Cheang’s work from the early-to-mid 1990s demonstrated an exciting fusion of identity politics and erotic exploration, making her one of the period’s most prominent queer media artists.

An audio mix assembled as part of a memorial for the storyteller and very old friend, Spalding Gray, who lost himself in New York Harbor in 2004.

This title is audio only.

M+ Museum presented A Body in Hong Kong in two locations as part of Mobile M+: Live Art, 2015. Tim Mei Avenue, where Eiko chose and performed, was the main site of 2014 Umbrella Revolution.

A collection of love tapes made at the Metropolitan Correctional Center, a federal prison in New York City. The videos are part of Wendy Clarke's ongoing project, Love Tapes.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

A cactus-strewn desert becomes the backdrop for this series of filmic stopovers that focuses on the living quarters assigned the assignee of this adventurous arrangement.

The annual holiday video is off and swinging with this foray into festive chatter and explosive fireworks. Sweet treats are served up along with ice cream and jungle jingles befitting this season of goodwill toward man and beast.

A young girl buys a weird toy from a charity shop. She forms such an intense relationship with it that it develops special ways of communicating and a strange connection to her that seems to defy the laws of physics.

Water and oil form the undercurrents of all narrations as they activate profound changes in the planetary ecology. After the oil peak, ever dirtier, remote and deeper layers of fossil resources are being accessed.

Founded in 1997, the Arab Image Foundation preserves the legacy and collection of photographer Hashem el Madani and the Sheherazade photo studio.

Framed is the second installment of the longer piece, Video Bites: Triptych for the Turn of the Century.

In Fagtasia Solstice, Brenda and Glennda attend a Radical Faerie event in New York City to commemorate the Summer Solstice.

Embark on an expressive excursion into the body of a young man who’s lips issue words from his soul.

Altamira is the paleolithic and post-human experience of the bloom of cinema. The cinema in a cave, the lightning of his presence, the fire of his birth. The paleolithic and post-human intermittence of the life of cinema.

Reeves approaches the issues of life and death through a meditation on light and dark, a minute observation of movement and stillness.

UK, November 26th 2005

The perception of an Anglo-American hotel room is coloured by new revelations about 'The War on Terror' and 'The Special Relationship' that exists between Britain and the USA.

Jennifer Bartlett (b. 1941) is a writer and painter who makes large paintings with enamels on fabricated panels. She uses an overall grid structure on which she repeats images in a variety of styles ranging from lyric abstraction to childlike representation.  Near the end of this interview with Kate Horsfield, she reads the chapter “Dreaming” from her book The History of the Universe (1985). “I decided: 1) I didn’t want to stretch a canvas again, 2) I wanted to be able to work on a lot of things at once. I didn’t want to exercise my own taste, which seemed boring and hideous. I wanted something modular, a constant surface."

A historical interview originally recorded in 1976, edited in 2010 with support from the Lyn Blumenthal Memorial Fund.

Two performers, Acconci and a young woman, occupy two wooden boxes in separate rooms, connected via monitor, camera, and microphone.

This classical animation explores personal memory, associations and atmosphere.

"I remember from the other room I could hear you violently buttering bread. I secretly hoped that I could be your next victim."

Christmas Eve. A man alone finds someone he can talk to.

The young and the innocent at the mercy of a palpable presence oozing menace and scarlet-stained goodness as a strawberry sundae melts under the glare of future hell-firestorms in search of kindling.

Paul Schrader’s Bag is an inventory of fame. Playing the anonymous Every Man in a brush with celebrity, Simon presents a Hollywood peerage as our cultural patrimony.

Inspired in part by the cover of "Megatron Man," Patrick Cowley's archetypal 80s disco album, Robot Love is a celebration of the playful, synthetic, party-driven, disposable culture of disco.

A live performance on a public-access cable program in New York deconstructing the messages in Vogue and its advertising. The work looks at the institutional slants of the magazine industry and the fashion industry’s reliance on sweatshops.

Part of a trilogy known as the Video Wallpaper Series in which George uses his new audio/video digital mixer to create a range of impressions of people and places.

Nancy Cain interviews an upside down chin face about Women's Liberation, asking "Where do you stand on the subject?"  The chin face professes to be happy with her lot, and says she enjoys living alone with her cat.

A son discreetly records fleeting moments in his parents’ suburban home. An intimate portrait of a stable life lived according to the rules of society.

As an ominous voice guides us through Best Is Man’s Breath Quality, we are confronted by dense and complex images and sounds that appear and disappear before us.

A surreal vision of one man's endeavor to contact the spirit world and come to terms with nightmares of a mysterious death.  A séance is orchestrated according to instructions written in 1920 by revered parapsychologist Hereward Carrington, voiced

In the nest of the sun, Xolotl, Huitzilin and Xochitl meet to recover the dance of radiation, whose colorful heat stirs the new fire of their cosmic dance. Part of the Film Tonalli.

An evening-length collaboration work with the celebrated avant-garde pianist Margaret Leng Tan. The stage set is by Eiko & Koma and the lighting is by David Ferri.

Imagining future Deep Time, Post-extinction, using dark humor to speculate on the defiant vitality of matter to evolve life again. Two billion years from now, the oceans are beyond understanding.

A video diary about Cuthand's efforts to undergo artificial insemination. Cuthand contemplates a desire to have children and its relation to preserving Indigenous culture.

“Where the robots can eat food, they eat chemicals instead—as one would expect. Where they can live and act, they sit in dark rooms and watch others do it for them. Where they can have faith, they mistrust the honest.

Depicting a sailing party gone wrong, McCarthy questions the effects that violence and mutilation, both real and simulated, have on the viewer in contemporary culture.

The Waiãpi videomaker Kasiripinã decides to show white people the documentation he did on his people in Amapo. He presents and comments on three celebrations that represent episodes of the myth-cycle of the creation of the universe.

The foliage and sprouting of urban greenery becomes the subject of this celebration to all things pollinated. The video explores hidden gardens that lie sequestered amid an array of dwellings inhabited by the not so rich and famous.

In this episode of Glennda and Friends, Glennda Orgasm and Mark Allen drink at Marie's Crisis Café, a piano bar in Manhattan.

A young boy caught in an emotional web spun by adults must untangle the relationships that are deep as the sea surrounding him.

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Xąwįska — or the Indian Pipe Plant — used by the Ho-Chunk to revive those who have fainted.

Originally part of a larger sculptural installation using prospector's tools, this tape reenacts the search for "Olga," a miner's wife who disappeared on her honeymoon in 1936. As Paul and Marlene Kos call out, "Olga...

Shot over one day, this program records the events and protests in Washington DC on May Day, 1971.

Once again a seaside serenade of sloshing oils and simmering scallops fills the crannies of Cape Cod with dingle-berries of dubious delight!  Join a crew of crustacean craving civilians as they shuck their shells of inhibitions to become the truly

Subtitled: The Struggle for Western Shoshone Land Land activists Mary and Carrie Dann confront Federal Bureau of Land Management officers determined to impound the women's livestock until they pay grazing fees on land the Shoshone have never so

Filmed in Susan Mogul’s Los Angeles multi-ethnic working class neighborhood, Highland Park, Everyday Echo Street: A Summer Diary, is an insider’s view of how home and neighborhood are constructed in everyday relations.

Film and video maker Ken Kobland returns to the urban landscapes he filmed 20 years previously, such as the New York subway and the S-Bahn in Berlin. We leave, we travel, but it’s always the same images that we are drawn to.

This compilation collects seven short works made between 1977 and 1984.

A piece of movie film has survived the forthcoming Ice Age and is discovered by Venusian scientists--5000 years from now... This work is a correspondence of two information fragments of different origins and times that met by accident.