In One Man Ladies, Glennda Orgasm is joined by Vaginal Davis as they meet women on the streets of New York City to discuss Laura Schlessinger's book Ten Stupid Things Women Do to Mess Up Their Lives.

“Ah! It is so easy to convert others. It is so difficult to convert oneself.”

—Oscar Wilde, “The Critic as Artist” in The Complete Works of Oscar Wilde (New York: Harper Collins, 1989)

Resisting the regime of the counter-shot, this experimental short fiction film follows the story of Alex on the eve of Le Pen’s defeat in the 2002 French presidential election.

Stardust is the second part of the trilogy where Nicolas Provost investigates the boundaries of fiction and reality by filming everyday life with a hidden high resolution camera and turning the cinematic images into a fiction film by using cine

An allegory recycling images from the past, still relevant to the present moment.

“Horses are lucky, they’re stuck with the war same as us, but nobody expects them to be in favor of it, to pretend to believe in it.”

A big splashy rendering of Hollywood in hot action. The babes, the boobs, the boo-boos and the inner triumphs all brought to the screen by the uncorked youth and uncouth old bats of the San Francisco Art Institute.

The crowded streets of New York City turn into fictive, cinematographic scenery.

"The title, A Boy Needs A Friend, is both a pathetic plea and just a fact."

 – Steve Reinke

Ulrike Ottinger is a prolific German filmmaker whose work includes Madame X (1977), Ticket of No Return (1979), Freak Orlando (1981), Johanna D'Arc of Mongolia (1989), Countdown (1989), and Exile Shanghai

At this time even the flowery wars are ready to begin and the flowery atavism begins to flash. The flowers, the skulls, the moon and the sun are ready for the sacrificial trance. Part of Tonalli.

This tape is a critique of the blockbuster film Top Gun and the attitudes of macho militarism that it embodies.

“To take back the gold that was stolen from us – this is the object of our actions.”

“Ursonate 1986 is the result of a transference process which utilizes computer and video technology to transport a 1932 phonetic poem, Ursonate, by the German artist Kurt Schwitters into a contemporary context.

A Perfect Pair posits the idea that individual consumers are walking billboards for the products they use; product slogans and brand names peeking out from every crevice and cranny of the actors’ bodies.

A Videofreex performance.  Bart Friedman plays the pump organ and David Cort sings.  He asks Bart to "Play something that I can laugh to," and much laughter ensues.  Then, "because of American society," there is a sad song, and much waili

Invoking Eve’s temptation and fall from grace with recurring images of the garden, the serpent, and the apple, Condit provides a look at the trouble beneath the surface in a modern-day suburban paradise.

Video from the 2nd Interactive Electronic Visualization Event (IEVE), a collaboration event with SAIC's Video Department and the University of Illinois Circle Campus.

In collaboration with DonChristian Jones.

Covert Action is a stunning melange of rapid-fire retro imagery accomplishing Child’s proclaimed goal to “disarm my movies.” “I wanted to examine the erotic behind the social, and remake those gestures into a dance that would confront their co

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

A. D. Coleman started writing regularly on photography in 1967 for the Village Voice, at a time when very few critics took the medium seriously.

Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.

Though this video segment bears the title Construction Workers Rally, much more than issues of labor are addressed.

Scenes from an Endless War is an experimental documentary on militarism, globalization, and the "war against terrorism." Part meditation, part commentary, Scenes employs recontextualized commercial images, rewritten news crawls, and o

An architect and urban planner by training, Dara Birnbaum began using video in 1978 while teaching at the Nova Scotia College of Art and Design, where she worked with Dan Gra

Featuring Ken and Louise from Wendy Clarke's One on One video series, this video exchange encompasses a shared passion for music and pure emotional vulnerability that creates an incredibly intimate relationship between these two strangers throu

The city of Kinshasa and its liberation architectural spaces are here embodied through a journey of a woman that walks alone through the ghosted spaces of history.

Letting go of realist constraints, and going back to the mirror-images of some of Provost’s famous previous works, we are diving into a cosmic ocean of ever metamorphosing baroque circumvolutions in which our minds try to capture reassuring forms before

Ike is about a person showing their special gift — if pushed. The truth, fiction and lore of a brick thrower with deadly accurate aim.

Cast: Deondre “Champ” Jones, Derron Everson, Anthony Jerrell Jones.

50 doves fly out of a window, one by one. Some escape in a rush, some take their time and seem to be hesitating. The Dove symbolizes new hope and new beginnings after a disaster, as in the biblical story of the flood.

John Smith, throughout his 40-year career, has approached the moving image from film, video and installations, generating a tremendous body of work that’s as diverse in its topics as it is in its methods.

In 1964, Steina Vasulka (then Steinunn Bjarnadottir) married Woody Vasulka, a Czech engineer with a background in film.

five more minutes is an exploration of grief. Two women spend an afternoon recreating lost time. What begins as play-acting breaks open into a world where the tenderness and sorrow of having to say goodbye exist untempered.

Based on Robert Heinlein’s 1941 story “Universe,” Double Lunar Dogs presents a vision of post-apocalyptic survival aboard a “spacecraft,” travelling aimlessly through the universe, whose passengers have forgotten the purpose of their mission.

Reportedly shot in the back office at Leo Castelli’s New York gallery, an ashtray is used to demonstrate five different actions related to artistic work. With the camera static, the video opens with the ashtray in the center of the screen.

Jim Dine (b. 1935) first emerged as an avant-garde artist creating Happenings and performances with Allan Kaprow, Claes Oldenburg, and others in the early 1960s.

A Two Spirited woman surrounded by spy signals and psychiatric walls attempts to make sense of love, global paranoia, and her place in the history of colonialism.

Thoughts and Feelings is comprised of five short works which are a part of Mike Kuchar's ongoing Soul Searching Series.

“For quite some time the Hamburg artist Cornelia Sollfrank has been researching female hackers and found that hacking is a field completely under male domination.

Blind Huber is a film interpretation of a poem by the American writer Nick Flynn loosely based on the life of Francois Huber, the blind 18th Century beekeeper, who sat before a series of hives for fifty years unlocking an unknown world.

Communists Like Us is an ambient music video made from a few seconds of archival footage of Mao Zedong applauding and members of the Red Guard chanting.

Desire and the Home: Program 1

Challenging the dominant ways of making and critiquing art, feminist art practice in the 1970s stressed personal connections to materials and immediacy of context over formal abstraction.

Cycles of 3's and 7's is a performance in which the harmonic intervals that would ordinarily be performed by a musical instrument are represented through the computation of their arithmetic relationships or frequency ratios.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

Derived from Ernie Gehr's Serene Velocity, Lossless #4 is the result of a digital file's debugging routine that reveals vectors describing apparent movement in the frame.

A watchful dog in a confusion of reflected chairs begins and ends Cohen’s finely tuned observational portrait of London’s Essex Street, and the inhabitants who work the shops and throng the pavement there.

In 1991 Montano met a Hindu couple at Ananda Ashram, the meditation center she attends in upstate New York. Since then, the three have become friends. Mr. and Mrs.

Part of the paraconsistent sequence series.

After a failed attempt to melt down ballistic missiles into bells and site them in the city they had once targeted, 100 homing pigeons were used as metaphors, each carrying a small bell and capsule containing a Soviet or US flag.

White Sands is an experiential film installation on the visible and invisible manifestations of the nuclear industry on the land, air, water and people of New Mexico.