The emergence of video art tools in the late 1960s and early 1970s paved the way for an extraordinary number of outstanding art works by women.

On the Way to the Moon, We Discovered the Earth is a short film that remixes archival material from a prominent mainstream newspaper printed during the New York City Blackout in July 1977.

An overview of the Video in the Villages Project, this documentary shows how four different Amazonian native groups (Nambiquara, Gavião, Tikina, and Kaiapó) have embraced video and incorporated it in the service of their projects for political and ethni

Video in the Villages presents its recent progress, its indigenous workshops for training and production. Founded in 1987, the project began with the introduction of video to indigenous communities that produced documentaries for their own purposes.

The interior was delusional like any visual psyche. The couches and plants, rugs and paintings were all in cahoots and up in arms over the cahootery. The explorers were under-qualified and cowardly.

The Making and Unmaking of the Earth turns to geology as both a metaphor for and a psychic container of women's emotional states and embodied experiences of physical pain.

Based on his ever-changing performance Indian Tails, this video features Luna sitting alone in his darkened room in front of the TV on Christmas Eve.

This work was produced in connection with Icono Negro, a three-artist show at Long Beach Museum of Art exploring the dynamics and distinctions of black video art.

Six Indians of different Waimiri and Atroari villages, located in the Amazon, document the day-to-day life of their relatives in the Cacau village.

This documentary explores the groundbreaking street performances of Cuban artist JuanSí González during the 1980s.

On the Flies of the Market Place deals with the idea of the European space, divided and sacrificed.

This series of four videos explores Hock’s growing friendship and empathy with his Mexican neighbors, his acceptance into their community, and an examination of their day-to-day struggles.

In today’s youth-oriented society, the experience and knowledge of older women is typically unheralded and neglected.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

A documentary about Holt’s public installation work Dark Star Park in Arlington, Virginia, this video is about the process of developing and building the park.

In The Great Mojado Invasion (The Second US - Mexico War), writer/performer Guillermo Gómez-Peña and filmmaker Gustavo Vazquez combine Chicano wit and political vision to create an ironic, post-millennial and postmodern look at the future of U.

The Physical Impossibility of Life in the Mind of Someone Dead is Chapter 2 of Mysterium Cosmographicum.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity.

In the fall of 1986, Richard Fung made his first visit to his father’s birthplace, a village in southern Guangdong, China.

A bouncy music-video burlesque shot in and around Santiago, Chile, entwines reminders of U.S. corporate presence and of past political terror, with national and international musical strains.

The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life.

"In the free space of the commodity, I digitally took apart moving image sequences and re-animated them into an encoded montage to create a metaphor of experience where the viewer feels like a fiber optic cable has been hard-wired into their co

In The Girls at the Dock, Teramana features performers at The Dock, a popular LGBTQ+ bar and nightclub in Cincinnati, Ohio.

A hug/punch eulogy for all things impossible now.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

From The Files of the Pyramid Cocktail Lounge is a series of video clips taken at the Pyramid Club, a seminal location for the East Village drag scene in the midst of the club's most influential years.

A playful and dark conversational study—wrapping prose poetry into the recognizable conversational form and allowing both connections and missed meanings.

Presented as a fictional documentary, the sound film All the Time in The World sees the millions of years that have shaped and formed the land, played out at the speed of sound.

Welcome to The History of the Future: A Franklin Furnace View of Performance Art.  This disc set is based upon a live event that took place at the Abrons Art Center in New York City on April 27, 2007.  Within this box set, you'll find

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

VDB TV: Decades, The 2000s

An original program for VDB TV: Decades curated by Aily Nash.

The Disappointment: Or, The Force of Credulity is a documentary about the search for four lost treasures buried on a single farm in Missouri.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

Contemplating mixed race identity in Canada, Cuthand presents us with images of blood ties and land ties for indigenous people, and questions the use of the words "white passing" and "light skinned." As a light skinned indigenous, Cuthand reiterat

In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both themselves, and stand-ins for others.

Traders Leaving the Exchange, A Guard and the Street V.1 is a 15-minute unstable remix of a video I shot in 2000, and edited in 2011, of the "members" door of the New York Stock Exchange as the traders were leaving at the end of their workday.

George Kuchar has been invited to Francis Ford Coppola’s vineyard for a large family picnic. Walking around the property with a friend, the two look on as a team of workers picks grapes for winemaking.

As documented in The Winner’s Circle and la Migra (the emigrant), the move north brings many changes to family life, specifically mothers going to work and children learning English in school.

In The Lost Art of the Future, Cuthand talks about artists he has known who have passed while living with HIV/AIDS, and the art he wishes he had been able to see them make if their lifetimes had been longer.

as the waves play along with an invisible spine (the workers die) is a stroboscopic work that pulsates black and white at approximately 14 Hz.

A four-part documentary, Yãkwá shows the most important ritual of the Enauênê-Nauê Indians (Brazil). For seven months every year, the spirits are venerated with offerings of food, song, and dance so that they will protect the community.

During a video workshop in the Kuikuro village in the Upper Xingu, Brazil, an eclipse takes place. Suddenly, everything changes. The animals take new forms. Blood falls from the sky like rain. The sound of the sacred flutes crosses the dark night.

A compilation of too-close observation, animation, and stolen moments, The Seven Wonders of the World adds an eighth: survival at the edge of the known universe — bare-plus life. 

This feature-length experimental narrative, about women’s relationships to new reproduction technologies and genetic engineering, combines documentary interviews with field experts and a science fiction segment depicting stories of in-vitro fertilizatio

A wistful film on the love of homeland.

Land locked souls seek the key to a spiritual doorway that transcends earthly existence.

Through a successful eBay bid in January of 2004, 1975 eteam dollars turned into 10 acres of personal U.S. property. The lot, a generic square within the larger American grid of townships, is located in the desert of Nevada.

A pileup of human refuse and super-human powers permeates this hour-long canvas of bits and pieces documenting the smash-up of a house of healing, as the physicians in charge short circuit amid the electronic wizardry beyond the Panasonic barrier.