Based on Robert Heinlein’s 1941 story “Universe,” Double Lunar Dogs presents a vision of post-apocalyptic survival aboard a “spacecraft,” travelling aimlessly through the universe, whose passengers have forgotten the purpose of their mission.

Is the left simply a mirror of the right or vice versa?

This title is also available on Sympathetic Vibrations: The Videoworks of Paul Kos.

Wawa peeks at the anxieties and difficulties of communication through the interactions between speakers of an endangered Indigenous language, each from differing cultural backgrounds and generations.

On Subjectivity examines how information is disseminated, how people read, screen, and interpret images; how mechanisms function and articulate information.

Based on accounts of girlhood anorexia, Swallow unravels the masked and shifting symptoms that define clinical depression.

In this diptych, Yi-Ching Chen plays the lowest possible sound on her tuba and Magenheimer's own electronically synthesized voice sings a letter that Ada Byron, the world's first computer programmer, wrote to her mother.

Efforts to “decolonize” institutions are embodied in ritual acts of acknowledging Indigenous presence and claims to territory.

Featuring a swirling spiral from video feedback, this video provides a contemplative visual space for viewers. The spiral appears on and off against colorful oscillation patterns. 

In a radical action like Nam June Paik destroying a violin, and rolling up in bandages the bodies of the players in in a concert by Yoko Ono, the international avant-garde group Fluxus changed not only art, but the concept of it.

Threads of Belonging depicts the daily life of Layton House, a fictional therapeutic community, where doctors live with their schizophrenic patients.

Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Xąwįska — or the Indian Pipe Plant — used by the Ho-Chunk to revive those who have fainted.

Woman, monster, animal? A portrait of a woman's face, the movement slowed down and reversed, the grotesquely made-up face examined in close-up.

“It is curious that in the most important periods of one’s life, one never keeps a diary. There are some things that even a habitual diary-keeper shrinks from putting down in words—at the time, at least.

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973.

Douglas Hollis (b.1948) was born in Ann Arbor, Michigan and continued to live there throughout the years of his college education at the University of Michigan. From an early age he had a deep interest in Native American culture.

"Look at a landscape and imagine a different one there. Touch the body and let it slip from memory. Imagine a desert when what you see is winter.

The colorized abstractions of Moog Images were created by feeding Moog synthesizer oscillators into the video inputs of a television monitor.

Ike is about a person showing their special gift — if pushed. The truth, fiction and lore of a brick thrower with deadly accurate aim.

Cast: Deondre “Champ” Jones, Derron Everson, Anthony Jerrell Jones.

Allan Trachtenberg is one of the most esteemed figures in contemporary photographic history and cultural studies. He received an Andrew W. Mellon Foundation Emeritus Fellowship for his continuing work on Wright Morris. Other honors include fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, the Rockefeller Foundation and the Guggenheim Foundation. Trachtenberg is the Neil Gray, Jr. Professor Emeritus of English and American studies at Yale University, where he taught for thirty-five years. 

Parry Teasdale is one of the founding members of the video art collective Videofreex, which was active in the 1960s and 70s.

Now Let Us Praise American Leftists is an experimental video animation that seeks to eulogize and ridicule the American leftist movement of the past century.

A speculative portrait of a Dutchman living in the Surinamese jungle, fixing canoe motors, who is accused of eating the locals' children.

"I showed a video from my diary called Chapter One to graduate film students at the University of California, Los Angeles. After seeing it they made their own Love Tapes.

Another chapter in the parallel-leftist-universe of Jim Finn, this video appears to be part of a communist self-help videotape series made in the early 1990's.

Part of the paraconsistent sequence series.

"Inspired by Ralph Hocking's fish biting video.  Eighty-seven stones thrown, volumes shifting of water sound, a real time performance event. Holding the camera and throwing 87 stones into the frame. 1/2" reel to reel Sony portapack." 

Media artist Cyrille Phipps has been involved with numerous alternative media and lesbian activist projects, including Dyke TV and the Gay and Lesbian Emergency Media Campaign.

Skating softly, but carrying a big stick, performer Kristin Elliott engages in an interlocking series of skits involving simple, slapstick activities performed by a pristine outdoor pool and in a venetian blind windowed corner of a room.  Bodies of

Part of the Hauntology Film Archives series.

Benning gives a chronology of her crushes and kisses, tracing the development of her nascent sexuality.

Documentary of the New York experimental theater company The Wooster Group on tour in Glasgow, Scotland, 2000, installing their production of HOUSE/LIGHTS.

The ground holds accounts of once pagan, then christian and now muslim ruins of the city built for Aphrodite. As she takes revenge on Narcissus, mirrors reveal what is seen and surfaces, limbs dismantle and marble turns flesh.

A Yosemite gargoyle climbs two gothic arches.

Prophecies of doom, disaster and political catastrophe envisioned by some of the world’s most famous psychics between the 1960’s and the year 2001 are conjured up through 3D-animation, industrial films, text and historical footage -- the sum of which co

After working in solitude at the studio, the artist leaves, uncomfortable with the idea of having to put on a face for the art world, where they expect you to say something articulate in order to grab the curator's attention.

Breder painted the words of Donald Kuspit’s poem in white on scraps of paper and then floated them down Old Man’s Creek, the site of many legendary Intermedia performances near Iowa City.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

In this episode of Glennda and Friends, Glennda Orgasm and Mark Allen drink at Marie's Crisis Café, a piano bar in Manhattan.

Wake is a cinematic dance collaboratively created by Eiko & Koma and James Byrne. It was filmed in special sessions during the premiere run of the living installation Naked, at Walker Art Center, November 2-30, 2010.

giroscopio is a short experimental film by two artists, one in Pennsylvania and one in Puerto Rico, each in pandemic lockdown, each disoriented. Objects seem to control them; their bodies are unbalanced, unwieldy, comical.

Adopting the movements of various animals, Forti begins the performance by walking hypnotically in circles. She falls to the floor and begins a cycle of walking and crawling that becomes an open metaphor for evolution and aging.

“APP APPAP APP APAPPAP APP APP APP APAPPAPAPPAP APPAP APP”

A simulation of safety and risk writ for both sides of the screen.

Presenting his bare torso to the camera, Nauman meticulously applies, and removes, layers of white and black pigment, to his face, arms, and chest.

Performing artist Neil Bartlett plays a gay lecturer whose attempt to go back into the closet is betrayed by the contents of his briefcase.

The disparate chronicles of a high school wrestling team, a flooded town of aliens, and the love affair between two young men.

Sing, O Barren Woman, part documentary part music video, satirizes and celebrates a taboo subject--voluntary childlessness.

The idea of suspension is evoked on shifting registers – as levitation, cessation, preservation, and suspense – and located in sites whose identities slip as we track through a space within a space.

This is an agitprop piece on resistance from the autonomy and indigenous sovereignty that hold in his own name, in his own letters, in his own sparks and embers of letters.

Defiantly humorous in its tone, Delirium reflects Faber’s mother’s personal experience with what has been classified as “female hysteria.”  While never reducing her mother’s condition to a single explanation, Delirium firmly and c