?

Produced and directed by Darlene Haber/MediaVision, executive director, Suzanne Lacy.

Believing that we are, "dragging our feet into the 21st Century," Almy made this video trilogy to celebrate technology and the future in an ironic melange of politics, sociology, sexuality, and economics.

Notes from the Underground is a fragmented music video made from the 151 eye blinks George Bush made during his televised speech declaring war with Iraq.

This video was originally part of an installation at the Whitney Museum of American Art, part of which included the video collaboration Channels of Desire.

In A Case for the Closet, Glennda Orgasm and Judy LaBruce host an episode of Closet Talk.