Traders Leaving the Exchange, A Guard and the Street V.1 is a 15-minute unstable remix of a video I shot in 2000, and edited in 2011, of the "members" door of the New York Stock Exchange as the traders were leaving at the end of their workday.

In Northern California, land of mystery, there stands an edifice of stone that probes the heavens above and the subterranean secrets below the threshold of credibility. Its occupant, Dr.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Hands are part of our body, but they might be too close to think. As the pandemic forced us to change our way of living and think about ourselves, it seems we have become paying more attention to our hands and the act of touching.

Sixteen-year-old guru Marahaj Ji attempts to levitate the Houston Astrodome in this 1973 DuPont award winning documentary.

A wistful film on the love of homeland.

This work was produced in connection with Icono Negro, a three-artist show at Long Beach Museum of Art exploring the dynamics and distinctions of black video art.

A documentary about Holt’s public installation work Dark Star Park in Arlington, Virginia, this video is about the process of developing and building the park.

In today’s youth-oriented society, the experience and knowledge of older women is typically unheralded and neglected.

On February 10th, 2005, Lynne Stewart was convicted of providing material support for a terrorist conspiracy. She is the first lawyer to be convicted of aiding terrorism in the United States.

This series of four videos explores Hock’s growing friendship and empathy with his Mexican neighbors, his acceptance into their community, and an examination of their day-to-day struggles.

In the fall of 1986, Richard Fung made his first visit to his father’s birthplace, a village in southern Guangdong, China.

From The Files of the Pyramid Cocktail Lounge is a series of video clips taken at the Pyramid Club, a seminal location for the East Village drag scene in the midst of the club's most influential years.

Workers Leaving the Factory - Ten Days that Shook the World – downloaded, repeatedly recompressed and reversed V.1 is a 13-minute re-edit of the film Workers Leaving The Lumière’s Factory in Lyon.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

Rosler uses the format of a cooking demonstration (as in Semiotics of the Kitchen) to address cultural transaction--the meeting of Eastern and Western cultures.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as “undiscov

The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life.

A bouncy music-video burlesque shot in and around Santiago, Chile, entwines reminders of U.S. corporate presence and of past political terror, with national and international musical strains.

I'm here to bring you the Truth and the Pleasure

Here to show you the meaningful form

It's going to feel like a new kind of leisure

It's going to smell like a freshly mown lawn

I'm installing a personal toolkit for thinking

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

"In the free space of the commodity, I digitally took apart moving image sequences and re-animated them into an encoded montage to create a metaphor of experience where the viewer feels like a fiber optic cable has been hard-wired into their co

The spirit of poets permeates the space/time occupied by an assortment of dinner engagements that occasionally erupt into physical or verbal assaults on the taste buds.

VDB TV: Decades, The 2000s

An original program for VDB TV: Decades curated by Aily Nash.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

Based on his ever-changing performance Indian Tails, this video features Luna sitting alone in his darkened room in front of the TV on Christmas Eve.

Videofreex members Davidson Gigliotti, Bart Friedman, Skip Blumberg and Nancy Cain travel to Syracuse, New York to attend an exhibition and two-day conference featuring video art at the Everson Museum

Contemplating mixed race identity in Canada, Cuthand presents us with images of blood ties and land ties for indigenous people, and questions the use of the words "white passing" and "light skinned." As a light skinned indigenous, Cuthand reiterat

A four-part series that revisits the life and and times of four families last seen as "undocumented" immigrants in the 1986

Since the turn of the century, popular media in the U.S. have promoted a stereotyped image of Latin America in order to justify the concept of U.S.

Songs of Praise for the Heart Beyond Cure is a fourteen-minute experimental video that unfolds through a series of short episodes. "To describe Cooper Battersby and Emily Vey Duke's new video as ironic doesn't do it justice.

Ponies discover an equine Shangri-La. The audience is introduced to a classic dance step. Chubby Checker provides the musical accompaniment.

A short introduction to the New York City public access television show The Brenda and Glennda Show, hosted by Brenda Sexual and Glennda Orgasm.

In part a remake of Hollis Frampton’s Gloria! (1979), in part a repurposing of hacked, 16-bit video game technology, The Well of Representation asks us to reconsider our fear of the liminal.

Notorious art and architecture group Ant Farm's unique vision arrives on DVD in this release showcasing some of the group's most popular works.

Kiss The Boys And Make Them Die explores how memory, sexuality, and the self are created and enforced through the family story.

Separation of the (Earth by Fire) is a multi-disciplinary project that includes print collages, audio, and video.

"A chamber drama set in the confines of an apartment’s sun room, this video further explores visual themes and obsessions found in my earlier works and adds in a few new ones for good measure.

Reading the billboards, the cars, the people, and the graffiti of the street as cultural signs, Rosler extracts the network of social power and domination that determines whose culture gets represented where, asking whose culture is reported in the pres

A brief visit with a graduate student in the painting department of the art college where Kuchar teaches and the discussion that follows the unveiling of his work.

“A spoof on current art attitudes [that] stretches the definition of what can be considered art. Because the late 1960s and early 1970s were periods of innovation, using the human body as art, making process equivalent to product...

An urgent reflection on indigenous sovereignty, the undead violence of museum archives, and postmortem justice through the case of the "Kennewick Man," a prehistoric Paleo-American man whose remains were found in Kennewick, Washington, in 1996.

A historical analysis of the on-going war in the Western Sahara. Liza Bear interviews Abdullah Majdid, the Polisario Front's United Nations representative.

In 2012, eteam visits Mars and Moon Townships in Pennsylvania.

A ship sets sail on an epic voyage through malignant natural and supernatural elements from which one man alone survives.

"Fusco revives and embodies the chimpanzee animal psychologist Dr. Zira from the original Planet of the Apes films of the late 1960s and early 1970s.

A non-stop, psychedelic action serial depicting the gnawing bitterness of a UFO debunker as he sinks in a sea of new age imagery and nubile neophytes.

A short, poetic QuickTime video about the gray areas of gender identity."

Storms batter California as 1995 ushers in a world of computerized characters and unplugged souls in search of electrified juice.