As a "Post-Mexican” performance artist operating out of the US for over 20 years, one of my conceptual obsessions has been to constantly reposition myself within the hegemonic maps.

"I got my first Sony Portapak in 1972 and started keeping a video diary. I sat facing my image on the monitor and talked about what was going on in my life. In 1977 I decided to talk about my current experience with love.

Miranda July (b.1974) makes performances, movies, and recordings—often in combination.

In July of 1971, American artist Lee Lozano gave a talk at NSCAD art college in Halifax, called “The Halifax 3 State Experiment”.

Moving Stories strings together scenes of passenger aircraft in flight.  In this short study of the dramatic and narrative power of image and sound, Provost manipulates cinema language and reaches, though minimal means, a strong, emotionally loaded result.  With a limited number of images, an absorbing soundtrack, and a suggestive story line, the viewer's imagination is stimulated to the maximum.

Altamira is the paleolithic and post-human experience of the bloom of cinema. The cinema in a cave, the lightning of his presence, the fire of his birth. The paleolithic and post-human intermittence of the life of cinema.

The first of the series includes:

What Does Away Mean? by Jem Cohen advertises the need to recycle through reconsideration of landfills and garbage disposal.

Animal Attraction is a documentary about the relationship between people and animals that questions the way we project our hopes and desires onto our pets, and ascribe human qualities and attributes to their gestures.

Coco Fusco is a Cuban-American artist and author who investigates race, gender, politics, and identity through installations, performances, video work, and writing.

Constructed from a destroyed rescan of fashion magazine ads and a video self-portrait, Suspension is a meditation on the implicitly narcissistic nature of desire within a commodified context.

Sable Elyse Smith's How We Tell Stories to Children is a single channel video that combines found footage, music clips, and audio of the artist reading with video clips of her father recording himself from prison.

Segalove comes out as the child of a movie star haven where messy lawns are reported to the police and designer labels are removed from hand-me-downs for the maids.

Spanish painter Chema Cobo discusses his early years of studying and creating art in Southern Spain. His career began in the mid-1970s, exhibiting at the Buades and Vandrés galleries, along with a generation of now-established artists.

Part of paraconsistent sequence series and the hauntology series.

1+8 is a film about Turkey’s unique position between West and East and her relationship to her eight very distinct and diverse neighbors.

Looking like a 1970’s version of “Rosie the Riveter”, Mogul takes on the persona of an artist who makes a living posting billboards on the Sunset Strip in Hollywood.

This two-part episode features Glenn Belverio and Duncan Elliott participating in an ACT UP demonstration at President George Bush’s summer house in Kennebunkport, Maine, interviewing activists and documenting this historic event.

Decidedly low-tech, this optical abstraction begins with a shot of an aluminum reflector inside a lamp; a lightbulb in the shot’s center flicks on and off.

Acconci explodes the notion of an artist’s creation, his creative act being the build-up and discharge of saliva, an activity more properly belonging to the realm of necessary and autonomic bodily functions than art.

A series of unnatural deaths and departures (almost all, of men) disrupts the lives of nine families sharing an apartment building in Jerusalem.

Performance engineers Survival Research Laboratories (SRL) construct machines that live in their own fictional world, acting out scenarios of perpetual torment, exasperated consumption, and tragic recognition.

Biting Nations, a video produced in collaboration with Luna Montenegro, Lisa Bradley, Arantxa Johnson questions the assumption of fixed national identities and investigates one’s multiple notions of geographical belonging.

Every country employs specific techniques for disguising its soldiers, every army has developed its own camouflage uniforms.

Covert Action is a stunning melange of rapid-fire retro imagery accomplishing Child’s proclaimed goal to “disarm my movies.” “I wanted to examine the erotic behind the social, and remake those gestures into a dance that would confront their co

TV's invasion of viewers' domiciles gets turned upside down in the video as a fan's (Millner) domestic life is superimposed onto the set of Roseanne, driving home unexpected reverberations as the nuclear family teeters on the edge of dysfunctio

Fences Make Senses re-stages and interrogates international barriers and borders using the bodies of non-refugees.

In Music on Triggering Surfaces, Bode constructs an interface between audio and video systems.

A colorful and sinister tale of hypno-therapists delving into the quagmire of UFO abductions, and wallowing in the subconscious muck of their own primal urges.

"This compilation is a selection of six short films and videos, made in London over the period 1994 to 1999.

Tlecáxitl is the sacred furnace where the new fire begins. This is the place where the sun, the moon and fire coincide in their cosmic dance to unleash vital irradiation. Part of Tonalli.

Tortillas are an ancestral and sacred food, our transmuted corn. The circular nourishment that represents the luminous and colorful side of the moon on which our life is nourished.

Now Let Us Praise American Leftists is an experimental video animation that seeks to eulogize and ridicule the American leftist movement of the past century.

A mirror reflects voiceless eyes with stories to tell, ‘stories’ about feet attempting to climb steps to "perfection"....."stories" about canvasses that are traps for a caged artist who’s paint brush needs colors that

Women with a Past brings together four 20th Century artists — Yvonne Rainer, Christine Choy, Martha Rosler, and Nancy Spero — in videotaped interviews, shaped and edited by Lyn Blumenthal to examine the art of documentary.

In 1992, Tran came across a New York Times article about a group of hysterically blind Cambodian women in Long Beach, California, known as the largest group of such people in the world.

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

A video poem about memory and loss. The abstraction in the meaning of words and how they become more dynamic in our consciousness.

A holiday video of good cheer and feline ferocity, this annual tradition of videotaped festivities centers on the oriental and occidental tidbits that make the season worthy for bipeds on wheels as they pedal from one calorie laden event to another.

Eiko Otake’s I Invited Myself is a multi-volume installation which features choreography of place, movements of both performer and viewers, along with projections of selected video and film works created by Eiko over the last 40 years

A familiar landscape comprised of big box stores and parking lots proves a rich site for longing, intimacy, and radical change. Celebrities are observed in this environment and are reduced to ordinary beings in the process.

This tape exemplifies Snyder’s early experiments with the image processor. Articulated patterns of alternating wavelength and amplitude of both sound and light are arranged to produce abstract compositions.

The film centers on the images of the Gulf War, which caused worldwide outrage in 1991.

John Smith’s Flag Mountain records a vast flag, the insignia of the Turkish Republic of Northern Cyprus, painted onto the side of the Kyrenia mountains overlooking Nicosia, the divided capital of the former island nation.

In Hyperthermia the cinematic body becomes overwhelmed by the luminous projection of outside political factors, causing the internal temperature of the celluloid to rise to dangerous levels.

Painter Peter Saul’s iconoclastic paintings parody various aspects of contemporary American life, from politics to sex to violence.

Rong Xiang is a work on architectural replicas, piracy and its consequences. It is a comparison of LeCorbusier's chapel Notre Dame Du Hautin Ronchamp, France with its exact replica in Zhengzhou, Henan province East China.

Made for Madrid Pride 2017, Wonders Wander is a location based mobi-web-serial with four fictional episodes set in Madrid.

The third in a film triptych, Lefkosia was shot from within UN controlled territory on the border between south Cyprus and the Turkish occupied North.

Unable to locate the grave of Letine—leader of a 19th century acrobatic cycling troupe (and buried locally)—I went home and wondered.

And then I made this film.