A response to the inability of his local General Motors dealer to fix Morton's 1974 Chevy van to his satisfaction, this tape blends experimental image-processing techniques with documentation of the faulty vehicle.

A behind-the-scenes look at the man behind the trophy and the poisons that taint an otherwise jubilant jamboree.

This title is also available on The World of George Kuchar.

A video work that documents the annual orchid show at the New York Botanic Garden, Orchid Show critically observes notions of spectacle, gender and beauty as a query into the staging and imaging of nature.

Hal Foster is Professor of Modern Art at Princeton University, and has written and edited numerous influential books on postmodernism, art, and culture.

In the late 1990’s I presented a slide lecture on how my art references impermanence and dying.

Notes for a DejaVu is a paramnesic experience of the images where Jonas Mekas still lives and we can hear him comment on the memory of an imaginary trip to Mexico. This film is shot with an expired 16mm celluloid during a popular protest.

In collaboration with DonChristian Jones.

Nancy Cain interviews an upside down chin face about Women's Liberation, asking "Where do you stand on the subject?"  The chin face professes to be happy with her lot, and says she enjoys living alone with her cat.

"Harun Farocki was commissioned by the Lille Museum of Modern Art to produce a video about his work. His creation was an installation for two screens that was presented within the scope of the 1995 exhibition The World of Photography.

Cyclops / "monitor" / minotaur.

Note: A 20-second video loop self-portrait.

"This film is closely related to my last feature-length project, Counting. I take the temperature of a neighborhood. In this case, the place is my New York.

At a garbage transfer station in suburban Connecticut, seagulls make a home for themselves among the mountains of trash, skillfully co-existing with massive bulldozers, trucks and masked workers.

In a guided meditation progress is posed as a godly icon for worship. The inseparability of the human labor-spirit connection is probed.

In Toms’ Tattoo, someone named Tom is getting a tattoo in front of an audience. The tattoo displays an ox where two roses are branched from its mouth with the word “STUDEBAKER” above.

A domestic portrait rendered at miniature scale, Dust Studies brushes along the edge of what can be seen.

Stephen Varble (1946-1984) staged gender-confounding costume performances on the streets of 1970s Manhattan, and became infamous for his anti-commercial disruptions of galleries, banks, and boutiques.

A feature-length trilogy of films by filmmaker-choreographer Sarah Friedland, Movement Exercises deconstructs and revises the choreographic vocabularies of exercises practiced across home, work, and school spaces.

After the ominous attack that the paramilitary and police corporations carried out on September 26, 2014, in Iguala, Guerrero, the student Aldo Gutiérrez Solano remains in a coma until today.

Ike is about a person showing their special gift — if pushed. The truth, fiction and lore of a brick thrower with deadly accurate aim.

Cast: Deondre “Champ” Jones, Derron Everson, Anthony Jerrell Jones.

A college girl runs rampant through young lives at Sarah Lawrence College and leaves behind the rubble of shattered souls and deflated desires that litter the halls of learning-by-hard-knocks!

American figurative artist Alex Katz (b.1927) has produced a remarkable and impressive body of work but is best known for his large-scale, flat, yet realistic portraits of friends and family notable for their relaxed attitudes and uncomplicated bearing.

Shot in the style of a silent film from the 1920s, Frida & Anita is a political fantasy, intersecting the lives of two queer radicals — Frida Kahlo and Anita Berber — who happen to meet one fateful Berlin night in 1924 at the infamous La Ga

In this episode of the Whispering Pines series, Moulton's character Cynthia is confronted with a distorted mirror image that slips between the grotesque and the exotic, depending on her posture.

A cross-generational binding of three filmmakers seeking alternative possibilities to the power structures they are inherently part of. Each woman extends her reach to a subject she is outside of.

Plowman's Lunch is called a documentary because its intent was to explore actual occurrences—be these the building of the work, or what befalls the players.

Found-footage video about the destruction of the environment by man-made forces. 

Kirsten Stoltmann's video, I Spill My Guts Everyday for Nothing, is exactly that, a portrait of the artist spilling her Guts with a blank expression on her face. Again, Kirsten emerges as an empathetic anti-hero, who, in her own need for c

A young girl buys a weird toy from a charity shop. She forms such an intense relationship with it that it develops special ways of communicating and a strange connection to her that seems to defy the laws of physics.

As one of the early media collectives, Raindance Corporation celebrated an eclectic use of the portapak by taping everything from man-in-the-street interviews to concerts and demonstrations.

Coco Fusco is a Cuban-American artist and author who investigates race, gender, politics, and identity through installations, performances, video work, and writing.

Awarded a MacArthur “Genius” Fellowship in 2014, Rick Lowe is a leading practitioner of social practice art. His Row Houses project is a highly lauded example of relational aesthetics successfully deployed.

A documentary fiction inspired on the first accounts of the natural and ethnographic explorations in America by colonizers, missionaries, and scientists.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

A window or two on the outside world is not enough, especially when you have such a lousy view of things as I had in this Oklahoma residential care home.

There has to be a way to win is the refrain. Three women fold clothes, stroll and shop as they discuss jealousy, murder and dead bodies. An enquiry into the generosity of women.

Players: Trina Vester, Karin Westerlund, Lise Kelleman.

Subtitled "The Refusenik", "The Zealot", and "The Father", this video takes us on a journey where Germans, Turks, Israelis, Palestinians, fathers, grandmothers, daughters and animals are together for 13 minutes.

Paul Schrader’s Bag is an inventory of fame. Playing the anonymous Every Man in a brush with celebrity, Simon presents a Hollywood peerage as our cultural patrimony.

A cactus-strewn desert becomes the backdrop for this series of filmic stopovers that focuses on the living quarters assigned the assignee of this adventurous arrangement.

Fluid Frontiers is the fifth and final film in the series entitled The Diaspora Suite, exploring Asili’s personal relationship to

If you lived here you’d be home by now occurs during the years of Williamsburg Brooklyn’s overheated real estate market, just before the 2008 financial bubble burst.

come lontano is a perverse historical romance in which two lives are exposed, inter-mixed, doused with sentiment, and — hopefully — redeemed. The work revolves around a central ‘couple’ — Pier Paolo Pasolini and Maria Callas.

Taking the idea of loss and dispossession as a starting point, this second reflection on photography and its people looks at the individual’s position within the context of war and how photographs become the sole record of that displacement, at the risk

‘ODDS AND ENDS’ is a dazzling patchwork of moods, lost and found, for the eye to savor.

Bracketed by the Fall of Berlin Wall and the Collapse of the World Trade Center, a decade that saw the ossification of the neoliberal project, the rise of third-wave feminism, the proliferation of digital media, and even, perhaps, the “end of history":

Ring attempts to exhibit the “sweet science” of boxing in an elegant way.

Cats nibble, people ingest holiday toxins, and barbecues emit clouds of disembodied fat as a woman in need of caloric consumption displays the objects of her obsession.

Sister City channels moments of paradoxical experience — of being a superhero or being for sale — into reverberant conduits, articulating a nature divided by panes of glass or suspended in watery solitudes.

“This melodrama, staged by me and produced with my students at the San Francisco Art Institute, follows the turbulent journey of an aspiring singer as she flees a frigid environment to heat up a tepid career.

At sunset a large orchestra, a choir and a group of young people position themselves against the backdrop of a mountain landscape. The musicians play the first section of Mahler's 8th Symphony, moving in precise choreography.

The violent surgical act of a boy’s circumcision is contradicted by the peacefulness of his facial expression. Proud to join the world of men, the boy is trying his best to be brave. Yet can the passage to adulthood be that simple?