An experimental documentary video project about individuals who have been transformed from so called “ordinary” citizens into activists, Witness To The Future seeks connections that unite people of all cultures, communities, races, and economic

One's 'softest parts' are 'scooped out and eaten alive'.

In this series I composed a series of portraits on my audio/video digital mixer, ranging from impressions of places and people to renditions of feelings their work inspired, and domestic-type gossip from the kitchen and bedroom.

The viewer meets a grab-bag of gabby folks from here and abroad as I drop by to see them or they come to my apartment for tea and sympathy. You also get to visit endangered film showcases and see people who are now either deceased or divorced.

Footage of a May 1970 rally featuring political speakers, including members of the Black Panther Party. Abbie Hoffman talks about fighting imperialism at home, and the Chicago 7 Conspiracy Trial.

I wander around empty halls of academic buildings carrying bags of Halloween atrocities for our latest class project: a horror movie that lives up to that classification on multiple levels.

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

A carload of trouble embarks on a journey few will survive in this horror tale of ancient evil permeating some acreage in upstate New York.

The "dazzling, delightful, and delicious" messages of broadcast television get scrutinzed in Social Studies, Part II: The Academy.

The Fancy is a speculative, experimental work that explores the life of Francesca Woodman (1958-1981), evoked by the published catalogues of and about her photographs.

Filmed primarily in Alaska, The Aquarium contrasts the openness of the primeval Arctic landscape with the entrapment of captured sea mammals in aquariums. It speaks of the progressive destruction of these animals’ habitat, seeing beyond the alluring spectacle.

In The Body Parlor, both man and sheep as combined sacrificial bodies become subjects of biological investigation. As symbols of ritual sacrifice, they are bodies that give of themselves.

After the ominous attack that the paramilitary and police corporations carried out on September 26, 2014, in Iguala, Guerrero, the student Aldo Gutiérrez Solano remains in a coma until today.

Pop-Pop Video: Kojak/Wang takes a shootout from Kojak and extends the shot and counter-shot into a potentially endless battle.

Drawing from Flaubert's The Temptation of Saint Anthony, his letters, travel journals, and biography, this video layers fantasy, sexual obsession, morbidity, Romanticism, and boredom alongside the ghostliness of empty hotel rooms, aural atmosph

The Bus Stops Here is an experimental narrative about two sisters, Judith and Anna, plunged into depression by their struggle to gain control over their lives.

Baldessari presents photographs to his friend Ed Henderson and asks him to reconstruct the meaning of the image.

Karen Finley is well known for her confrontational monologues, often performed in clubs and bars, which exploit the stereotype of the hysterical woman to address the sexual and political taboos associated with femininity.

Nancy Graves (1939-1995) was a New York sculptor, painter, and filmmaker who used natural history as a reference for dealing with the relationships between time, space, and form.

A radical reworking of an etching by Italian artist Giorgio Morandi, brought to life by engraving fame by frame into the photographic emulsion of color filmstock.

Scottish artist Thomas Lawson (b. 1951) is a painter, critic, and founding editor of REAL LIFE magazine who lives and works in Los Angeles. His paintings are tied to the particularities of the present, and he is especially critical of the art world’s infatuation with ego and creativity. His portraits, appropriated from the print media, represent an intervention in that vein.

Ángel Reparador (The Healing Angel) was shot in Buenos Aires, where the artist Sergio De Loof films Bobe in different places along the route that goes from the house of his parents, in the south of the suburbs, to the city center.

“We each have only one single life which is our real life, starting at the cradle and ending at the grave.

A volcano self-destructs ages ago, leaving in its wake a great emptiness which is filled with all that is cold and blue.

Forbidden to Wander chronicles the experiences of a 25-year-old Arab American woman traveling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002.

If you lived here you’d be home by now occurs during the years of Williamsburg Brooklyn’s overheated real estate market, just before the 2008 financial bubble burst.

A collaboration with writer Luc Sante made in Tangier, Morocco, a city where neither of us had ever been.

The house in the film is Maison de l'Armateur, "the ship owner's house", one of the few houses in Le Havre, France that remained in tact after the city was completely destroyed in the allied bombings of D-Day, 1944.

The planting of the "cempasuchil" for the celebrations of the "Day of Death" is one of the last jobs that the Ayotzianapa normal students did before they were brutally disappeared, with small Lomokino 35mm cameras, which we had to compose-hit several ti

Filmed from the artist’s window during lockdown, Citadel combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline

A descent into the blackness of the projected image and the curators who flick the switches and grease up all moveable parts for hot action when the lights go out.

In a world of Internet and high technology, there still remains something so arcane, so simple and extraordinary, so absolutely incredible as a circus of educated fleas. Marvel at Maria Fernanda Cardoso's work as the powerful Brutus (The Strongest Flea on Earth) pulls a locomotive that weighs 160,000 times his own weight. See the flea ballerinas dressed in micro-tutus, dance to the rhythms of Tango! Hold your breath as the highwire artists defy gravity on the tightrope and swing precariously on a miniature trapeze.

A rural sunset at the edge of the water in WandaWega Waters. The natural rhythmic movement of the water’s surface becomes a highly colored abstraction in motion, a meditation on the intersection of nature and technology.

The violent surgical act of a boy’s circumcision is contradicted by the peacefulness of his facial expression. Proud to join the world of men, the boy is trying his best to be brave. Yet can the passage to adulthood be that simple?

Klaus Nomi (born Klaus Sperber) was an underground superstar in the East Village arts scene in the 1970s and early 1980s.

"You don't have to go to Hawaii to be in Hawaii. Nor do you have to be sensual to feel sensual. You look the way you are supposed to look. The sensuality of Hawaii completely fascinates me in this video."

—Ximena Cuevas

In this early black and white, reel-to-reel video, small game traps are set to catch the rain.

Spanish artist Jaume Plensa (b. 1955) creates sculptures and installations that intend to unify individuals through their relationship to memory, the body, and spirituality.

See a boy turn into a tiger. See the lad vomit colors of the rainbow. Watch him toss marbles onto wet bathroom tiles while holding up a green skull.

The Diaspora Suite

Images of friends and landscapes are cut, fragmented, and reassembled on an overhead projector as hands guide their shape and construction in this film stemming from Hollis Frampton’s Nostalgia.

Turn It On, Tune It In, Take It Over! is a portrait of freedom of expression at the dawn of the Electronic Age.

From his photo-text canvases in the 1960s to his video works in the 1970s to his installations in the 1980s, John Baldessari’s (b.1931) varied work has been seminal in the field of conceptual art.

Stasi is an audiovisual recall of the political and social substrates that sustain an actual system of images. Stasi is a recall of a system of images that, even now, dominates the global gaze of the world.

"I asked the inmates in my Art Group on the HIV/AIDS unit - Del Norte to talk about their experiences from the womb to the present moment. Here are their stories."

–Wendy Clarke

Formally eclectic but heartfelt tribute to the holiday home movie heritage of low gauge formats.

Eric Fischl's early works were large-scale abstract paintings. While teaching in Nova Scotia, Fischl began to shift from abstraction to smaller, image-oriented paintings, beginning with narrative works that investigated a fisherman's family.

"It may indeed be questioned whether we have any memories at all from our childhood: memories relating to our childhood may be all that we possess.

Peggy and Fred meet up with Peter the Penguin, to once again make their way through the fragmentary remains of 20th Century American culture. They fashion a tumultuous, arbitrary world that teeters dangerously on the edge of nonsense and oblivion.

This is the story of two young girls who dig up a tiny woman from the back garden.