In part a remake of Hollis Frampton’s Gloria! (1979), in part a repurposing of hacked, 16-bit video game technology, The Well of Representation asks us to reconsider our fear of the liminal.
A suspended portrait of Rose (1932-2014) amidst a discursive plane.
A collection of five computer and feedback-generated animations.
The project presents the blurring of the Green Line for Israelis and its consolidation for Palestinians, through important planning and legal decisions.
Playing back "visual quotations" of everything from Poltergeist to Blade Runner, Muntadas rescans the surface of the monitor, questioning the "nature" of media—film, television, video, and image.
Taped during the summer months in New York City and Provincetown, Massachusetts. This vacation video explores the restrictions imposed by dietary fears and the need to appease fresh and rotten appetites.
Produced by Tom Rubnitz in collaboration with Tom Koken and Barbara Lipp, The Mother Show is a tribute to mothers everywhere, starring Frieda, the “living” doll.
Segalove takes her mom as subject in these short pieces, recording her stories, her advice, and her daily routine. What results is a portrait of a contemporary mother-daughter relationship, touchingly devoid of drama and full of whimsical humor.
An interview with a group of people shot in October 1969, some of whom were involved in The Weathermen’s "Days of Rage" actions. As those present recount the significance of the actions, and the possible ramifications on the movement as a whole, some critics voice serious complaints.
A man prays in the Muslim tradition while his children try to distract him by climbing on his back. This is a recurring scenario that many try to film at home and upload on Youtube.
A chaotic assortment of artists tumbles forth in the first half of this video diary, and the pieces of flotsam and jetsam coalesce into the junk statuary of Jerry Barrish, sculptor.
"Between the Lines is an exploration of what Muntadas terms the 'informational limits' of television—the selections, programs, decisions, edits, time schedules, image fabrications and so on—specifically addressing the means by which 'facts' in
The Picnic is a film made with found footage about a couple enjoying a beautiful day, food, sex, a blanket, long walks and a firearm.
This tape functions on two levels. Montano addresses menopause and acts out her worst nightmares around that issue—playing the out-of-control, alcoholic crone.
Shifted From the Side is conceptually identical to To And Fro..., and was probably made the same afternoon.
Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country.
Uncomfortable journeys through the work and ideas of Christopher Cozier, a leading contemporary artist in the Caribbean.
In 2012, eteam visits Mars and Moon Townships in Pennsylvania.
On September 21, 2014 Ligorano Reese installed a 3,500 pound ice sculpture of the words The Future at the intersection of Fifth Avenue and 23 Street in New York during the People's Climate March.
This video features California artists: drawer and painter Deanne Belinoff, sculptor and poet Sana Krusoe, wood relief carver and painter Palema Holmes, and New York-based video artist Shirley Clarke.
In The Blood is an experimental documentary about American-Jewish attitudes towards Germans, and the role the Holocaust plays in shaping Jewish identity.
“A spoof on current art attitudes [that] stretches the definition of what can be considered art. Because the late 1960s and early 1970s were periods of innovation, using the human body as art, making process equivalent to product...
Tripping out on loneliness, The Loner drifts through one daydream about “Her” after another. Oursler nightmarishly fantasizes about the dismal prospect of looking for love in a sleazy singles bar.
The Ruling Classroom documents a social studies experiment played out by seventh graders in Mill Valley, California.
This compilation features five music videos produced by Cathy Lee Crane from 1995 to 2022.
A short atmospheric tour of a movie star’s mansion and a glimpse of the living things within the chambers: things that cook, feed the sharks, and gnaw on bones.
Michel Foucault was one of the most influential philosophers and cultural historians of the 20th Century, reconceiving power and identities as historically specific social relations and discourses.
"John Smith uses humour to repeatedly subvert and frustrate potentially threatening content in an economically constructed tale of the narrator’s descent into paranoia and, ultimately, oblivion, as he is pursued, haunted, and finally destroyed by a myst
A teenage lesbian's attempts to form friendships with older lesbians leads her on a disturbing ride through the ageist terrain of the dyke community.
Yvonne Rainer combines a dance performance she choreographed for Mikhail Barryshnikov’s White Oak Dance Project in 2000 with texts by Oscar Kokoschka, Adolf Loos, Arnold Schoenberg, and Ludwig Wittgenstein—four of the most radical innovators in
This is a journey to El Paso, Texas, where the Super-8 filmmaker Willie Varella and I have a dialogue amid domestic routines, motel accommodations, and emotional baggage, indicative of life on the road.
The artist uses wire to suspend a block of ice in a pit-like industrial space. He swings the ice block, which is lit by a similarly swinging light bulb on a separate pendulum.
The Island Weights is a two-channel synchronized video installation. A composite of the two channels presented side by side in one video is available from Video Data Bank for educational use only.
Woman as Protagonist: The Art of Nancy Spero is an invigorating look at the 40-year career of acclaimed feminist artist Nancy Spero, who, in her own works, is concerned with “rewriting the imaging of women through historical time.” With Spero’s
A deft and cunning re-examination of John Boy’s near-death experience at the sawmill. A homespun midnight deconstruction of an entire era of television mannerisms.
Video Data Bank is proud to present the wonderful work of prolific video artist Ximena Cuevas in our latest DVD box set, Half-Lies: The Videoworks of Ximena Cuevas.
In this video, drawing from Bob Dylan's song Just Like Tom Thumb's Blues, layers of experiences circling loss and longing are overlaid between images of landscapes and movement.
Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the Waiãpi people’s first encounter with TV images of themselves and others.
In this episode of The Live!
Made with Ian Bourn.
A depiction of the forced development of a hothouse flower. Organic growth is progressively overtaken by a more sinister mechanical process.
Part cloning experiment, part documentary, Stories from the Genome follows an unnamed CEO-geneticist whose company sequenced the Human Genome in 2003 — a genome that secretly was his own.
The waters run deep as massive jaws chomp and bubbles burst in a world gone mad with technological delusion and prehistoric puppetry.
A prop-filled encounter with a young fantasy filmmaker eventually becomes muffled by an earwax problem I develop; but not before the viewer is dragged through Studio 8 where my class and I are concocting a sordid, high school melodrama.
Looking for "Mr. Right" in all the wrong places makes for a tragic comedy.
The archive is not a repository of cultural memory, but of dreams, a bank of dream material. Both memory and archive embrace death, but from contrary positions. The archive is a mausoleum that pretends to be a vast garden.
In a fragrant garden warmed by the sun, a young man inhales the atoms of the world and exhales thoughts that probe the very essence of his existence.
With a combination of Hollywood, European, and Israeli film; documentary; news coverage; and excerpts of 'live' footage shot in the West Bank and Gaza strip, Muqaddimah Li-Nihayat Jidal (Introduction to the End of an Argument) critique
A video essay set in the Mexican-U.S. border town of Ciudad Juarez, where U.S. multinational corporations assemble electronic and digital equipment just across from El Paso, Texas.
"Perhaps Cuevas' most chilling work, Cinepolis forecasts an image-driven invasion of everyday life, picture-perfect and unnoticed.
A film for high school students and their teachers about the history of the Viet Nam War, composed of just photographs from that war, narration and, to help us through a damned disheartening story, lots of the Bach Suite for Solo Cell