In this March 9th, 1974 episode of Lanesville TV, the Videofreex screen their recently shot ringside footage from a boxing match that took place over the weekend in Marion Square Gardens of nearby Tannersville, NY.

The image comes up suddenly and then continues unwavering: a young person (Mirra) dressed in a black watchcap and pea coat stands at the edge of a large body of water and sings a sea shanty, occasionally flinching to emphasize certain lyrics or fend off

A fantasia that makes twisted use of elements from the Elektra myth and vampire stories. Imagine a woman listening to Richard Strauss's Elektra while watching Carl Dryer's Vampyr and the dream she might then have that night.

An experimental documentary about the street drag racing scene on Chicago’s near West Side. This is a rambling textured film about obsession.

A troubling relationship arose between the character played by Winona Ryder in the film Girl, Interrupted, the genuine depression experienced by the actress, and the shoplifting of which she was accused.

The Only Ones Left (three-channel video installation*), featuring actor Jim Fletcher, weaves film noir and mafia genre references with CEO diatribes, while also exposing the conventions of the feature film climax.

A portrait of the Bosphorous Sea.

I Dream of the Bosphorous, originally presented as a four-channel video installation, is distributed by VDB as a single-channel video.

Treating the problem of anorexia nervosa from the parents' perspective, Rosler presents a mother and father speaking about the tragedy of their daughter's death as a result of dieting.

The Prognosticator (Or, We Are All Pythagoreans Now) is Chapter 1 of Mysterium Cosmographicum.

The PSA Project No. 1-15 is a series of fifteen videos that speak out against the U.S. occupation of Iraq and the act of war.

Produced in former Yugoslavia (Bosnia-Herzegovina, Croatia, Macedonia, Serbia & Montenegro, Slovenia), Austria, USA, Canada, 1999-2003.

An experimental documentary video project about individuals who have been transformed from so called “ordinary” citizens into activists, Witness To The Future seeks connections that unite people of all cultures, communities, races, and economic

A young man recovering from emotional wounds, defiantly re-enters the outside world that welcomes his return with all its abundant miracles.

"Homage to Eadweard Muybridge. A historical Muybridge photo grid is put into an electronic video signal space.

The Fancy is a speculative, experimental work that explores the life of Francesca Woodman (1958-1981), evoked by the published catalogues of and about her photographs.

Kuchar makes it to the Isis Oasis resort just in time to catch the marriage vows of his friends Rebecca and Steve.

In this series I composed a series of portraits on my audio/video digital mixer, ranging from impressions of places and people to renditions of feelings their work inspired, and domestic-type gossip from the kitchen and bedroom.

The setting for The Politics of Intimacy recalls the widespread consciousness-raising (CR) groups in the late '60s and early '70s inspired by the emerging feminist movement.

An 8mm video that reunites cast members of a film Kuchar made in the '60s. They stage another shoot and the camera is left on to record old friends getting older and more childlike as time and champagne trickle away.

"...a rumination, a series of borrowed 'dialogues' out of an ongoing argument with myself. It meanders, mentally and physically, reflecting on the conditions of being human; on transience, consciousness and desire.

San Francisco is a city where the virtual and the real co-exist. It is both a center of multi-media and Internet activity, and a city with a vibrant street life and commitment to public space.

“The video is an extension of Derrick’s project for Headmaster No. 8. The issue is thematically structured around the Village People, and he was given a cop-themed assignment.

This compilation is produced with "myself" as the sole object, as well as the material of the performance (except two videos with Akiko iimura).  The videos are not just documents of the performances, but works of video-art made specifically for ut

A collection of five computer and feedback-generated animations.

Part of paraconsistent sequence series and the hauntology series.

A California Christmas season ushers in an array of holiday visuals designed to feed the hunger of soiled souls in search of truffle filled delights.

The Embassy deals with the codes of representation used by the former Portuguese colonial power over the West African country Guinea-Bissau, and with modes of memory production.

Computer graphics by Dan Sandin and colleagues.

A video letter to artist Nancy Holt, in homage to a shared interest in terminal lakes, framed views, monuments and time.  Filmed on and around the Great Salt Lake, Mono Lake and Meteor Crater.

At the Lesbian Museum, Brenda and Glennda interview artists at the opening of Christine Martin’s controversial exhibition The Lesbian Museum: 10,000 Years of Penis Envy at Franklin Furnace.

A rumination on Time, with a capital "T". Time and its ravages, which really just means its progression, its nature. Set off by an "old" poem, a T.S. Eliot poem that's literally haunted me for 30? or 40? yrs

In this video, Brenda and Glennda attend the opening day of The New Festival (now known as NewFest), a queer film festival in New York City. They interview attendees and filmmakers at the festival to discuss the importance of queer film.

One of Zaatari’s earliest experiments in documentary video, All Is Well on the Border emerged from the filmmaker’s desire to understand Israel’s occupation of Southern Lebanon following the 19

Simultaneously dark, surreal, and unnerving, this seventeen-minute tape is a stark departure from the usually playful productions of the Videofreex.

We Have the Force opens with the letters of the alphabet appearing sequentially as the youths link each letter with activities surrounding drug use: A is for AIDS, B is for Body Bags, C is for Crack, etc.

For the Least is a short documentary about American Catholics who marched to Guantanomo to bring spiritual comfort to the prisoners and an end to the torture they endure.

The video traverses the history and the memory of a place shared by both the Hočąk and the settler.

The Passion According to Sevilla focuses on the celebration of Holy Week in Seville, Spain. Statues of the Virgin and other religious images and figures are carried through the streets on parade floats.

A distinguished looking man (performance artist Richard Layzell) is apparently trapped in an ever changing void of colour, locked in a power play with a perversely operated camera.

Mixing documentary reality with clever comic invention, TVTV decked itself out in tuxedos and ankle-length gowns to cover Hollywood's annual celebration.

The rise of George H. W. Bush.

Live action and animation adaptation of an episode from Lautréamont’s 1868 anti-novel Maldoror.

In this piece Dani Leventhal recounts to camera her experiences of living and working in Israel, the fabled land of milk and honey of childhood lessons.

A video I made with students at the California College of Arts and Crafts.

This is the burial hymn for thousands of souls in anthropocentric times. The ghosts of the American way of life. Part of the Hauntology series.

This first program deals with stories of captivity. To start, Hostage: The Bachar tapes by Walid Raad presents us with an imagined hostage presumably held in custody along with the American hostages in Lebanon during the 1980’s.

Animation by Dan Sandin
Algorithms by John Hart and Yumei Dang
Programming by Dan Sandin and Shalini Venkataraman 
Visionary Leadership by Tom DeFanti

Return of the Black Tower was conceived as a 'response' film to John Smith's 1987 classic short experimental film, The Black Tower.

This chaotic fantasy involves an underground empire of Halloween-type entities that bedevil the surface people of earth with yellow rays that cause civilians to go on murderous rampages.

Produced and directed by Darlene Haber/MediaVision, executive director, Suzanne Lacy.