This three-disc DVD box set contains Eisenberg's four thematically connected films - Displaced Person, Cooperation of Parts, Persistence, and Something More Than Night - made between 1981 and 2003, exploring the ongoi

A multiple award winner, this experimental tape explores the psychological ramifications of a woman growing up under orthodox Islamic law.

"i am very grateful that my 鬼鎮 (Ghosttown) series has shown internationally over the last couple years and is recognized by viewers, reviewers, critics, and curators as doing decolonizing work as a feminist project that queers and glitches

Baldessari presents photographs to his friend Ed Henderson and asks him to reconstruct the meaning of the image.

Behind the skyscraping walls of a neon lit asylum, the frustrated inhabitants therein erupt and engage in a psychological waltz that couple fact with fantasy in ways that open windows of the madhouse to the sanity of

Sequences of landscapes shot in an area of 60 km make up mosaics of places and reference axes constantly changing that do not exist in our surroundings. In this video bodies are not near or far. They are large or small.

This two-disc title contains the following video documentation:

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

First Ramon, and then Rufina moved to San Diego County in 1980, unable to raise their family as landless sharecroppers in Mexico.

This strange, lyrical performance video diary is a millennial reflection on the impossibility to "reveal" one’s self in stormy times such as ours.

A historical analysis of the on-going war in the Western Sahara. Liza Bear interviews Abdullah Majdid, the Polisario Front's United Nations representative.

This program presents different approaches to looking at war, and to using images of war.

This tape, shot in April 1971, documents the making of a WNET/13 TV show about video collectives and how they use the new video technology.

Martin Sorrondeguy, former vocalist for Los Crudos, produced this powerful and uplifting documentary about the U.S. Latino punk scene and the DIY movement.

A video adaptation of James Joyce’s Ulysses shot at the Parkville Senior Center, Connecticut, with the seniors reading the lines from cue cards. The piece addresses society, war, and personal mortality.

Sounds in the Distance is a video adaptation of David Wojnarowicz's 1982 book Sounds in the Distance: Thirty-five Monologues from the Road.

Artists with brushes need light to paint a picture, but human feelings function just as well in the dark.

Rosler calls Domination and the Everyday, with its fragmented sounds, images, and crawling text, an artist-mother's This Is Your Life.

An ordinary living room with a green screen, TV, and domestic cat serves as the backdrop for this DIY introduction to experimental philosophy. The president of a company is considering a vice president's moneymaking scheme.

The Bus Stops Here is an experimental narrative about two sisters, Judith and Anna, plunged into depression by their struggle to gain control over their lives.

An experimental documentary comprised of regional vignettes about faith, force, technology and exodus.

A bird of paradise is pruned for the lens of a Bolex camera as my Sony camcorder documents the film and video scene out here in fog-bound Frisco.

Sponsored by Kodak and Chicago Filmmakers, I was given a film roll to shoot. All editing was done in-camera.

A distinguished looking man (performance artist Richard Layzell) is apparently trapped in an ever changing void of colour, locked in a power play with a perversely operated camera.

As a testament to the Videofreex joyful investment in the medium of video, Skip Blumberg, Bart Friedman, and Nancy Cain take turns singing Christmas carols in the shower on Christmas Day.

The artwork on trial is Richard Serra's public sculpture, Tilted Arc, commissioned and installed by the U.S. government in 1981.

This is the vision from the “chinampas", the hectic life in the floating gardens, an ancestral system of audiovisual planting.

In April 1974, Video Data Bank co-founders Lyn Blumenthal and Kate Horsfield conducted their first interview, an in-depth conversation with art historian and curator Marcia Tucker.

The Video Art and Mass Incarceration compilation includes works from the Video Data Bank collection that focus on the rapid expansion of prisons during the end of the 20th Century in the United States.

Nauman is seen standing and leaning back in a corner of his studio. Just as he bounces back to a standing position, his body falls again, momentarily collapsing, only to spring forward once more.

Atomic Ed & the Black Hole tells the story of a scientist-turned-atomic junk collector known as Atomic Ed.

The Story of Milk and Honey is a short experimental video belonging to a larger project, which includes photographs, drawings and text, detailing an un-named individual’s failure to write a love story.

Loosely based on the 1950s British detective film Sapphire, in which two Scotland Yard detectives investigate the murder of a young woman who is passing for white, Sapphire and the Slave Girl examines the determinants of Sapphire's murder investigation through its cinematic representation.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

A 19th Century etching of a bedroom in the Palace of Versailles is animated and depicts the room in the midst of an earthquake. Every detail, from the moldings to the small figures in the hung paintings, trembles.

"Living on the slopes of the volcano Vesuvius is a strange contradiction: always in stress and yet also sleepy, waiting for what might happen.

Part 1 of Two Movies by Mike Kuchar.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

Part of paraconsistent sequence series and the hauntology series.

A ship sets sail on an epic voyage through malignant natural and supernatural elements from which one man alone survives.

A garage in central Portland, Oregon is the setting for this conceptual re-working of James Joyce’s Ulysses.

Pop-Pop Video: Kojak/Wang takes a shootout from Kojak and extends the shot and counter-shot into a potentially endless battle.

In The Sodomites of Shalimar, George Kuchar crafts a dizzying psychotronic drama of stilted romance and frustrated ambition replete with carnies, car crashes and calamitous volcano eruptions.

San Francisco is a city where the virtual and the real co-exist. It is both a center of multi-media and Internet activity, and a city with a vibrant street life and commitment to public space.

Long Live the New Flesh uses found footage to transmogrify existing fragments from horror films into a new video.

In 1973, Dan Sandin designed and built a comprehensive video instrument for artists, the Image Processor (IP), a modular, patch programmable, analog computer optimized for the manipulation of gray level information of multiple video inputs.

Starting with student-recorded VHS footage of two successive Take Back the Night marches at Princeton University, Birnbaum develops a saga of political awareness through personalized experiences. This localized student activity then progresses to, and is contrasted with, the 1988 National Student Convention at Rutgers University. Through this dynamic portrait, Birnbaum posits a series of compelling questions: How can the voice of the individual make itself seen and heard in our technocratic society? What forms of demonstration support this expression? How is a voice of dissent made possible?

Crowds line the streets for the wedding procession of Caroline Kennedy and Edwin Schlossberg in Hyannis Port, Massachusetts.

Performers throw themselves into an underground passageway. They exit through the mirror, a symmetrical mirror world which exists because of the placement and angle of the mirror as an upside-down place.