This title is only available on Kip Fulbeck Selected Videos: Volume One.

Faced with the possibility of return, the dead consider their next move.

The Colors that Combine to Make White are Important explores the power structure within a failing Japanese glass factory.

Shot in a creaky, wooden floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of Resistance (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the bur

Set between Swaziland and South Africa, in a region still struggling with the divisions produced by an apartheid government, Greetings to the Ancestors documents the dream lives of the territory’s inhabitants as the borders of consciousness dis

A woman recounts her story of the mass exodus of Palestinians from Jerusalem. Beginning with the arrival and ending with the departure, the tale moves backwards in time and through various landscapes.

The Blindness Series consists of eight short videos that investigate blindness and metaphors.

This video diary visits two sites that exhibited my visual works this past year, culminating at the VOLTA ART SHOW in N.Y.C., where I sold some paintings and a photograph.

A video I made with students at the California College of Arts and Crafts.

"how looking at what has become the skeletons of photographs is a visual lecture on aesthetic pleasure or emotion.

Kent Merritt waxing poetically about being one of the first four Black scholarship athletes at the University of Virginia.

A meditation on birth, silence and American cinema, sealed with a kiss.

Marielle Nitoslawska’s Breaking the Frame is a feature–length profile of the radical New York artist Carolee Schneemann.

2005-2007 What is explained can be denied, but what is felt can't be forgotten. -- Charles Bowden Ghost: the outward and visible sign of an inward fear. -- Ambrose Bierce

This tape examines the meaning, impact, and future of the early-1980s avant-garde through interviews with artists (Scott B., Robert Longo, Walter Robinson, Michael Smith), an art dealer (Helene Winer, Metro Pictures), a museum director (Marcia Tucker, T

A raunchy, explicit comic-opera ... (two years of looking out the window during a pandemic).

Raunchy /ˈrôn(t)SHē/

If asked to say what this work is about in one word, the answer — which is woven into the electronic musique concrète soundtrack — would be a Joycean one: it’s a “collideorscape.” The imagery is a return to materials Rankus dealt with as a young man in

Epilogue: The Palpable Invisibility of Life is the final chapter in The Blindness Series, a body of eight videos on blindness and its metaphors that was begun in 1992.

Hostage: The Bachar Tapes (English Version) is an experimental documentary about "The Western Hostage Crisis." The crisis refers to the abduction and detention of Westerners like Terry Anderson, and Terry Waite in Lebanon in the 80s and early 90s by "Islamic militants." This episode directly and indirectly consumed Lebanese, U.S., French, and British political and public life, and precipitated a number of high-profile political scandals like the Iran-Contra affair in the U.S.

This East Coast travelogue documents my journey from New York City to Boston as several screenings plunge me into a maelstrom of social excess and tummy filling delights.  You too can digest this banquet of artists, poets and movie-makers as this f

Kuchar makes it to the Isis Oasis resort just in time to catch the marriage vows of his friends Rebecca and Steve.

Through a stack of personal journals, this video reconstructs a biography of the South Dakota-born, New York City-enlightened artist James Wentzy.

One's 'softest parts' are 'scooped out and eaten alive'.

"Begun in 1983 and completed in 1992, Between the Frames offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Structured on the central metaphor of Shakespeare's The Tempest, this work alludes to the position of the individual in (post) modern culture, and the tension between natural and technological power.

A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.

Dan Sandin demos the Digital Image Colorizer, a digital module that was part of the analog Image Processor.

Because of the War things were changing. Very few toys or games were left and music was almost over. Tap water was tasting female and television only came in nasty spasms…

As the expansiveness of video and its accompanying new technologies continues to transform our culture and our world, another historical tension is developing—not unlike the technological revolution seen at the last turn of the century.

In The Body Parlor, both man and sheep as combined sacrificial bodies become subjects of biological investigation. As symbols of ritual sacrifice, they are bodies that give of themselves.

In A Case for the Closet, Glennda Orgasm and Judy LaBruce host an episode of Closet Talk.

Simultaneously dark, surreal, and unnerving, this seventeen-minute tape is a stark departure from the usually playful productions of the Videofreex.

In 2012, eteam visits Mars and Moon Townships in Pennsylvania.

Playing back "visual quotations" of everything from Poltergeist to Blade Runner, Muntadas rescans the surface of the monitor, questioning the "nature" of media—film, television, video, and image.

In La Lucha (the fight), families struggle to cope with frequent deportations and the constant threat of INS sweeps that, in the end, completely dismantle the community. Following up two years later, Hock reports their triumphs and setbacks.

A short atmospheric tour of a movie star’s mansion and a glimpse of the living things within the chambers: things that cook, feed the sharks, and gnaw on bones.

With an amusing sense of drama, The Houses That Are Left illustrates Silver’s technique of building an obscure narrative into a complex net of miscellaneous texts and images.

George stays in San Francisco for this video about local filmmakers and their future projects.

Blending live action staged as if in a dollhouse with rarely seen archival footage from the National Archives, the fantastically true story of how America entered WWI is told.

A structure of Lawrence Weiner.

Player: Alice Zimmerman; Computer Graphics: K. Hassett; Sound clips from “Postcards from Heaven,” “Ships at Sea,” “Sailors and Shoes”; Music: Ned Sublette, ASCAP; Lyrics: Lawrence Weiner, BMI

Border situations have inspired writers, artists and filmmakers, particularly within the context of divisions and border control within the Middle East. Who draws the borders? What are the effects of imposing them, of imposing checkpoints?

Tripping out on loneliness, The Loner drifts through one daydream about “Her” after another. Oursler nightmarishly fantasizes about the dismal prospect of looking for love in a sleazy singles bar.

Another in a series of sculptural films. Like it’s partner, 3 peonies, this is a short 16mm film made as a memorial for my grandmother who passed away in 2017.

The Fool melds varied footage while a narrator describes a brief encounter with a former love interest. A performance of a gymnastics routine merges with iconic Baroque paintings; club scenes mix with a day at the beach.

An instructional road trip clarifies how to prevent a baby from choking. The giver of said instructions communes with stray dogs along the ocean front.

A short introduction to the New York City public access television show The Brenda and Glennda Show, hosted by Brenda Sexual and Glennda Orgasm.

This tape compiles three profiles of performance artists: A Creative Synthesis: George Coates Performance Works (10:00), The Performance World of Rachel Rosenthal (16:00), and Paul Dresher Ensemble (08:00).

There are times when concurrent multiple realities demand an attempt to determine who has this "place in the sun" and where, exactly, it is located. Hearts and Helicopters occurs at that moment in the lives of four people.