South Circular first shows us two women, in the shadow of nondescript ruins over the Tagus river in Lisbon.

"This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher.

In Hyperthermia the cinematic body becomes overwhelmed by the luminous projection of outside political factors, causing the internal temperature of the celluloid to rise to dangerous levels.

In Woodstock Festival 1969: First Aid, the Videofreex interview visitors and volunteers in and around the first aid tent about the level of health and hygiene at Woodstock.

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

A response to the inability of his local General Motors dealer to fix Morton's 1974 Chevy van to his satisfaction, this tape blends experimental image-processing techniques with documentation of the faulty vehicle.

Leafless is a poem of textures about becoming familiar with a significant other’s body in reservation with its landscape.

Painter/mixed media artist David Dunlap creates installations and performances that draw from the notebooks he has kept since the mid-’70s—giving three-dimensional, public form to his intimate thoughts and diaries.

O Night Without Objects, A Trilogy explores the relationship of conversion experiences - therapeutic, political and religious - to technology, fear and family.  The segments are stylistically diverse, employing theatrical, documentary and

In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl rubbing his legs under the table.

Half On, Half Off documents a team of workers on a Pensacola, Florida beach dealing with the aftermath of the recent Deepwater Horizon Spill.  Filmed one frame at a time, compressing hours of work onto a single 3-minute roll of 16mm film.

Working with his Collie-breeding parents, their dogs, and the puppy play kink community, Lax explores the rituals by which humans tame and use animals to mitigate disaster and themselves.

"A film about the time of the blast furnaces — 1917-1933 — about the development of an industry, about a perfect machinery which had to run itself to the point of its own destruction. This essay...

In 50 Blue a young man (the artist’s brother) pushes an elderly disabled man (the artist’s father) in a wheel chair through a muddy landscape. It is a long and exhausting trip to an unknown destination only discovered at the end.

“Hey, how’s that TV work?” 

Cyclops / "monitor" / minotaur.

Note: A 20-second video loop self-portrait.

The raw facts and naked truths behind hedonistic rascals and obsessive artists is boldly uncovered and revealed to you.

Mr. Thomas is in the back garden, performing his new moves in the glorious sunlight, making things happen. Somewhere between ritual, a white suburban war dance and 1970's "keep fit" exercise to lovely music, Mr.

"I got my first Sony Portapak in 1972 and started keeping a video diary. I sat facing my image on the monitor and talked about what was going on in my life. In 1977 I decided to talk about my current experience with love.

A tour of acting gigs that come my way and the people behind the cameras that aim at my expanding torso. A bloated ham in action on the West Coast and the thespians that rub shoulders with his hind quarters. Shot in San Francisco and Hollywood, USA.

Executive produced by Sara Diamond at the Banff Art Centre, co-produced by Michelle Baughn and Suzanne Lacy, directed by Tom Weinberg and Dick Carter, and edited by Holen Kahn.

Made with my students at the San Francisco Art Institute, this video drama explores the thrills and terrors of the Big Top as a travelling circus comes to town bringing with it the promise of cotton candy, eternal youth, and high-flying beefcake.

The urge to relieve a winter valley of permanent shadow and find fortune in alluvial gravel are part of a long history of desire and extraction in the far Canadian north.

A newly re-mastered collection of 17 vignettes and performances to camera, produced during 1974-75. Some use props and sight gags to preposterous effect; others star Man Ray, lapping milk from a glass, stopping marbles and dropping balls.

Eiko Otake, based in the United States since 1976, is a highly regarded artist who has performed in many countries as part of the performance duo Eiko & Koma.

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

Gallup, New Mexico, in the American Southwest, has hosted the Inter-Tribal Indian Ceremonial annually since 1922.

"A piece about self-consciousness and the fearful noise of wind in the trees.

In two parts:
One – a residency at the MacDowell Colony in Petersboro, New Hampshire with the seasons passing.
Two – an experiment with green-screen chroma-key and a play between 2-D and 3-D space.

–– Ken Kobland

As one of the early media collectives, Raindance Corporation celebrated an eclectic use of the portapak by taping everything from man-in-the-street interviews to concerts and demonstrations.

Originally filmed as an installation in Berlin, a digital reworking of documentation results in digital video artwork which uses image, narration, and raw sound for the sake of deconstructing and reconstructing.

In New Report, Wynne Greenwood and K8 Hardy are reporters at WKRH - the feminist news station that is "pregnant with information." As Henry Irigaray (Hardy) and Henry Stein-Acker-Hill (Greenwood), these two lesbian feminist artists stage report

Male escorts and crytozoologists battle behemoths and bulemics in this student-teacher collaboration about undying evil and those that escape it via the LOVE CANAL.

"If there's something big, big that you want to reach for, you begin by dreaming." —Ivonne and Ivette

“A short image-processed work, Thousands Watch deals with the issue of nuclear suicide.

A camcorder diary and chronicle of public opinion in Moscow during a time of huge political, economic, and hence cultural, changes in the former Soviet Union.

Juliana Huxtable was born in Texas and studied at Bard College, NY.

Common Mistakes uses four synonyms for the word "mistake" (fallacy, error, accident, and blunder) to present a sample of widely held "truths" that later proved to be misconceptions.

A simple yet moving story of children and a baby deer set against the background of a go-kart track.

An attempt to explore the metamorphic drama of expanding entomological entities. Sparkles of the screen-membrane in erosion.

"A cup and saucer, pouring and drinking coffee, a duration ritual of contemplation and invigoration, doubled (tape copied), mixed, keyed + synthetic color, normal play and rewinding, sync events, the opening of a space to put the self in.

The interior of a trash processing plant. The rhythmic intensity of the machinery as it deals with an endless river of refuse becomes a reflection on the madness of unbridled consumption. 

A cactus-strewn desert becomes the backdrop for this series of filmic stopovers that focuses on the living quarters assigned the assignee of this adventurous arrangement.

A domestic portrait rendered at miniature scale, Dust Studies brushes along the edge of what can be seen.

Frances, a young Gay Indian (2 Spirit), played by Lacey Hill, is struggling with the aftermath of a gay basing. Through her friendship with her ex Jean, she gathers the strength to go out in public again.

Family Court introduces us to the world of good, clean, family fun and leisure. 

More than three thousand insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it seems that the genetic programme of millions of years is taking place in a few minutes.

Imagining future Deep Time, Post-extinction, using dark humor to speculate on the defiant vitality of matter to evolve life again. Two billion years from now, the oceans are beyond understanding.

Claerbout uses cinematic techniques to create a suspenseful journey through a dimly lit forest that reaches an unexpected conclusion.

Designed as the centerpiece of Eiko & Koma’s three-year Retrospective Project, Raven is a radically scalable work.