This film is about a five-day seminar designed to teach executives to "sell themselves" better.

We asked 12 people to walk 4 identical routes through the course of a day and a night, always attempting to repeat the manner of the first time.

In Animal Charm's masterful example of video montage, a monkey is mesmerized as he watches two dolphins toss a woman from snout to snout. Go cross-eyed with cross-cutting. Sometimes, in order to prevent the insidious absorption of mass media, it is necessary to apply Vaseline to your eyes and ears. Other times, you only need to watch Stuffing — it’s inside of everything.

Through poetic juxtaposition of the virtual landscape of the phone, the calm landscape of the cabin, and the chaotic landscape of memory, 1991 paints a cruel image of the horror of war and separation.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

"Real time digital buffer recording, light bulb, panning camera motor and turntable. Light Bulb, the title says it almost all. Real time recording events.

Patti Smith asked if I would do a short film to accompany the release of her version of Nirvana's Smells Like Teen Spirit.

This surreal, free-form autobiography is concerned with childhood and adult rituals, and the longing for meaning and connection during the often wildly absurd events of early life.

Taking its title from a sound design maxim and using it as a conceit to grasp the desire for connection, See A Dog, Hear A Dog probes the limits and possibilities of communication.

Strapping a video camera to himself as he drives a motorcycle around an island, Palestine harmonizes with the engine, maniacally repeating the phrase, "Gotta get outta here...gotta get outta here..." His chanting voice merges with the vibrations of the

George Barber doffs his cap to the 20th anniversary of Scratch Video with What’s That Sound?, a mesmerizing montage of questions, answers, and the cries and screams of people caught in a disaster movie.

This video reveals John Baldessari's thoughts and intentions for his work over the course of his career, providing clues to the understanding of his paintings, books, and photos.

“To take back the gold that was stolen from us – this is the object of our actions.”

Until his untimely death from AIDS in 1992, Tom Rubnitz produced short, humourous videotapes featuring some of New York’s most outrageously talented musicians, artists and drag queens.

Get ready for a smorgasbord of mishaps perpetrated by misfits choking on missteps in life… Add to this a dash of bitter memories sprinkled with love affairs gone stale, and you’ve got a heap of slop for mental indiges

Nest of Tens is comprised of four alternating stories which reveal mundane yet personal methods of control. These systems are derived from intuitive sources.

We came into the world under the sign of Saturn, the star of the slowest revolution, the planet of detours and delays. Saturn pulls the word down into its vortex and turns the flow of events into rings, lines and particles. There we are all invisible.

Credits is about re-reading information. Recycling. Image-making. Wallpaper TV. Zen. Money. Labor. And of course, credits.

Shot in a local Natural History Museum in northern Israel. 100 white doves fly around cabinets of stuffed birds and other animals. This is a symbol of a culture which is unwilling to let the past go, and lives so naturally with the dead.

An episode from a Lebanese TV series entitled Image + Sound.  Each episode in this groundbreaking program was based on paralleling TV news images alongside staged events. This episode was shot at the St.

The ground holds accounts of once pagan, then christian and now muslim ruins of the city built for Aphrodite. As she takes revenge on Narcissus, mirrors reveal what is seen and surfaces, limbs dismantle and marble turns flesh.

This is an agitprop piece on resistance from the autonomy and indigenous sovereignty that hold in his own name, in his own letters, in his own sparks and embers of letters.

Miyoko Ito was known as an “abstract surrealist.” Her paintings are landscape-based abstractions of very intense subtleties of structure and color.  Ito was born to Japanese parents in Berkeley, CA in 1918. She studied art at the University of California at Berkeley for a short time until she was imprisoned in a Japanese-American camp after the bombing of Pearl Harbor. Ito continued her education in prison, after which she attended Smith College. She was then given a scholarship to attend the School of the Art Institute of Chicago. It was in Chicago that Ito's career as an artist flourished, where she explored cubism and latent abstraction in her works. Ito remained in Chicago until her death in 1983.

The disparate chronicles of a high school wrestling team, a flooded town of aliens, and the love affair between two young men.

In this 1993 contribution to the On Art and Artists series, artist Art Jones describes his entry into the world of activist media, and the genesis of his belief in the potential for a democratized street-level media. Hailing from the Bronx, Jones recalls his personal dislocation during college, when he began studying film and video at SUNY Purchase. At that time, Jones experienced a cultural isolation, which he mobilized to fuel his practice. This willingness to confront issues of representation and absence, asserting the validity of his own subjecthood, would become a defining characteristic of his work.

3 Church Walk is a film made with writer Jonathan P. Watts and sound composer Simon Limbrick about the empty and neglected Suffolk house of modernist architect H. T. ‘Jim’ Cadbury-Brown.

A newly re-mastered collection of 22 comedic performances to camera, produced during 1973-74.

A man explains global currency markets without the help of his formerly trusty rockin’ talkin’ pony, who is missing. Without the pony, the world is as disorientating as it is depressing. The audience is invited to help make order of the chaos.

This video takes its departure from the BBC's coverage of the killing of three IRA volunteers by British Security Forces in Strabane, a small town on the border between Northern Ireland and the Irish Republic.

Burrow-Cams features footage from cameras that have been placed inside underground animal habitats (dens, burrows, etc.).

A woman is standing barefoot on a tile floor.  In slow motion, the investigative camera circles around her.  Her breasts are bared and liquid runs down her legs.  Bit by bit, every part of her body is shown, except her face, which remains

Culture Capture: Crimes Against Reality extends NRO’s Culture Capture series towards examining desires for monumentality and its dissolution, pursuing fantasies of removal by morphing monuments into metastasizing flesh via ritualized photogramm

Having collaborated with videographers for previous media works, Eiko & Koma decided to work alone in creating Husk. Koma adopted the role of cameraman to film Eiko's solo piece.

The question, “Who am I?” has been asked over the centuries in many different ways. Videomaker Carlos Nader adds another approach in his investigation into the nature of the individual by taking the work beyond self-examination and asking it of others.

Three aimless millennials in a go-nowhere band are recruited as willing pawns by a shadow revolution, an insurrection led by an unlikely anti-government cabal of Buddhist sovereign citizens, telepathic Native American separatists, hardline&nb

Sixty-five years after the Allied invasion of Southern France, the director's mother, Cecily Barker Finley, tries to recall her involvement as a social worker aboard a WWII Red Cross ship.

In Love Tapes: Two Museums, speakers from the Wadsworth Atheneum Museum of Art (Hartford, Connecticut) and The Museum of Modern Art (New York) share their thoughts and memories of love.

"This film is closely related to my last feature-length project, Counting. I take the temperature of a neighborhood. In this case, the place is my New York.

Archives recovers the formal community that mobilizes the diagrammatic experience of archives, a formal community that claims the sensory nucleus where hypertrophic rhythms, abstract machines, monuments and memorials, digital servers, corporate

“I may have to get a back up career.” I mull over what I might do if I don’t make it as an artist. What if I lose my eyes?

More than three thousand insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it seems that the genetic programme of millions of years is taking place in a few minutes.

A high-pitched melodrama featuring the noise saturated spiritual journey of a vegetarian youth embroiled in big city shenanigans and occult extravaganzas.

“‘I will not make any more boring art,’ John Baldessari wrote over and over again in a work done in 1971. The impulse for the piece, he says, came from dissatisfaction with the ‘fallout of minimalism,’ but its implications are far greater.

El Zócalo is an observational portrait of Mexico City’s central Plaza de la Constitutión during one day in August.

Eco-artists Helen and Newton Harrison define truth as a series of interactions that anyone may join. The Harrisons choose survivalist subjects because we have so encroached upon this environment, we must give it every advantage we can.

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

A portrait of the artist as a not-so-young man. The filmmaker attempts to enter the digital age by making a new video version of one of his old films.

This archival film remixes the systemic violence and power throughout the 1984 National Day Parade, the 1989 Tiananmen Square Protests, and the 2014 Umbrella Movement. 

Bob Snyder is a Chicago-based composer, video artist, and author who has been experimenting with sound and video synthesis since the 1960s.

In response to the 1994 Republican campaign Contract with America that ushered in the first GOP House majority in over 42 years, Ligorano Reese screen printed men’s and women’s cotton briefs with the face of Newt Gingrich on the crotch a