Made at the time of the 1988 presidential election, this piece is about media power and market censorship.
The vacuum cleaner becomes the device of the feminist 'liberation', or the monster that devours us.
— Insite 2000 program, San Diego Museum of Art
"You don't have to go to Hawaii to be in Hawaii. Nor do you have to be sensual to feel sensual. You look the way you are supposed to look. The sensuality of Hawaii completely fascinates me in this video."
—Ximena Cuevas
Taking its title from the four consonants of the ancient Hebrew name for God, Tetragramaton contemplates the relationship between man, technology, and ecological systems.
Little Spirits is about a young girl who plays a trick on a friend, unaware or uninterested in the possible consequences.
Part of the paraconsistent sequence series.
In Music on Triggering Surfaces, Bode constructs an interface between audio and video systems.
White Balance (to think is to forget differences) is an effort to uncover the geographies of power, the frontiers of privilege.
A fairy tale, a road movie, a folly.
Planetary battle over the porous body of the earth. This is the battle of the Earth.
This film is an appropriation from the 1953 movie Gentlemen Prefer Blonds.
Set in East Berlin in 1977, this short experimental documentary interviews the Dadaist artist Hannah Höch as she reflects upon her experiences living and working during in 1920s Berlin. Höch compares
Ice falls from the sky as tears plip-plop onto wall-to-wall carpeting. No degree of renovation can enliven the dead that we mourn in our hearts as the storm of the centuries assails our heads with memories of the passing parade that got rained on.
This is the story of two young girls who dig up a tiny woman from the back garden.
This rapid-montage music video for John Sex’s song “Hustle with My Muscle” portrays the singer as a ladies’ man with ample endowment to share. “Can you handle all the man below my belt?” he provocatively asks.
Rackstraw Downes’s “observation” paintings, executed on-site at ponds, intersections, and baseball parks, began as a mischievous response to the dogma of style and modernist criticism.
In this episode of The Brenda and Glennda Show, Brenda and Glennda create a satire of 1990's infomercials. The video includes interviews and performances by Vaginal Davis, Bruce LaBruce, and Chris Teen.
Ten thousand women marched down New York's Fifth Avenue on August 26th, 1970, to mark the fiftieth anniversary of the passage of the 19th amendment, which granted women the right to vote. The march was part of a "Women's Strike for Equality" organized by veteran feminist leader Betty Friedan.
In the Post Pony Trilogy, Coonley serves as frustrated host to a series of flawed lessons on currency markets and current events. His heartbreak over a missing pony sidekick presents an obstacle to achieving his pedagogical goals.
In this video, made soon after the death of his mother Stella, we accompany George to the wake, and on to a trip to Albert Maysles holiday home on Fisher's Island.
In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites — gestures, hesitations, stares, off-the-cuff remarks, jokes — details of an ideo
Using the structure of a feature film as its basic format, A First Quarter adopts the principles of nouvelle vague cinema.
At the San Francisco Art Institute, a studio awaits the onslaught of creative concoctions perpetrated by a bearded atrocity who now hovers over past malpractices that cast a Technicolor pall over the whitewashed walls.
2 Spirit Dreamcatcher Dot Com queers and indigenizes traditional dating site advertisements.
The temperature in your eyes will rise when you contract ‘FEVER DREAMS’ and experience the haunted mayhem contained therein.
Time Bomb tells the story of a young girl's experience at a Baptist retreat, where she is called upon to accept Jesus into her life after a coercive game of terror.
Through the memory of a high school classmate, footage from a film for teenagers called Be Popular, a video dating tape, and performances by political and entertainment figures, So, You Want To Be Popular? examines how cultural stereot
Documentarian and independent film producer Warrington Hudlin co-founded the Black Filmmaker Foundation in the late-1970s to help develop and promote emerging artists.
Playing off the notion of “interactivity”, Utopia poses itself as a video game plugged into the social consciousness of contemporary California.
There are times when concurrent multiple realities of place demand at least an attempt to determine who in fact has, and where is, this place in the sun. Hearts and Helicopters occurs at that moment in the lives of four people.
In this hour-long video, Dan Sandin demonstrates and explains in detail on modules of the Sandin Image Processor.
A montage of architecture and cabaret, juxtaposing a second hand view of New York as refracted through this artist's eyes.
"Here is Everything presents itself as a message from The Future, as narrated by a cat and a rabbit, spirit guides who explain that they've decided to speak to us via a contemporary art video because they understand this to be our highest form
A huge isolated rock in the midst of the desert in Australia: Ayers Rock. I produced two contrasting films around this rock: Moments at the Rock was shot with an amateur video camera, amazing color changes, and time-lapsed compressed sequ
Eiko Otake, based in the United States since 1976, is a highly regarded artist who has performed in many countries as part of the performance duo Eiko & Koma.
Robert Colescott paints expressive parodies of Western masterpieces.
"The gerbil has long been associated with New World capitalism because of its incessant energy. The Golden Age of Hollywood takes on the history and evolution of this delightful household pet."
— International Film Festival Rotterdam (2003)
Bitter with a Shy Taste of Sweetness contrasts the fragmented past of the filmmaker growing up in Baghdad with his surreal California present.
Kim Jong Il, the Stalinist David O. Selznick, runs the state film studio as a way of promoting his own and his father's cult of personality.
This is a re-destroyed film that I was unable to finish in 2013. Filmed both in ruins: at the Sutro Baths in San Francisco and in final domestic spaces occupied with a former partner. Film was destroyed in ocean water.
Jake Wells, a professional tattooist, DIY drone builder, FPV (First Person View) flight hobbyist, and possibly the world’s first RC (Remote Control) Christian Minister, shares some of his stories and ideas regarding the connection between religion, dron
The unusual combination of a sound like a singing saw accompanies sweet images of frolicking lambs in the meadow, galloping horses, and a strange boy, is eerily beautiful and pure.
¡Macho Shogun! was created by Reed Anderson and Daniel Davidson over a single weekend some time in 2000. It's your basic monster-robot / destroy-city kind of video that we wanted to make when we were kids but never did.
Over grainy, black and white images of a woman giving birth, Montano reads the story of a nun’s sexual self-discovery—recounting Sister Joan’s growing awareness of her body’s sensuousness and sexuality.
Found-footage video about the destruction of the environment by man-made forces.
This tape documents Nancy Cain’s birthday party and captures the inner workings of the Videofreex’s social ethos.
A holiday video of good cheer and feline ferocity, this annual tradition of videotaped festivities centers on the oriental and occidental tidbits that make the season worthy for bipeds on wheels as they pedal from one calorie laden event to another.
Wake is a cinematic dance collaboratively created by Eiko & Koma and James Byrne. It was filmed in special sessions during the premiere run of the living installation Naked, at Walker Art Center, November 2-30, 2010.
The Grandmother recites the Mourners' Kaddish over her granddaughter.