On February 10th, 2005, Lynne Stewart was convicted of providing material support for a terrorist conspiracy. She is the first lawyer to be convicted of aiding terrorism in the United States.

Amid the greenery of what should be a White Christmas, there sits the blackness close to my heart; and beyond that there bellows a legion of behemoths who know not shame nor guilt.

Mid-day light illuminates a pond of decaying lotuses and turns black plant forms against a white background into scenes of abstract calligraphy, loose and flowing yet taut within its own geometry. Central to the meaning of 

Workers Leaving the Factory - Ten Days that Shook the World – downloaded, repeatedly recompressed and reversed V.1 is a 13-minute re-edit of the film Workers Leaving The Lumière’s Factory in Lyon.

Moving across the shores between Ceuta (Spain) and Tangier, Morocco, a man and woman discover the present borders and past archaeologies of these lands that were once one and now exist separately. Human shipwrecks meet the abyss of such separation.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

A bouncy music-video burlesque shot in and around Santiago, Chile, entwines reminders of U.S. corporate presence and of past political terror, with national and international musical strains.

Presented as a fictional documentary, the sound film All the Time in The World sees the millions of years that have shaped and formed the land, played out at the speed of sound.

Six Indians of different Waimiri and Atroari villages, located in the Amazon, document the day-to-day life of their relatives in the Cacau village.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

George Kuchar has been invited to Francis Ford Coppola’s vineyard for a large family picnic. Walking around the property with a friend, the two look on as a team of workers picks grapes for winemaking.

In The Girls at the Dock, Teramana features performers at The Dock, a popular LGBTQ+ bar and nightclub in Cincinnati, Ohio.

A hug/punch eulogy for all things impossible now.

The Making and Unmaking of the Earth turns to geology as both a metaphor for and a psychic container of women's emotional states and embodied experiences of physical pain.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

Kipnis describes this tape as "an appropriation of the aesthetics of both late capitalism and early Soviet cinema—MTV meets Eisenstein—reconstructing Karl Marx for the video age.” She presents a postmodern lecture delivered by a chorus of drag queens o

This documentary explores the groundbreaking street performances of Cuban artist JuanSí González during the 1980s.

The spirit of poets permeates the space/time occupied by an assortment of dinner engagements that occasionally erupt into physical or verbal assaults on the taste buds.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Chapter 3: The Galleries

Hermine Freed collaborates with James Ingo Freed to create a video essay/documentary that reflects upon memories of the holocaust during the design of a US memorial building.

A four-part documentary, Yãkwá shows the most important ritual of the Enauênê-Nauê Indians (Brazil). For seven months every year, the spirits are venerated with offerings of food, song, and dance so that they will protect the community.

A chance to view the upper Bronx as a mantle of whiteness cloaks its natural splendor like icing on a cake and things all blubbery bob to the surface for air and a sniff of the "good life."

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

Welcome to The History of the Future: A Franklin Furnace View of Performance Art.  This disc set is based upon a live event that took place at the Abrons Art Center in New York City on April 27, 2007.  Within this box set, you'll find

A documentary about Holt’s public installation work Dark Star Park in Arlington, Virginia, this video is about the process of developing and building the park.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

I'm here to bring you the Truth and the Pleasure

Here to show you the meaningful form

It's going to feel like a new kind of leisure

It's going to smell like a freshly mown lawn

I'm installing a personal toolkit for thinking

Through a successful eBay bid in January of 2004, 1975 eteam dollars turned into 10 acres of personal U.S. property. The lot, a generic square within the larger American grid of townships, is located in the desert of Nevada.

VDB TV: Decades, The 2000s

An original program for VDB TV: Decades curated by Aily Nash.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

In the fall of 1986, Richard Fung made his first visit to his father’s birthplace, a village in southern Guangdong, China.

Contemplating mixed race identity in Canada, Cuthand presents us with images of blood ties and land ties for indigenous people, and questions the use of the words "white passing" and "light skinned." As a light skinned indigenous, Cuthand reiterat

From The Files of the Pyramid Cocktail Lounge is a series of video clips taken at the Pyramid Club, a seminal location for the East Village drag scene in the midst of the club's most influential years.

Rosler uses the format of a cooking demonstration (as in Semiotics of the Kitchen) to address cultural transaction--the meeting of Eastern and Western cultures.

Baldessari presents photographs to his friend Ed Henderson and asks him to reconstruct the meaning of the image.

The archive is not a repository of cultural memory, but of dreams, a bank of dream material. Both memory and archive embrace death, but from contrary positions. The archive is a mausoleum that pretends to be a vast garden.

Ellen Altfest is known for her representational paintings in which she renders every detail of her subjects on a one-to-one scale. The World Must Be Measured by Eye follows the meticulous, repetitive and painstaking creative process o

The daily life of the Panará village during the peanut harvest, presented by a young teacher, a woman shaman and the village chief.

Direction and photography: Paturi and Komoi Panará

Editing: Leonardo Sette and Vincent Carelli

Jacqueline Goss and Jenny Perlin retrace the journey of two 18th-century astronomers tasked with determining the true length of the meter.

a little girl dreams of a new pluralism meanwhile the old war continues V.1  2009, 67:00

This two-disc title contains the following video documentation:

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

On the outer limits of an Oklahoma town both eyes scan the skies for the terror being foretold by the volatile vapors that pulse with urgent radio frequencies.

This strange, lyrical performance video diary is a millennial reflection on the impossibility to "reveal" one’s self in stormy times such as ours.

A historical analysis of the on-going war in the Western Sahara. Liza Bear interviews Abdullah Majdid, the Polisario Front's United Nations representative.

This tape, shot in April 1971, documents the making of a WNET/13 TV show about video collectives and how they use the new video technology.

Martin Sorrondeguy, former vocalist for Los Crudos, produced this powerful and uplifting documentary about the U.S. Latino punk scene and the DIY movement.

Sounds in the Distance is a video adaptation of David Wojnarowicz's 1982 book Sounds in the Distance: Thirty-five Monologues from the Road.

This portrait is not simply an account of Simone Weil’s life, but rather the skein of her ideas. The “unoccupied zone” is therefore only marginally meant to refer to the southern part of France under Vichy.

Artists with brushes need light to paint a picture, but human feelings function just as well in the dark.