The emergence of video art tools in the late 1960s and early 1970s paved the way for an extraordinary number of outstanding art works by women.
The interior was delusional like any visual psyche. The couches and plants, rugs and paintings were all in cahoots and up in arms over the cahootery. The explorers were under-qualified and cowardly.
Video in the Villages presents its recent progress, its indigenous workshops for training and production. Founded in 1987, the project began with the introduction of video to indigenous communities that produced documentaries for their own purposes.
On the Way to the Moon, We Discovered the Earth is a short film that remixes archival material from a prominent mainstream newspaper printed during the New York City Blackout in July 1977.
An overview of the Video in the Villages Project, this documentary shows how four different Amazonian native groups (Nambiquara, Gavião, Tikina, and Kaiapó) have embraced video and incorporated it in the service of their projects for political and ethni
Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.
In the fall of 1986, Richard Fung made his first visit to his father’s birthplace, a village in southern Guangdong, China.
From The Files of the Pyramid Cocktail Lounge is a series of video clips taken at the Pyramid Club, a seminal location for the East Village drag scene in the midst of the club's most influential years.
Rosler uses the format of a cooking demonstration (as in Semiotics of the Kitchen) to address cultural transaction--the meeting of Eastern and Western cultures.
During a video workshop in the Kuikuro village in the Upper Xingu, Brazil, an eclipse takes place. Suddenly, everything changes. The animals take new forms. Blood falls from the sky like rain. The sound of the sacred flutes crosses the dark night.
A pileup of human refuse and super-human powers permeates this hour-long canvas of bits and pieces documenting the smash-up of a house of healing, as the physicians in charge short circuit amid the electronic wizardry beyond the Panasonic barrier.
In today’s youth-oriented society, the experience and knowledge of older women is typically unheralded and neglected.
Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.
The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.
This feature-length experimental narrative, about women’s relationships to new reproduction technologies and genetic engineering, combines documentary interviews with field experts and a science fiction segment depicting stories of in-vitro fertilizatio
The Disappointment: Or, The Force of Credulity is a documentary about the search for four lost treasures buried on a single farm in Missouri.
In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both themselves, and stand-ins for others.
During February and March of 2016, Danspace Project presented Platform, a month long curated program for which Eiko's solo project, A Body in Places, was the focus. At the center of the Platform's dense programs were Eiko's daily solos.
Traders Leaving the Exchange, A Guard and the Street V.1 is a 15-minute unstable remix of a video I shot in 2000, and edited in 2011, of the "members" door of the New York Stock Exchange as the traders were leaving at the end of their workday.
Water and wind are friction forces that continuously erode and shape landscapes, and the record of their effects is left behind on Earth’s terrain.
made for an exhibition at the Inova gallery in Milwaukee Wisconsin in 2001, THE END OF THE WORLD is an intimate and emotional study of the photographic image.
In Northern California, land of mystery, there stands an edifice of stone that probes the heavens above and the subterranean secrets below the threshold of credibility. Its occupant, Dr.
Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.
A compilation of too-close observation, animation, and stolen moments, The Seven Wonders of the World adds an eighth: survival at the edge of the known universe — bare-plus life.
This video is about the idea of narcissistic transference, sexual dependency, and the failure to distinguish between the self and the loved one.
In The Lost Art of the Future, Cuthand talks about artists he has known who have passed while living with HIV/AIDS, and the art he wishes he had been able to see them make if their lifetimes had been longer.
"The dream and the waking is a documentation of my commute between New York and Boston, which I make every week for my job.
A psychedelic portrait of the founding theorist of Christianity.
A playful and dark conversational study—wrapping prose poetry into the recognizable conversational form and allowing both connections and missed meanings.
A wistful film on the love of homeland.
In The Great Mojado Invasion (The Second US - Mexico War), writer/performer Guillermo Gómez-Peña and filmmaker Gustavo Vazquez combine Chicano wit and political vision to create an ironic, post-millennial and postmodern look at the future of U.
Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.
Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity.
Moving across the shores between Ceuta (Spain) and Tangier, Morocco, a man and woman discover the present borders and past archaeologies of these lands that were once one and now exist separately. Human shipwrecks meet the abyss of such separation.
This work was produced in connection with Icono Negro, a three-artist show at Long Beach Museum of Art exploring the dynamics and distinctions of black video art.
Videofreex members Davidson Gigliotti, Bart Friedman, Skip Blumberg and Nancy Cain travel to Syracuse, New York to attend an exhibition and two-day conference featuring video art at the Everson Museum
On February 10th, 2005, Lynne Stewart was convicted of providing material support for a terrorist conspiracy. She is the first lawyer to be convicted of aiding terrorism in the United States.
Workers Leaving the Factory - Ten Days that Shook the World – downloaded, repeatedly recompressed and reversed V.1 is a 13-minute re-edit of the film Workers Leaving The Lumière’s Factory in Lyon.
On the Flies of the Market Place deals with the idea of the European space, divided and sacrificed.
The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.
As documented in The Winner’s Circle and la Migra (the emigrant), the move north brings many changes to family life, specifically mothers going to work and children learning English in school.
Sixteen-year-old guru Marahaj Ji attempts to levitate the Houston Astrodome in this 1973 DuPont award winning documentary.
A trip across the bay to Concord yields a harvest of non-fruit-like beings who celebrate a housewarming that simmers with macho machinations and family discord.
In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as “undiscov
“Reading various popular magazines through the camera, the dominance of advertising over content becomes apparent as the same cigarette ads are consistently legible, while the various articles become a blur.
Presented as a fictional documentary, the sound film All the Time in The World sees the millions of years that have shaped and formed the land, played out at the speed of sound.
Six Indians of different Waimiri and Atroari villages, located in the Amazon, document the day-to-day life of their relatives in the Cacau village.
The vanishing point of Images of The World is the conceptual image of the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.
The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.
Based on his ever-changing performance Indian Tails, this video features Luna sitting alone in his darkened room in front of the TV on Christmas Eve.