Love Songs #1 is composed of three pieces that pose questions about urban culture, race, and politics. Found footage images are manipulated and juxtaposed with popular music; the effects are unsettling, ironic, and sometimes humorous.

In this hour-long video, Dan Sandin demonstrates and explains in detail on modules of the Sandin Image Processor.

My Mother’s Place is an experimental documentary focusing on the artist’s mother, a third-generation Chinese-Trinidadian who at 80 still has vivid memories of a history lost or quickly disappearing.

Dan Sandin designed the Image Processor that, partly because of his decision to give away the building plans, has effected an energetic and aesthetic investigation of the technological structures of electronic media.

Most of the moving images produced for science, industry, commerce, and medicine are seen only by specialized audiences, and are then discarded soon after they are made. Rumour Of True Things is constructed entirely from such moving image ephem

Black Body is a harsh and compelling meditation on the contradictory values assigned to black bodies in American culture: they exist as both desired and feared, abject and powerful.

A close-range look at pigs living on a farm in Las Vegas, Nevada. The pigs, individually and as a group, become a metaphor for humanity as they go from leisurely wallowing in the mud to the wildness of a feeding frenzy.

Red House is an animation that playfully explores metamorphosis in relation to the stability and structure of housing.

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

For 200 Nanowebbers, Semiconductor have created a molecular web that is generated by Double Adaptor's live soundtrack.

"Third Known Nest is a collection of nine short works completed approximately one per year from 1991 to 1999.

Artist Rabih Mroué looks back at old audio recordings, which were made by him and his parents to be sent as audio letters to his brother while he studied abroad.

Burrow-Cams features footage from cameras that have been placed inside underground animal habitats (dens, burrows, etc.).

The “greca”, the meander, is the main symbol weaved in the textiles made by the Navarro sisters, from Santo Tomás Jalieza, México.

A transcription of what I have been told during intimate experiences while separating from my husband.

Breakfast of Champions is an installation created in 1991 by the artist duo Ligorano Reese, comprising Nora Ligorano and

Scottish artist Thomas Lawson (b. 1951) is a painter, critic, and founding editor of REAL LIFE magazine who lives and works in Los Angeles. His paintings are tied to the particularities of the present, and he is especially critical of the art world’s infatuation with ego and creativity. His portraits, appropriated from the print media, represent an intervention in that vein.

An ailing, elderly man listens to a private performance in his room. The singing is a halting mix cross-cultural-Inuktitut and Country & Western. Transgressive and mesmerizing, Karaoke distorts the landscapes of sound and body.

This tape documents Nancy Cain’s birthday party and captures the inner workings of the Videofreex’s social ethos.

An avatar, created through a 3D scan of Syms, navigates a plain and vast virtual landscape, the perspective sometimes floating above, sometimes alongside, as she progresses through a perpetual cycle of death and resurrection.

Women with a Past brings together four 20th Century artists — Yvonne Rainer, Christine Choy, Martha Rosler, and Nancy Spero — in videotaped interviews, shaped and edited by Lyn Blumenthal to examine the art of documentary.

Sunday, 6th April 11:42 a.m. is a video about landscape as a complex network of connections that guide relationships between people.

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

Named after Harry Smith's seminal "Anthology of American Folk Music,” Anthology of American Folk Song re-inscribes the optimistically paranoid mythological landscape of contemporary America.

A. D. Coleman started writing regularly on photography in 1967 for the Village Voice, at a time when very few critics took the medium seriously.

A fairy tale, a road movie, a folly.

An intimate dialogue with Soha Bechara, ex-Lebanese National Resistance fighter, in her Paris dorm room.

Baldessari has Ed Henderson examine obscure movie stills and attempt to reconstruct the films’ narratives.

Feminist artist Lynda Benglis is known for her sculptures, video performances, paintings, and photography. Her work in the 1970s was controversial, delving into issues of gender roles within and outside the art world.

A rural sunset at the edge of the water in WandaWega Waters. The natural rhythmic movement of the water’s surface becomes a highly colored abstraction in motion, a meditation on the intersection of nature and technology.

Filled to capacity, each car of a 157 car train sounds a percussive note in this homage to John Coltrane. And not one coal train, but two.

Chief Waiwai recounts for his village the story of a trip he and a small entourage made to meet the Zo’é, a recently contacted group whom the Waiãpi “know” through video.

“Nobody likes you if they think you’re rude- you better act the way you should.” But we didn’t.

A short, hilarious cooking mantra, featuring Sister Dimension, The "Lady" Bunny, RuPaul, David Dalrymple, Lahoma Van Zandt and Maria Ayala. "Where's the pickle? That's the surprise!"

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

This 2-DVD collection features five early films, a historically important dance and a recent work by media artist and choreographer Yvonne Rainer, and a documentary portrait by Charles Atlas.

Between basement and stoop, PBRs and politics, two bros discuss rock music history, protest, incarcerated relatives, fine cheese, the book plot of Bridge to Terabithia, and lesbian girlfriends.

Ree Morton (1936-77) was an American artist working with large-scale mixed media installations.  Her mature career was brief, extending from 1971 to 1977.  However, her output and growth during these years was unusually large.  This was the first of two interviews Lyn Blumenthal and Kate Horsfield conducted with Morton; the second was for the journal Heresies in 1977.

Berlin-based Danish artist Olafur Eliasson complicates and simulates perception through his installations, sculptures, and photographs.

"Weeks before the 2006 midterm elections in the U.S., Venezuelan President Hugo Chávez came to the United Nations and blew everyone's minds with his "smells of sulfur" speech about Bush.

2 Spirit Dreamcatcher Dot Com queers and indigenizes traditional dating site advertisements.

3 Church Walk is a film made with writer Jonathan P. Watts and sound composer Simon Limbrick about the empty and neglected Suffolk house of modernist architect H. T. ‘Jim’ Cadbury-Brown.

It stands as a mecca to 16mm film, and weathers the withering breath of a shifting climate. Bundled-up in opulence and optimism, the film festival goes onward and upward while I succumb to a glacial deposit that proves unflushable.

Eric Fischl's early works were large-scale abstract paintings. While teaching in Nova Scotia, Fischl began to shift from abstraction to smaller, image-oriented paintings, beginning with narrative works that investigated a fisherman's family.

An electronic disturbance created during a live audio meltdown by Animal Charm as part of their Hot Mirror Mix in the fall of 1998.

In Mondo Toronto, Glennda travels to Toronto to visit Liza LaBruce (Bruce LaBruce). Liza gives Glennda a tour of the city's public parks, with specific reference to their role in gay culture.

“A good example of Baldessari’s deadpan irreverence is the 1971 black-and-white video entitled I Am Making Art, in which he moves different parts of his body slightly while saying, after each move, ‘I am making art.’ The statement, he says, ‘ho

A musical portrait of Vic Chesnutt and company recording the song, CHAIN.

In this sequel to Rainy Season, George recovers from his depression and experiences a "little joy" during a New Year's Eve of champagne cork-popping.