Produced without camera input, this intense electronic landscape transports the viewer into a world that is an abstract study in machine-generated imagery. Produced at the Experimental Television Center.

Naked is a "living" environmental installation created for and commissioned by the Walker Art Center in Minneapolis, where EIko & Koma were "on view" all the hours the museum was open for the month of November 2010.

Swamp Swamp and Wurmburth are each comprised of a series of tightly cropped shots of small, hand-made table-top sculptures or "sets".  Paint and many other materials that behave like paint (i.e.

The perception of machines' movement within industrial work.

In the stillness of approaching night, a cool breeze will caress warm bodies that enter a lush garden in deepening twilight where the rising moon, full and bright, illuminates questions and answers that are deep as th

Color Schemes was exhibited in its installation form (with a self-service washing machine) at the Whitney Museum in 1990.

Based on a photograph taken in the mid 1970s of two African Americans playing foosball.

A Yosemite gargoyle climbs two gothic arches.

This short is a romp through the life and times of transvestite jazz musician Billy Tipton, who was discovered at his death to actually be a woman.

In her brilliant video Art Herstory, [Freed] has restaged art history, putting herself in the model's role in numerous paintings...

... it's not what it used to be.

a personal album and homage, in my own way, to an influential film ... a closet-cleaning scrapbook of beloved photos and oddities ‐ and the gift of fire.

–– Ken Kobland

A piece of movie film has survived the forthcoming Ice Age and is discovered by Venusian scientists--5000 years from now... This work is a correspondence of two information fragments of different origins and times that met by accident.

Lunar Pond is part of an audiovisual series about lunar cycles and rhythms in an attempt to evoke, integrate and develop the mythical presence of the Aztec lunar goddess Coyolxauhqui, thus evoking the eroded contemporary landscape of our t

In this interview, extreme performance artist and 1990s culture warrior Ron Athey (b.1961) discusses the genesis of his provocative performance style and the memories and desires that continue to motivate his practice. Athey describes how his particular approach to performance developed dually from his religious upbringing and exposure to devotional theater, as well as from his later interest in the DIY grandiosity of the Los Angeles punk scene.

This video is staged as a reading of the great Soviet poet Vladimir Mayakovsky's famous poem A Cloud in Trousers, written 1914-15.

The story of a matron and a midget in the heat of an unbridled passion. The colors run thick and heavy for paint and prurient pleasures as the electronic canvas unscrolls to reveal a bevy of beasties and beauties of nature and the unnatural.

A reflection on the deep and the creatures that attempt to fathom its resources (such as baked salmon and rubbery crocodile meat).

A man explains global currency markets without the help of his formerly trusty rockin’ talkin’ pony, who is missing. Without the pony, the world is as disorientating as it is depressing. The audience is invited to help make order of the chaos.

The time is now!  The present can be replaced in real time. Not quite yet by the future, but very easily by the past? eteam's video Track One is a replay of such time disjuncture. As they keep following the memory of a yellow cab that keeps driving through the now deserted streets of Taipei, their pastime augments itself with a mesmerizing sense of reality.

Commissioned for the Ocularis curated Free to Be…You and Me Invitational compilation, which premiered at Brooklyn’s Galapagos Art Space and also screened at Chicago Filmmakers, where Mercedes Landazuri and I performed a banjo and synth renditio

Bracketed by the Fall of Berlin Wall and the Collapse of the World Trade Center, a decade that saw the ossification of the neoliberal project, the rise of third-wave feminism, the proliferation of digital media, and even, perhaps, the “end of history":

An island. A mountain. A City of Angels who scoop up the pellets dropped by other winged creatures.

This title is also available on The World of George Kuchar.

Holt's terrain is her Aunt Ethel's home in New Bedford, Massachusetts, presented in still images and excerpts from letters to the artist from her aunt.

Company Line is a film about one of the first predominately Black neighborhoods in Mansfield, Ohio.

"Gregg Bordowitz’s 2017 performance lecture Only Idiots Smile features the artist on a stool in the New Museum’s top-floor sky room, riffing on the formation of his identity.

2001 Colours Andy Never Thought Of transforms Warhol’s infamous screen prints of Marilyn Monroe through a process of color manipulation.

A short story about new bodies, the power of denial, and a state of no sunshine. Two infantile bodies float in a cyberspace ball, connected by two subconscious bodies in the background.

This tape is a critique of the blockbuster film Top Gun and the attitudes of macho militarism that it embodies.

Richard Prince appropriates images from commercial advertising and travelogues for his photographs. Choosing these images for their melodramatic, super-real power, he then isolates their stylistic realism to accentuate its rhetoric.

Pat Steir is an American painter and printmaker whose work has resisted artworld currents and factions for decades, while expanding its reach and maintaining enthusiastic critical support.

Freed documents artist James Rosenquist at home in an East Hampton, N.Y studio in March 1972. Rosenquist and his collaborators work on a project entitled 47 Dirty Band Aids with blaring music dominating the environment while they paint.

In Aspect colour, light and shadow shift across the surface of the forest as the duration of a calendar year is condensed into minutes.

Jim Finn’s films and videos have been described as “Utopian comedies.” In the four works that comprise Jim Finn Videoworks: Volume 2, the comedy that emerges through Finn's (not so) exaggerated interrogation of the products and symbols of auth

Fifteen holopoems compiled under the collective title Holopoetry.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

In Hyperthermia the cinematic body becomes overwhelmed by the luminous projection of outside political factors, causing the internal temperature of the celluloid to rise to dangerous levels.

I loved and was haunted by Jon Krakauer’s book Into the Wild and found Sean Penn’s cinematic adaptation to be absurdly overwrought. My original plan for condensing it was to string together all of its grandiose slow-motion shots.

Dirty Laundry speculates upon the buried narratives of gender and sexuality in Chinese-Canadian history of the 19th Century, when Chinese communities were almost exclusively male.

“We each have only one single life which is our real life, starting at the cradle and ending at the grave.

Charles Simonds (b.1945) majored in art at the University of California at Berkeley. There he discovered an area of clay pits that had once provided the raw material for some of Manhattan's older buildings.

These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the streets. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction.

In this tape, the Videofreex record their visit with Dr. Eugene Schoenfeld, then recognized widely for his popular medical advice column, Dear Dr. Hip Pocrates, which doled out information about sex and drugs.

The discovery of a VHS tape of the artist’s films for sale on eBay triggers obsessive speculation about the seller’s identity.

If you lived here you’d be home by now occurs during the years of Williamsburg Brooklyn’s overheated real estate market, just before the 2008 financial bubble burst.

This video was originally created to be used as a projection in a performance of Bodies on March 29, 2019.

Judy Chicago (b.1939) creates large-scale, collaborative artwork has brought greater prominence to feminist themes and craft arts such as needlework and ceramics.

"By way of lush formal and associative shifts, Hearts Are Trump Again evokes the ever-present tension between seemingly polarized states of experience.

The “greca”, the meander, is the main symbol weaved in the textiles made by the Navarro sisters, from Santo Tomás Jalieza, México.

Exploring climate change, the destruction of nature, and industrial pollution, these four works by Paweł Wojtasik paint horrific yet meditative landscapes of global infrastructures including meat production, waste treatment, and laboratory experimentati

Partially Buried Continued is a meditation on ways in which one’s associations to history, location, and genealogy become tangled in a subjective web which makes it complicated to separate history from fiction.