Until his untimely death from AIDS in 1992, Tom Rubnitz produced short, humourous videotapes featuring some of New York’s most outrageously talented musicians, artists and drag queens.

The story of a matron and a midget in the heat of an unbridled passion. The colors run thick and heavy for paint and prurient pleasures as the electronic canvas unscrolls to reveal a bevy of beasties and beauties of nature and the unnatural.

British theorist and art historian Eddie Chambers (b.1960) is a curator and a regular contributor to Art Monthly and European journals on contemporary art. His writings were collected in Run Through the Jungle (1999). Since the early 1980s he has been involved in organizing and curating a considerable number of artists' exhibitions. In addition to his exhibition work, he has written extensively about the work of artists in the United Kingdom and other countries, including Australia, Jamaica and the U.S. His articles and other texts have been widely published in magazines and journals such as Third Text, Visual Culture in Britain, International Review of African American Art, and Wasafiri.

Dachau 1974 was recorded on Korot’s visit to Dachau, Germany, the site of the former concentration camp, in the Fall of 1974. What she saw when she arrived was a sanitized former prisoner camp that was now a tourist site

Made in Ireland, October 8th, 2001.

A disorientating experience while attempting to watch the TV news in an Irish hotel room triggers a spontaneous response to the bombing of Afghanistan.

TREYF “unkosher” in Yiddish— is an unorthodox documentary by and about two Jewish lesbians who met and fell in love at a Passover “seder”.

There are times when concurrent multiple realities of place demand at least a simple attempt to determine who in fact has and where is this place in the sun. Hearts and Helicopters occurs at that moment in the lives of four people.

A Letter for Phil suggests an institutional critique in the form of a correspondence signed by “Matt/Rose/Tom/Isac.” The video juxtaposes two angles of the typewriter—one showing the typed text in realtime, another showing hands of the wr

Craig Owens (1950-1990) was a critic who wrote and lectured extensively on contemporary art. He showed particular interest in the issues of photography, postmodernism, feminism, and Marxist thought. A former associate editor for October and senior editor for Art in America, as well as professor of art history at Yale University and Barnard College, his writings were collected in Beyond Recognition: Representation, Power, and Culture (1994). Owens died of an AIDS-related illness in 1990.

Meet local San Francisco artists and the pets of the culturally inclined, as George prepares to take a trip.

On December 8, 1984, Linda Montano began a 7-year performance titled 7 Years of Living Art, based on the seven Hindu chakras, and performed public and private vows and tests of personal endurance.

A trans performers enacts an improvised strip-tease in silence, adhering to directions of positioning and movement. 

Deaf Dogs Can Hear is an autobiographical work that traces the tragic yet humourous episodes of the artist as a young girl, and her pet chihuahua.

The second in a pair of silent Super 8 films centering on the backyard of a modest house in a coastal community of north San Diego County.

All forms of human sport become sites for sexual play and celebratory eroticism.

Rudy Burckhardt (1914-1999) was best known as a photographer and filmmaker.  He moved to New York from his native Basel in 1935 at age 21.

Partially Buried Continued is a meditation on ways in which one’s associations to history, location, and genealogy become tangled in a subjective web which makes it complicated to separate history from fiction.

(chatlandia) uses the public bathroom stall as format and metaphor for Internet relay chat lines (IRCs).

3 Church Walk is a film made with writer Jonathan P. Watts and sound composer Simon Limbrick about the empty and neglected Suffolk house of modernist architect H. T. ‘Jim’ Cadbury-Brown.

Documentation of the installation The Future of Metropolis at Technical University in Berlin, Germany.

"I just can't resist trying to empathize with animals and plants.  I think that in the process of attempting to learn what it's like to be an animal or plant, I learn more about what it means to be human."
--Sam Easterson

From childhood memories to recurring nightmares, Nine Fish attacks and illuminates the indecision and confusion surrounding euthanasia and care of the elderly in the United States.

Sharon Lockhart is a photographer and filmmaker. Her photographic and filmic works interrogate the inversion of the static image as cinematic and the manipulation of the moving image into a static/stop-motion frame.

The city of Kinshasa and its liberation architectural spaces are here embodied through a journey of a woman that walks alone through the ghosted spaces of history.

In 1975, the Feminist Studio Workshop (I was a member) at the Woman’s Building in LA, the Women’s Interart Center in New York City, and another feminist organization in Washington DC, attempted to set up a video exchange among feminist art organizations

Five improvisers are asked to ‘channel’ the psyche of Tony Blair. George Barber asks questions, and also feeds the improvisers anecdotes from various sources about Tony Blair’s life and experience as the Prime Minister of the United Kingdom.

An attempt to explore the metamorphic drama of expanding entomological entities. Sparkles of the screen-membrane in erosion.

"In the spring of 2002 I handed over to Charles Atlas a collection of films and videotapes in various formats that I had been accumulating with an eye to his editing them into what I call a "faux Rainer portrait" (though he may well call the final produ

Prestidigitation before the age of the pixel. Very lively stop motion and open shutter piece, shot on Super 8, with all effects done in camera – but transferred to video for ease of viewing.

A young man of the "Modern Age" ponders sits alo

Child uses the soap opera format to play with the structure and expectations of the family melodrama.

Ripe fruit in sweaty socks; soft eyes, stained and suffering in the origin of consciousness, and a soul needing refrigeration, for it has nearly gone bad!

A.L. Steiner’s video More Real Than Reality Itself expands the structures of documentary works while challenging its conventional reliance on linear narratives.

Something Else is a film about found footage as subject matter and Miss Black Roanoke, Virginia 1971 expressing her thoughts about the upcoming Miss Black Virginia 1971 Pageant.

Cast: Rene Marie.

"I, Soldier is the first part of a video series in which I am dealing with the state-controlled ceremonies for the national days of the Turkish Republic.

RECKONING 7 is something of an instrumental interlude between longer, denser episodes of the RECKONING series, which is now being made and released "out of order.” Through an 

Naked is a "living" environmental installation created for and commissioned by the Walker Art Center in Minneapolis, where EIko & Koma were "on view" all the hours the museum was open for the month of November 2010.

Alice Neel (1900-1984) is known for portrait paintings of well-known persons and eccentric New York street types.

As profecias da Orixá Oxum (The Prophecies of the Waterfall Spirit Oxum) was filmed at Iguaçu Falls, Brazil/Argentina, and is intended for viewing in Virtual Reality.

The only time I’ve visited a communist country was when I went to Poland in 1980, not long after Margaret Thatcher’s Conservative government was first elected in Britain.

"Interested in the hidden corners of exoticism and a reinterpretation of history as an aesthetic challenge, Colombian resident in France, Laura Huertas Millán (Bogotá, 1983), presents in Aequador—in her own words—'a parallel present modified by

Feedback-generated computer animations wiped and keyed with images and sounds from electronic oscillators via an analog video switcher.

Skating softly, but carrying a big stick, performer Kristin Elliott engages in an interlocking series of skits involving simple, slapstick activities performed by a pristine outdoor pool and in a venetian blind windowed corner of a room.  Bodies of

Breder painted the words of Donald Kuspit’s poem in white on scraps of paper and then floated them down Old Man’s Creek, the site of many legendary Intermedia performances near Iowa City.

Veronica Majano depicts the character of a street in the Mission District of San Francisco.

Setting her pixelvision camera on herself and her room, Benning searches for a sense of identity and respect as a woman and a lesbian.

The 2008 iteration Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2008 campaigns, and highlights the development of the political strategy and marketing techniques of

Dan Sandin designed the Image Processor that, partly because of his decision to give away the building plans, has effected an energetic and aesthetic investigation of the technological structures of electronic media.

Since 1977, Mierle Laderman Ukeles has been a volunteer artist-in-residence at the New York City Department of Sanitation, allowing her to introduce radical art into a public system.

The Diaspora Suite